Yamaha CS1D Operating Manual page 553

Appendices
12 E.B.Finger [COMP]
THRESHOLD
No.
(dB)
12 –12
13 E.B.Slap [COMP]
THRESHOLD
No.
(dB)
13 –12
14 Syn.Bass [COMP]
THRESHOLD
No.
(dB)
14 –10
15 Piano1 [COMP]
16 Piano2 [COMP]
THRESHOLD
No.
(dB)
15 –9
16 –18
17 E.Guitar [COMP]
THRESHOLD
No.
(dB)
17 –8
18 A.Guitar [COMP]
THRESHOLD
No.
(dB)
18 –10
19 Strings1 [COMP]
20 Strings2 [COMP]
21 Strings3 [COMP]
THRESHOLD
No.
(dB)
19 –11
20 –12
21 –17
22 BrassSection [COMP]
THRESHOLD
No.
(dB)
22 –18
23 Syn.Pad [COMP]
THRESHOLD
No.
(dB)
23 –13
8
A compressor that evens out the attack and volume of a finger-plucked electric bass.
RATIO RANGE ATTACK
( :1) (dB) (s)
2 — 15m
A compressor that evens out the attack and volume of a slapped electric bass.
RATIO RANGE ATTACK
( :1) (dB) (s)
1.7 — 6m
A compressor that evens out the level of a synth bass and emphasizes it.
RATIO RANGE ATTACK
( :1) (dB) (s)
3.5 — 9m
Piano1 makes the sound stand out slightly and brightens it. In contrast, Piano2 has a
deeper threshold and evens out the overall level and sense of attack.
RATIO RANGE ATTACK
( :1) (dB) (s)
2.5 — 17m
3.5 — 7m
Suitable for electric guitar backing such as chording and arpeggios. Try making vari-
ous adjustments according to the tone or playing technique.
RATIO RANGE ATTACK
( :1) (dB) (s)
3.5 — 7m
Suitable for acoustic guitar strumming or arpeggios.
RATIO RANGE ATTACK
( :1) (dB) (s)
2.5 — 5m
These are compressors suitable for strings. No.20 and 21 can also be used on low-
range instruments (cello, contrabass).
RATIO RANGE ATTACK
( :1) (dB) (s)
2 — 33m
1.5 — 93m
1.5 — 76m
Suitable for sounds with a fairly rapid rise or strong sense of attack.
RATIO RANGE ATTACK
( :1) (dB) (s)
1.7 — 18m
Pulls together sounds that tend to lack cohesiveness. Suitable for instruments that are
pleasant to the ear but can tend to be diffuse, such as synth pads.
RATIO RANGE ATTACK
( :1) (dB) (s)
2 — 58m
OUT GAIN WIDTH
KNEE
(dB) (dB)
4.5 SOFT 2 —
OUT GAIN WIDTH
KNEE
(dB) (dB)
4.0 HARD —
OUT GAIN WIDTH
KNEE
(dB) (dB)
3.0 HARD —
OUT GAIN WIDTH
KNEE
(dB) (dB)
1.0 HARD —
6.0 SOFT 2 —
OUT GAIN WIDTH
KNEE
(dB) (dB)
2.5 SOFT 4 —
OUT GAIN WIDTH
KNEE
(dB) (dB)
1.5 SOFT 2 —
OUT GAIN WIDTH
KNEE
(dB) (dB)
1.5 SOFT 2 —
1.5 SOFT 4 —
2.5 SOFT 2 —
OUT GAIN WIDTH
KNEE
(dB) (dB)
4.0 SOFT 1 —
OUT GAIN WIDTH
KNEE
(dB) (dB)
2.0 SOFT 1 —
RELEASE HOLD DECAY
(s) (s) (s)
470m — —
RELEASE HOLD DECAY
(s) (s) (s)
133m — —
RELEASE HOLD DECAY
(s) (s) (s)
250m — —
RELEASE HOLD DECAY
(s) (s) (s)
238m — —
174m — —
RELEASE HOLD DECAY
(s) (s) (s)
261m — —
RELEASE HOLD DECAY
(s) (s) (s)
238m — —
RELEASE HOLD DECAY
(s) (s) (s)
749m — —
1.35m — —
186m — —
RELEASE HOLD DECAY
(s) (s) (s)
226mm — —
RELEASE HOLD DECAY
(s) (s) (s)
238m — —