Audio Tracks - Korg Electronic Keyboard Parameter Manual

Sequencer mode
Audio Input/Output
Audio track monitor channels
(Line: REC Source, Track: track playback)
On Line
Track
Select track
Off Line
Tracks On Track Track Track Track Track Track
other than
"Track
Off Track Track Track Track Track Track
Select"
Source Direct Solo
On (checked): Only the signal of the bus line specified
by REC Source will be output to the L/R jacks and the
headphone jack. Check this if you want to monitor
only the sound that's being recorded. When using
Multi REC, you'll hear the sound from the REC Source
buses whose Play/Rec/Mute setting is set to REC.
Off (unchecked): The L/R (post-TFX) and bus line
signal(s) specified by Source Bus will be sent from the
L/R jacks and the headphone jack as specified by the
Audio Input "Bus Select (IFX/Indiv. Out Bus Select)"
(8–3a) and post-IFX Bus Sel. (8–5a) settings. This is the
normal state.
Note: If the Source Bus is L/R, this setting is ignored;
the L/R (post-TFX) signal is output from the L/R jacks
and the headphone jack.
Rehearsal
On (checked): Recording to the audio track(s) will be
simulated (recording will not actually occur).
The monitoring during rehearsal will depend on the
"Auto Input" setting. If "Auto Input" is checked, you
will monitor the external input between punch-in and
punch-out, and monitor the already-recorded sound at
other times.
For example if you set punch-in at 005 (measure 5) and
punch-out at 008 (measure 8), you will monitor the
already-recorded sound during measures 1 to 4 and
measures 9 to the end, and monitor the external input
during measures 5 to 8.
430
ADC OVERLOAD !
AUDIO INPUT 1,2
ADC
Analog to
LEVEL
(MIC/LINE) Digital
(MIN...MAX) Converter
ADC OVERLOAD !
AUDIO INPUT 3,4
ADC
Analog to
Digital
Converter
S/P DIF IN (L, R)
During Punch Rec
Track
Track Line Track Line
*
Line Line Line Line Line
[Off, On]
[Off, On]
Audio Input (0–2a)
BUS(IFX/Indiv.)
Insert
= L/R or IFX1-12
Effects
Level Pan
[127=0dB]
Master
Effects
Insert
Effects
Level Pan
[127=0dB]
Insert
Effects
Level Pan
[127=0dB]
0–5c: Audio Track Recording Level [dB]
Recording Level, Name, Take, and Take No. settings
for the sixteen audio tracks are not maintained
separately for each song; instead, they apply globally
to the entire Sequencer mode.
This area displays the settings of the track selected in
Track Select (for single track recording) or the settings
of the tracks whose Play/Rec/Mute button is set to
REC (for multi-track recording).

Audio Tracks 1...4

Recording Level 1...4
Level Meter 1...4
This adjusts the final level of the signal being recorded
from the REC Source to the audio track. Adjust the
level optimally without allowing the level meter to
reach the "CLIP !" indication.
The upper part of the level meter/slider shows the
corresponding audio track number.
If you're using single track recording, Recording Level
1 and Level Meter 1 are valid.
If you're using multi-track recording, the settings for
tracks whose "Play/Rec/Mute" is REC will be valid.
When recording a single audio track, the signal level
will appear in the level meters as soon as you set Track
Select to an audio track. When recording multiple
audio tracks via Multi REC, the signal levels will
appear in the level meters when you press the
SEQUENCER REC/WRITE switch to enter record-
standby mode.
Use the sliders to adjust the signal levels.
For more information, see "Setting levels" on page 13,
"Tips for eliminating distortion when using the analog
inputs" on page 14, and "Avoiding extraneous noise"
on page 13.
CLIP ! message
If 0 dB is exceed, the display will indicate "CLIP !" This
means that the level of the sampling signal is too high,
so adjust the level as described under "Setting levels"
on page 13.
ADC OVERLOAD! message
For more information, please see "CLIP ! message,"
above.
Stereo Pair (0-2c)
= On
REC Source (0-2c)
= L/R
CLIP !
L-Mono
Total
R-Mono Stereo
Effects
REC Sample Setup
Mode (0–1d)
Recording Level (0–1c)
[–inf ... 0.0dB ... +18.0dB]
L/MONO
R
[–Inf, –72.0...+18.0]
AUDIO
OUTPUT