Synchronization - Korg Electronic Keyboard Parameter Manual

Audio Input (set to Program mode)
Oscillator1 Filter1 Driver1
Oscillator2 Filter2 Driver2
AUDIO INPUT (1, 2, 3, 4)
S/P DIF IN (L, R)
the P0: Recording– Audio Input page to make audio
input settings for Sampling mode. These settings apply
only to Sampling mode.
Samples that you've assigned as a multisample can
also be processed by the insert effects, master effects,
and total effects, and then resampled.
Audio Input
You can also input audio sources from AUDIO INPUT
1, 2, 3, 4, and S/P DIF IN jacks in modes other than
Sampling mode (i.e., in Program, Combination, and
Sequencer modes).
You can apply the insert effects, master effects, and
total effects to external audio sources from these jacks
and sample them, or use the OASYS as a 6-in (AUDIO
INPUT 1, 2, 3, 4, S/P DIF IN L, R) 10-out effect
processor. You can also use an external mic input to
control a vocoder effect (026: Vocoder) applied to
internal sounds.
Dynamic modulation (Dmod) and Tempo Synchronization
Dynamic modulation (Dmod)
Dynamic modulation lets you control certain effects
parameters in real-time, using either the built-in
controllers or MIDI. These effect parameters are
marked with the logo
For more information, see "Dynamic Modulation
Sources (Dmod)" on page 976.
Tempo Synchronization
You can synchronize some effects parameters, such as
LFO speeds and delay times, to the system tempo. This
lets you sync the effects to Program LFOs, step
sequencers, Wave Sequences, Vector Envelope,
KARMA, the internal sequencer, and external MIDI
clocks.
These effects parameters are marked with the logo
.
Synchronizing LFOs
Most effects with LFOs, such as 016: Stereo Wah/Auto
Wah, can be synchronized to tempo. This applies to the
individual effects LFOs, and also the Common FX
LFO.
To set up LFOs to synchronize to tempo:
1. Set MIDI/Tempo Sync to On.
2. Set the BPM as desired.
To synchronize to the system clock, set BPM to MIDI.
Overview Dynamic modulation (Dmod) and Tempo Synchronization
Amplifier1
Amplifier2 EQ Insert Effect 1–12
.
Send Return
Master Effect 1, 2
Total Effect 1–12
In Sequencer mode you can also use the effects when
recording external audio sources to audio tracks.
When effects are applied to the external input sound
from the AUDIO INPUT 1, 2, 3, 4, and S/P DIF IN
jacks, certain effect types or parameter settings may
cause oscillation to occur. If this occurs, adjust the
input level, output level, or effect parameters.
Please be aware of this particularly when using an
effect that has a high gain.
Use the P0– Audio Input/Sampling page of each mode
to make audio input settings. Alternatively, you can
check Use Global Setting and make these settings in
the Global mode P0: Basic Setup– Audio page.
Normally you will leave Use Global Setting checked.
Uncheck this if you want programs and combinations
to use their own settings–for example, when writing a
program to use as a vocoder effect.
To set the LFO to a specific tempo, separate from the
system clock, set BPM to the desired tempo (between
40 and 240 BPM).
3. Use the Base Note and Times (x) parameters to set
the rhythmic value of the LFO.
For instance, if you set Base Note to 1/8 and Times (x)
to 2, each cycle of the LFO will last for a quarter-note
(two eighth-notes).
BPM/MIDI Sync: LFO
LFO
Synchronizing Delay Times
Delays with "BPM" in their title will sync to tempo.
For instance, you might set up effect 093: Stereo BPM
Delay as follows:
1. Set L Delay Base Note to 1/8, and Times (x) to 1
2. Set R Delay Base Note to 1/16, and Times (x) to 3
This means that the left channel will be delayed by an
eighth-note, and the right channel will be delayed by a
dotted eighth-note (three sixteenth-notes).
OUTPUT
L/MONO, R
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