098: Tape Bpm Echo - Korg Electronic Keyboard Parameter Manual

Source
Selects the modulation source for the panning width.
Amount
Set the modulation amount of the panning width.

098: Tape BPM Echo

This models a tape echo unit with three playback
heads–but with the ability to sync to tempo. The
distortion and tonal changes typical of magnetic tape
are also reproduced.
Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo Out
Left
Feedback
Feedback Amt
Tape
+
Saturation
Trim Pre Tone High / Low Damp
Wah Flatter
Right
BPM
Tempo
Base Note x Times
BPM
D -mod
INPUT
Trim
Sets the input gain.
Pre Tone
This models the reduced high frequencies of an analog
tape delay, before the saturation stage. Lower settings
create a darker tone.
WOW FLUTTER
This section models the instability of the tape
machine's motors. As the speed of the motor
fluctuates, the pitch changes slightly.
Frequency [Hz]
Sets the frequency at which pitch variation occurs.
Depth
Sets the depth of the pitch change.
TAPE ECHO
Delay Time
BPM
MIDI syncs to the system tempo; 40-240 sets the tempo
manually for this individual effect. p.822.
Time Over? >
The maximum delay time is 2,700msec. If the
combination of BPM, Base Note, and Times exceeds
this limit, the error message "OVER!" will appear. If
this occurs, change the delay time parameters so that
this message no longer appears.
[Off...Tempo]
[+/–100]
Wet / Dry
(3)
(2)
(1)
Level Pan
Delay
Tap2/3 Position
Wet / Dry
Delay Time
[0...100]
[0...100]
[0.02...1.00]
[0...100]
[MIDI, 40.00...240.00]
[---, OVER!]
Delay
OUTPUT
This is the standard effects output section, with
modulatable control over wet/dry balance. For more
information, see "OUTPUT" on page 764.
Delay(Tap1) Note
This sets the basic delay time of Tap 1, relative to the
system tempo. The values range from a 32nd note to a
whole note, including triplets.
Also, Taps 2 and 3 are specified as a percentage (%) of
this delay time. Taps 2 and 3 always stay in proportion
to Tap 1, even when the delay time is modulated.
Times
This multiplies the length of the Base Note. For
instance, if the Base Note is set to a sixteenth note, and
Times is set to 3, the delay time will be a dotted eighth
note.
Source
Selects the modulation source for the delay Note and
Times.
Dmod Max Note
Instead of specifying a modulation intensity, you can
specify a note (and multiplier) to map to the maximum
modulation value. Note that these can each be either
longer or shorter than the original Note and Times.
Times
This sets the multiplier for the Dmod Max Note.
Tap2 Position [%]
Sets the delay time of Tap 2, as a percentage of Tap 1's
delay time.
Tap3 Position [%]
Sets the delay time of Tap 3, as a percentage of Tap 1's
delay time.
Level and Pan 1...3
Each tap has its own controls for level and pan.
Tap1...3 Level
Sets the tap's output level.
Pan
Sets the tap's stereo position.
Feedback
Tap1...3 Feedback Amount
Sets the individual tap's feedback level. Negative
values invert the phase. These individual levels are
summed together, and then the final level is controlled
by Feedback Level, below.
Feedback Level
Sets the overall level of feedback.
098: Tape BPM Echo
[ ... ]
[x1...x32]
[Off...Tempo]
[ ... ]
[x1...x32]
[0...100]
[0...100]
[0...100]
[L, 1...99, R]
[+/–100]
[0...100]
847