Korg Electronic Keyboard Parameter Manual page 659

The analog audio signals from the AUDIO INPUT 1–4
jacks are converted by a AD converter from analog to
digital signals. This parameter sets the level of the
signal immediately after it has been converted into
digital form. If the sound is distorted even though this
level setting is very low, it is possible that the sound is
distorting earlier than the AD converter. Try adjusting
the MIC/LINE gain switch, LEVEL knob (AUDIO
INPUT1, 2) or the output level of the external audio
source.
0–2b: Audio Output
L/R Bus Indiv. Assign (Assign to L/R and Indiv.Out)
This lets you simultaneously send the L/R output to
any pair of individual outputs, in addition to L/R.
It's designed for two specific applications:
• In studio or live performance situations, you can
use this parameter to monitor sounds in privacy,
without changes at the main board.
• With the optional EXB-DI installed, you can route
the L/R output to any pair of ADAT output
channels.
Off: The L/R output will be sent only to the AUDIO
OUTPUT L (MONO) and R jacks, the HEADPHONE
jack, and the S/P DIF OUT jack. This is the normal
setting.
1/2...7/8: The L/R output will be sent to the
corresponding pair of INDIVIDUAL OUT 1–8 jacks, as
well as to the main L/R outputs, the HEADPHONE
jack, and the S/P DIF OUT jack.
Post-TFX Individual Bus
L R 1 2 3 4 5 6 7 8
Private monitoring
On stage, or in the studio, it can be convenient to
audition sounds or make edits without sending the
signal to the mixer, or to the main monitors. You can
use L/R Bus Indiv. Assign to do this:
1. Connect Individual Outputs 1/2 to the mixer or
main monitors. Do not connect the main L/R
outputs.
You can actually use any of the four individual output
pairs, but we'll talk about 1/2 in this example.
2. While you're auditioning sounds or editing, set
L/R Bus Indiv. Assign to Off.
3. Use the built-in headphone output for listening to
OASYS as you select or edit sounds.
As an alternative, you can connect the main L/R
outputs to your personal monitor mixer.
[Off, 1/2...7/8]
AUDIO OUTPUT
L (MONO)
(MAIN)
R
1
2
3
4
(INDIVIDUAL)
5
6
7
8
L/R Bus Indiv.
Assign = 1/2
Global P0: Basic Setup
4. When you're ready for others to hear the results,
set L/R Bus Indiv. Assign to 1/2.
Now, the OASYS stereo mix will go to the main board.
STEREO AUX RETUNES
AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX
U U U U U U U U U U U U U C
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 L R
MON MON MON MON MON MON MON MON MON MON MON MON U C 2
U U U U U U U U U U U U
2 2
2 2 2 2 2 2 2 2 2 2 2 2 INPUT
0 0 +15 L R 3
0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15
U U U U U U U U U U U U U C
3 5 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 3 4
0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 L R MONO
U 3 U U U U U U U U U U U U C
4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 6 4 4 AUX
SOLO
0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 0 0 +15 L R
5/6 SHIFT SHIFT 5/6 5/6 SHIFT 5/6 SHIFT SHIFT 5/6 SHIFT 5/6 SHIFT 5/6 SHIFT 5/6 SHIFT 5/6 SHIFT 5/6 SHIFT 5/6 SHIFT 5/6
LEVEL BALANCE
0 HI 0 HI 0 HI 0 HI 0 HI 0 HI 0 HI 0 HI 0 HI 0 HI 0 HI 0 HI
CR1604
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 16 CHANNEL MIC/LINE MIXER
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15
0 MID 0 MID 0 MID 0 MID 0 MID 0 MID 0 MID 0 MID 0 MID 0 MID 0 MID 0 MID
CLIP
+8 ALT PREVIEW
-12 +12 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12 -12 +12
-12 +12 -12 +12 -12 +12 -12 +12 -12 +12 +4
0 LO 0 LO 0 LO 0 LO 0 LO 0 LO 0 LO 0 LO 0 LO 0 LO 0 LO 0 LO +2
0
MAIN OUTPUT MUTE
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -4
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -8
EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ -12 SOLO
0 0 0 0 0 0 0 0 0 0 0 0 TO
-16 MAIN
-20
L R L R L R L R L R L R L R L R L R L R L R L R POWER
PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN
SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO
LEVEL
5 6 7 8 9 10 11 12 13 14 15 16
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4 ALT 3/4
1/LEFT 2/RIGHT LEVEL
OL OL OL OL OL OL OL SOLO/PHONES
OL OL OL OL OL
+20
+20 +20 +20 +20 +20 +20 +20 +20 +20 +20 +20 +10 OUTPUT
U U U U U U U U U U U U
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Sending the main mix to the EXB-DI ADAT outputs
If the optional EXB-DI is installed, the eight ADAT
output channels correspond to Individual Out 1–8.
This means that you can use L/R Bus Indiv. Assign to
send the L/R output to any pair of ADAT outputs.
▼ 0–2: Page Menu Commands
The number before each command shows its ENTER +
number-key shortcut. For more information on these
shortcuts, see "ENTER + 0-9: shortcuts for menu
commands" on page 138.
• 0: Write Global Setting. For more information, see
"Write Global Setting" on page 682.
• 1: Set Program User-Bank Type. For more
information, see "Set Program User-Bank Type" on
page 682.
• 2: Change all bank references. For more
information, see "Change all bank references" on
page 682.
• 3: Touch Panel Calibration. For more information,
see "Touch Panel Calibration" on page 682.
• 4: Half Damper Calibration. For more information,
see "Half Damper Calibration" on page 683.
• 5: Pad Calibration. For more information, see "Pad
Calibration" on page 683.
• 6: LCD Setup. For more information, see "LCD
Setup" on page 683.
• 7: Update System Software. For more information,
see "Update System Software" on page 684.
• 8: Expansion Sample Setup. For more information,
see "Expansion Sample Setup" on page 684.
• 9: Display Public ID. For more information, see
"Display Public ID" on page 684.
0–2: Audio Input
Sub Monitor
(INDIV.) (MAIN)
2 1 R L
Power Amplifier
Power Amplifier
649