Time Code Burn-In Filter; Audio Stream Details; Codec (Pcm) - Telestream Lightspeed Live Capture User Manual

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Appendix B: Containers, Codecs, and Vantage Actions
MXF OP1a Output

Time Code Burn-in Filter

Check to implement the Time Code Burn-in Filter, which imprints the media timecode
into each output video frame.
Note: The burned-in timecode always represents the actual input timecode being
used by the Input Source.
X|Y Position. Specifies (in pixels from the upper left corner origin) the line upon which
to place the timecode text on the video frame.
Font Size. Specifies the font size, in pixels.
Text Color. Specifies the color of the text. Enter a color name (white, red, green, etc.) or
an #RGBA code (for example, #0000DD). The alpha channel is optional.
Background Color. Specifies the color of the area behind the text. Enter a color name
(white, red, green, etc.) or an #RGBA code (for example, #0000DD). The alpha channel is
optional.
Timecode Transparency. Specifies the opacity of the timecode text as a real number.
Zero is fully transparent, and 1.00 (100%) is fully opaque.

Audio Stream Details

Select the Audio Stream component to display its details on the right.

Codec (PCM)

Codec. Specifies PCM as the codec used to generate audio tracks. No other codecs
provided.
General
Channel Configuration. Specifies Mono | Stereo | number of the audio channels. Note:
32 channels not supported from SDI sources.
Label Channel Pairs Left/Right. When checked, forces the first channel pair to be
labeled Left and Right, unless Force One Track Per Channel is selected, in which case
this setting is ignored.
Bit Depth. Specifies the output audio bit depth. 16 | 20 | 24.
Force One Track Per Channel. When checked, creates multiple mono tracks instead of
a single multi-channel track.
Channel Map. Allows re-mapping of the incoming source audio channels to the
captured file output channels. Channels are numbered from 1 to 32. Specify the
number of the audio input channel to use for each output channel.
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