24
SamplingPerc [COMPANDER S]
25
Sampling BD [COMP]
26
Sampling SN [COMP]
27
Hip Comp [COMPANDER S]
THRESHOLD
RATIO
No.
(dB)
( :1)
24
–18
1.7
25
–14
26
–18
27
–23
28
Solo Vocal1 [COMP]
29
Solo Vocal2 [COMP]
THRESHOLD
RATIO
No.
(dB)
( :1)
28
–20
2.5
29
–8
2.5
30
Chorus [COMP]
THRESHOLD
RATIO
No.
(dB)
( :1)
30
–9
1.7
31
Click Erase [EXPANDER]
THRESHOLD
RATIO
No.
(dB)
( :1)
31
–33
32
Announcer [COMPANDER H]
THRESHOLD
RATIO
No.
(dB)
( :1)
32
–14
2.5
33
Limiter1 [COMPANDER S]
34
Limiter2 [COMP]
THRESHOLD
RATIO
No.
(dB)
( :1)
33
–9
34
0
Effective when used on sampled sounds from CD-ROM etc. are used in a
context of acoustic sounds, to prevent the sampled sounds from seeming
to lack in power or definition. Four variations are provided: Perc, BD, SN,
and for looped materials (Hip Comp).
RANGE
ATTACK
(dB)
(s)
—
8m
2
—
2m
4
—
8m
20
—
15m
Variations suitable for solo vocal sources.
RANGE
ATTACK
(dB)
(s)
—
31m
—
26m
An adaptation of Vocal, suitable for choruses.
RANGE
ATTACK
(dB)
(s)
—
39m
Use this as a gate if the click tone that the musicians listen to is loud and you wish to
eliminate it.
RANGE
ATTACK
(dB)
(s)
2
—
1m
This uses the voice of an announcer to lower the level of the gate, and also
maintains a consistent volume for the announcer's voice.
RANGE
ATTACK
(dB)
(s)
—
1m
Limiter templates. 1 has a slow release, and 2 is a Peak Stop type.
RANGE
ATTACK
(dB)
(s)
3
—
20m
—
0m
Preset Dynamics Program Settings
OUT GAIN
WIDTH
KNEE
(dB)
(dB)
–2.5
—
18
3.5
SOFT 4
—
8.0
HARD
—
0.0
—
15
OUT GAIN
WIDTH
KNEE
(dB)
(dB)
2.0
SOFT 1
—
1.5
SOFT 3
—
OUT GAIN
WIDTH
KNEE
(dB)
(dB)
2.5
SOFT 2
—
OUT GAIN
WIDTH
KNEE
(dB)
(dB)
2.0
SOFT 2
—
OUT GAIN
WIDTH
KNEE
(dB)
(dB)
–2.5
—
18
OUT GAIN
WIDTH
KNEE
(dB)
(dB)
–3.0
—
90
0.0
HARD
—
RELEASE
HOLD
DECAY
(s)
(s)
(s)
238m
—
—
35m
—
—
354m
—
—
163m
—
—
RELEASE
HOLD
DECAY
(s)
(s)
(s)
342m
—
—
331m
—
—
RELEASE
HOLD
DECAY
(s)
(s)
(s)
226m
—
—
RELEASE
HOLD
DECAY
(s)
(s)
(s)
284m
—
—
RELEASE
HOLD
DECAY
(s)
(s)
(s)
180m
—
—
RELEASE
HOLD
DECAY
(s)
(s)
(s)
3.90m
—
—
319m
—
—
9