Roland V-Mixer VM-C7200 Manuals

Manuals and User Guides for Roland V-Mixer VM-C7200. We have 5 Roland V-Mixer VM-C7200 manuals available for free PDF download: Owner's Manual, Quick Start Manual, Software Manual, Frequently Asked Questions

Roland V-Mixer VM-C7200 Owner's Manual (313 pages)

Brand: Roland | Category: Music Mixer | Size: 61 MB

Important Safety Instructions
2
Grounding
2
Using the Unit Safely
3
Important Notes
4
Power Supply
4
Placement
4
Maintenance
4
Table of Contents
5
Introduction
10
Main Features
10
Names of Things
11
Dispaly Area
11
Monitor Area
11
Memory Recall Area
11
Display Area
12
Memory/Recall Area
15
Transport Area
16
Fader Parameter/Section Select Area
17
Channel Fader Area
19
Rear Panel
20
Before Operation
21
Connections
21
Precautions on Connection
21
Front Panel on the Processor
22
Rear Panel on the Console
22
Turning the Power On/Off
24
Turning the Power off
24
Precautions on Turning the Power on
24
Adjusting the Display's Contrast
25
Adjusting Internal Clock
25
How to Replace the Battery
26
If You Get Lost
28
Preparing a Memory Card
28
Formatting a Memory Card
28
Creating New Project
28
Internal Signal Flow
29
Input Channels
29
Input
29
Multi in
29
Buses/Output Routes
30
Main out
30
Flex Buses
30
Cue
30
About Digital Connections and the Master Clock
31
Digital Sound Device and Master Clock
31
Digital a and B Terminals and Reception of Word Clocks
32
Word Clock Connector
32
Checking the Overall System
32
Settings on the Digital I/O Screen
32
Restoring the Original Factory Settings
33
Factory Reset Procedure
33
Basic Operations
34
Screen Descriptions
34
Setting Parameters
35
Moving the Cursor
35
Changing Values
35
Level Meter Settings
36
Settings for the Panel
37
Pan Curve Type
37
Preamp Gain Adjust Mode
37
Shift Lock
37
Talkback Button
38
LED Type
38
What Is GPI?
38
Connection Setting of Processor and Console
39
Connection Status of the Console Itself
39
When Using Two Consoles
40
Audio through Function of the Console
40
Settings Related to Cascade Connection
41
Cautions on Cascade Connection
42
Data Storage and Retrieval
43
Internal Memory
43
Memory Card
43
Copying Libraries Containing Various Settings
44
Calling up and Saving a Library Screen
44
How to Call up the Copy/Save Screen for each Library
45
Saving the Current Settings Int Oa Library
45
Naming a Library as It Is Saved
46
Storing a Mixing State
47
Storing and Recalling a Scene
47
Clearing a Scene
47
Selecting Which Parameters will be Recalled
48
Scene Active Channel Page
48
Current Scene Name Edit Page
49
Storing and Recalling All Mixer Settings
50
About the Write Protect Function of the Memory Card
50
Preparing a Memory Card for Project Storage
51
Creating a New Project
52
Storing a Project
52
Updating a Project
52
Re-Naming/Erase-Protecting a Project
53
Naming and Adding Comments to a Project
53
Erase-Protecting a Project
53
Selecting a Project
54
Copying a Project
55
Erasing a Project from a Memory Card
55
Copying Data To/From a Memory Card
56
Moving and Returning a Set of Libraries in a Console
56
Backing up a Memory Card
57
Useful Functions
58
Storing Frequently Used Screens
58
Storing a Screen as a Macro
58
Recalling a Screen
58
Calling up Stored Connections
59
Routing Template
59
Selecting a Template
59
Virtual Patchbay
60
Saving the Current Connections as a Template
60
Changing Connections Using the Virtual Patchbay
60
Directly Calling up a Screen for each Channel
62
CD EDIT Operation
62
Directly Jumping to a Parameter's Screen
63
Quick Channel Edit
63
Simultaneously Setting Several Channel's Parameters
64
Determining a Parameter Setting to Change
64
Preamp Gain
65
Ch Pan/Ch Level
65
Surround Depth
65
Cue Pan/Cue Level
65
How to Set Parameters
66
Separating Screen from Fader State
66
Mixing Procedure 1
67
Basic Settings by Input Channel
67
Selecting an Input Channel's Signal Source
67
Gain, Phantom Power Supply, Phase and Attenuator
68
Correcting a Signal's Time Delay
69
Setting up a Channel's PHASE DELAY
69
Setting up On/Off, Send Level and PAN for a Channel
70
Switching the Send Point to the Cue Bus
71
Setting a Channel's Send Level and Send Point to Flex Buses
72
PAN and DEPTH for Using SURROUND
73
Setting Surround Panning in CHANNEL EDIT Mode
74
Setting up Direct-Output Channels
75
Linking a Channel to Its Adjacent Offevent Partner
75
Fine Adjustment of Surround Output Level Balance
75
Setting the Send Level and Point to a MULTI out
76
Switching the Status of a Channel
77
Muting a Channel
77
Adjusting Various Channel Settings
78
Listen to a Chanel by Itself
78
Using the STATUS Button to Enter solo Mode
78
Adjusting Frequency Characteristics
78
Setting up Equalizers by Band
79
Cutting Unwanted Low Frequencies
81
Setting up a High-Pass Filter
81
Adding an Delay-Based Echo
81
Naming Input Channels
83
Creating Channel Names
83
EZ Naming Function
83
Mixing Procedure 2
84
Setting Master MIX Levels and Stereo Balance
84
Reducing Signal Distortion
85
Setting the Main out Attenuator
85
Setting the Cue Bus Attenuator
85
A Flex Bus and Its Output
86
Outputting Signals Directly from a Flex Bus
86
What Is a Flex Bus?
86
Selecting a Flex Bus's Output
87
Sending Flex Bus Signals to Internal Destinations
87
Sending Signals to MAIN out or Cue Bus
88
Naming a Flex Bus Channel
89
Routing a Flex Bus to a Surround System Output
89
Calling up te Channel Edit
90
Surround Output
91
The Surround Function
91
Surround System Playing Environment
91
Surround Output Connections
91
Setting up Surround Outputs
92
Surround Panning
92
Routing Signals to Multi Outs and Assignable out Jacks
93
Selecting an Output's Signal Source
93
MULTI out CHANNEL EDIT Screen
93
Naming each Output Channel
94
Setting an Output's Level
94
Digital Connection
94
Setting up Dithering
94
Setting up Monitor Sends for Studio or Stange
95
Setting up a Monitor for the Mixing Engineer
96
Turning the Monitor Send to each Output Jack on or off
97
Calling up Stored Level and Monitor Output Presets
97
Specifying a Signal to Monitor
98
Setting the Monitor Volume
98
Selecting a Monitor Source
98
To Instanteously Lower the Monitoring Volume
99
Pre-Setting the DIM Level
99
Setting the Monitor Stereo Balance
99
Monitoring in Mono
99
Talkback and Slate to Player
100
Selecting a Talkback/Slate Microphone
100
Turning Talkback/Slate on and Adjusting Its Volume
100
Turning the Talkback and Slate Features on and off Independently
101
Simultaneously Controlling the Signals of Multiple Channels
102
Pairing One Channel with Another
102
Muting Several Channels
103
Turning Mute Group 1 to 9 On/Off
103
Registering and Deleting a Channel in or from a Mute Group
103
Simultaneously Changing Multiple Channels' Levels
104
Registering and Deleting a Fader Group
105
Naming a Fder-Group Master
105
Controlling the Mute/Solo State of each Fader-Group Master Fader
106
Registering a Fader-Group Master in a Mute Group
106
Mute and Solo-Related Settings
107
Solo Volume and Setting the Channel Signal-Flow Location
107
How to Set up the solo Feature
107
Linking Stereo-Link-To Destination
108
Using the Internal Effects
109
How the Internal Effects Are Organized
109
Using the Speaker Modeling Function
109
Operation for Producing an Effect
110
Determining the Effect Position
110
Other Restrictions
112
Setting Input/Output Levels
113
Selecting the Effect Library
113
Selecting a Library
113
Editing Effects
115
Determining the Algorithm
115
Invoking the Edit Screen
115
Settings Within the Edit Effect Screen
116
Saving an Effect State
117
Effect Library
117
Saving Edited Effects as Used Libraries
117
Naming Effects Libraries
118
Calling up the Screen for Setting Effect Library Names
118
Algorithm List
119
Reverb
120
Sound Types
120
Relationship between Sound and Time
120
Reverb Sound Quality
120
Delay
122
Delay Sounds and the Spread of Sound
122
Delay Repetition
122
Stdly-Chorus
124
How Feedback Works for Delay and Chorus
124
Stps Delay
126
Stereo Pitch Shifter Delay
126
Setting up Pitch
126
Vocoder
128
Tips for Using Vocoder
128
2Ch RSS
129
What Is RSS?
129
Precautions for Using RSS
130
Labeling on RSS Product Package
130
Delay RSS
131
Chorus RSS
132
Guitarmulti 1-3
133
Usage of Guitar Multi 1 through 3
133
Adding Wah Effect by Changing Input Volume
133
Selecting Guitar Amplifier
133
Vocal Multi
136
Cutting Distortion in Vocals
136
Rotary
138
Guitarampsim
138
Pre-Amplifier
139
Speaker Simulator
139
Recomended Combinations of Pre-Amplifier and Speaker
139
Stereo Phaser
141
Phaser and Flanger
141
Stereo Flanger
142
Dual Compressor/Limiter
144
Difference between
144
Using as Limiter
144
Using as Compressor
144
Gate Reverb
146
Reverb Applications
146
Multitapdly
148
Stereo Multi
150
Reverb 2
152
Reverb Types
152
Selecting Gate Type
152
Space Chorus
154
Lo-Fi Process
154
Creating Lo-Fi Sounds
154
Lo-Fi Processor
154
Parametriceq
156
Cutting Noise
156
Controlling Channels a and B Separately
156
Graphic EQ
157
Removing Hum
158
Hum Canceler
158
Noise Suppressor
158
Vocal Canceler
159
Cancelling the Vocals Alone
159
Voice Transformer
161
Vocoder 2
162
Envelope for Defining Sound Characteristics
162
Sound Location
162
Sounding Instrumental Sounds with the Format Fixed
162
Micsimulator
164
Microphone Simulator
164
Selecting the Microphone Used for Recording
164
Microphone Types that Can by Simulated
164
3Bndisolater
166
3-Band Isolator
166
Muting the Bass
166
Muting Vocals
166
Tapeecho201
167
About Replay Head
167
Analogfinger
168
Analog Flanger
168
Types of Flanger Effect
168
Analogphaser
169
Number of Stages of Phaser
169
Speaker Modeling
170
Speaker Types Applicable for Modeling
170
Selecting Speakers that Actually Generate Sounds
170
Mastering Tool Kit
172
Detect Time under Input
172
Splitting into Frequency Bands
172
31 Band Graphic Equalizer
175
Stereo 2-Band Dynamics
176
Dual Mono Dynamics
178
Master Effect
180
What Is Master Effect?
180
10-Band Parametric Equalizer
180
3-Band Dynamics
182
Using the Spectrum Analyzer
184
Basic Configuration and Operation
184
Specifying an Effect to Used by the Analyzer
185
Selecting a Signal to Analyze
185
Changing the Analyzer Display Format
185
Using a Test Signal
186
Selecting and Generating a Reference Signal
186
Fine-Tuning of the Sine Wave Frequency
186
Specifying the Bus to Which Reference Signals Are Sent
187
Specifying the Output Reference Signal Output
187
Checking the Frequency Characteristics of a Signal
187
Using the Built-In Noise Generator in a Concert Hall
187
Correcting Acoustic Problems Using an Equalizer
188
Measuring Outputs Using the Talkback Microphone
189
Combining Recorders
190
Remotely Controlling a Recorder
190
Notes on Connection
190
Selecting Recorder Type
190
Preparations for Remote Control
191
Playing or Stopping Recorders
191
Changing Track Status
192
Registering/Cancelling Points in a Song
192
Registering and Recalling Locate Points
192
Clearing Registered Locate Points
192
Naming a Locate Point
193
Call a Naming Screen for Locate Points
193
Editing Locate Points
193
Specifying a Point by Direct Entry of Time
194
Locating by Entering Time Code
194
Loop and Auto Punch In/Out
195
Specifying Lopo and Punch In/Out Point
195
Turning Loop and Punch In/Out on or off
195
Setup for Synchronized Operation
196
Selecting the Outgoing MIDI Sync Signals
196
MIDI Clock and Tempo
196
What Is the Automix Function?
197
Setting up the Automix Function
200
Automix and Channel Statuses
201
Statuses of Automix
201
Statuses of Channels
202
Confirming Channel Statuses at a Glance
202
Recording Auto-Mixing
203
To Synchronize with External Devices
203
Clearing the Memory
203
Recording to Modify
205
Re-Recording the Specified Section
206
Specifying the Region by Using the Locator
206
Playing Back Auto-Mixing
207
To Synchronize with an External Device
207
Editing Auto-Mixing
208
Confirming Data
208
Changing the Current Position
210
Displaying Scaled-Up/Down VIEWER Area
210
Confirming All Types of Data
210
Changing Data One by One
211
Defining
211
Copying
212
In/Out
212
From
212
To
212
Moving
214
Erasing a Section no Longer Needed
216
Erasing an Unneeded Portion
217
Bringing Forward What Follows
217
Gradually Shifting Values in a Specified Region
218
Marker
218
Source
218
Gradation Curve
218
Add Dynamics
220
Shift
220
Rate
220
Threshold
220
Using with MIDI Devices
222
Settings Related to MIDI
222
Program Change
222
Settings Related to Tempo/Metronome
223
Tempo/Beat
223
MIDI Metronome
223
Settings Related to Synchronization
224
Sync Master
224
Sync Offset
224
Error Level
224
Examples of Connections
225
Receiving or Transmitting Level/Pan Using Fader or Knobs
225
To Synchronize with an External MIDI Device
225
To Make an External MIDI Device Synchronize with the Console
226
Controlling a MIDI Device from the Console
228
Controlling Volume
228
Recording Parameter Settings on a Sequencer
229
Controlling the Console from a MIDI Device
230
Changing Parameter Settings from an External MIDI Device
231
Glossary
232
Parameter List
248
Troubleshooting
261
No Sounds Are Heard
261
No Sounds Are Heard on some Channels
261
Sounds Contain Noise or Are Distorted
261
Intended Operation Is Not Available from the Fader
262
Writing to the Memory Card Is Not Possible
262
The Effects Are Unusable
262
Others
263
Auto-Mixing Data Have Been Lost
263
Q & a
264
Basic Setup and Structure
264
How Is the Mixer Operated?
264
Why Are the Mixing Processor and Console Separate?
264
Hardware
266
Other Matters
269
MIDI Implementation
270
Transmitted Data and Recognized Receive Data
270
Channel Voice Message
270
Polyphonic Key Pressure
270

Roland V-Mixer VM-C7200 Owner's Manual (312 pages)

V-Mixing Console

Brand: Roland | Category: Music Mixer | Size: 5 MB

Grounding Instructions
2
Important Safety Instructions
2
Important Notes
4
Power Supply
4
- Maintenance
  4
- Memory Backup
  4
- Using Memory Cards
  4
- Table of Contents
  5
Chapter 1 Introduction

10
- Main Features
  10
- Names of Things and What They Do
  11
- Contrast Knob
  12
- Fader Utility Button
  12
- Cursor Buttons
  12
- V1–V6 Knobs
  12
- Page Buttons
  12
- Level Meter Button
  12
- F1–F6 Buttons
  12
  - Analyzer/Osc/Gen Button
    12
  - Effects 1–8 Button
    12
  - Ez Routing Button
    12
  - B: Monitor Area
    13
  - Line out Level Knob
    13
  - MIC Level Knob
    13
  - Phones Level Knob
    13
  - Source/Studio2 Button
    13
  - Studio 1 Level Knob
    13
  - DIM Button
    14
  - Input Select Switch
    14
  - Output Preset A/B/C Button
    14
  - Send to Analyzer Button
    14
  - Talkback/Slate Button
    14
  - C: Memory/Recall Area
    15
  - Clear Button
    15
  - Enter Button
    15
    
    Auto-MIX Button
    16
    
    Copy/Library Button
    16
  - D: Transport Area
    16
  - Ff/Next Button
    16
  - Play Button
    16
  - Rec Button
    16
  - Rew/Prev Button
    16
  - Stop Button
    16
  - Undo/Redo Button
    16
  - Zero Button
    16
  - E: Fader Parameter/Section Select Area
    17
  - Nd Unit Select Button
    17
  - On Display Button
    17
  - Param View on Fader Buttons
    17
  - Preamp Gain Button
    17
  - Ch Flip Button
    18
  - Fader Group Master 1–24 Button
    18
  - Flex Bus Master 1–12 Button
    18
  - Input Ch 1–24 Button
    18
  - Multi in Ch 1–24 Button
    18
  - Multi out 1–24 Button
    18
  - Shift Button
    18
  - Channel Faders
    19
  - F: Channel Fader (Button) Area
    19
  - Mode Select Buttons
    19
  - Status Buttons
    19
  - Ac in
    20
  - Ext Sw Jack
    20
  - Memory Card Slot
    20
  - MIDI/Meter Bridge Connectors
    20
  - Rear Panel
    20
  - VM-Link Connector
    20
- Before Operation
  21
  - Connections
    21
  - Turning the Power On/Off
    24
  - Adjusting the Display's Contrast
    25
  - Adjusting Internal Clock
    25
  - How to Replace the Battery
    26
  - If You Get Lost
    28
  - Preparing a Memory Card
    28
- Internal Signal Flow
  29
- Input Channels
  29
- About Digital Connections and the Master Clock
  31
- Restoring the Original Factory Settings (Factory Reset)
  33
  - Factory Reset Procedure
    33
Chapter 2 Basic Operations and Their Settings (System/Project)

34
- Basic Operations
  34
  - Screen Descriptions
    34
  - Setting Parameters
    35
    
    Moving the Cursor
    35
    
    Changing Values
    35
- Level Meter Settings
  36
- Settings for the Panel (Knobs and Display)
  37
- Connection Setting of Processor and Console
  39
Chapter 3 Data Storage and Retrieval

43
Chapter 4 Useful Functions

59
Chapter 5 Mixing Procedure 1 (Input Channel)

68
Chapter 6 Mixing Procedure 2 (Output and Monitor)

85
Chapter 7 Mixing Procedure 3 (Settings Common to Input and Output)

103
- Simultaneously Controlling the Signals of Multiple Channels (Link and Group)
  103
- Mute- and Solo-Related Settings
  108
  - Solo Volume and Setting the Channel Signal-Flow Location to be Soloed
    108
  - Linking Stereo-Link-To Destination
    109
Chapter 8 Using the Internal Effects

110
- How the Internal Effects Are Organized
  110
  - Using the Speaker Modeling Function
    110
- Operation for Producing an Effect
  111
  - Determining the Effect Position
    111
  - Setting Input/Output Levels
    114
  - Selecting the Effect Library
    114
- Editing Effects
  116
  - Determining the Algorithm
    116
- Saving an Effect State (Effect Library)
  118
  - Naming Effects Libraries
    119
- Algorithm List
  120
- Stdly-Chorus (Stereo Delay Chorus)
  125
- Stps-Delay (Stereo Pitch Shifter Delay)
  127
- Ch Rss
  130
- Delay Rss
  132
- Chorus Rss
  133
- Vocal Multi
  137
- Guitarampsim (Guitar Amplifier Simulator)
  139
- Speaker Simulator
  140
- Stereo Phaser
  142
- Stereo Flanger
  143
- Dual Compressor/Limiter
  145
- Gate Reverb
  147
- Multitapdly (Multi-Tap Delay)
  149
- Stereo Multi
  151
- Reverb Types
  153
- Lo-Fi Process (Lo-Fi Processor)
  155
- Space Chorus
  155
- Parametriceq (4-Band Parametric Equalizer)
  157
- Graphic Eq (10-Band Graphic Equalizer)
  158
- Vocal Canceler
  160
- Voice Transformer
  162
- Micsimulator (Microphone Simulator)
  165
  - Bndisolater (3-Band Isolator)
    167
  - Speaker Modeling
    171
- Mastering Tool Kit
  173
- Band Graphic Equalizer
  176
- Stereo 2-Band Dynamics
  177
- Dual Mono Dynamics
  179
- Band Parametric Eqalizer
  181
- Master Effect
  181
- Band Dynamics
  183
Chapter 9 Using the Spectrum Analyzer

185
- Basic Configuration and Operation
  185
- Checking the Frequency Characteristics of a Hall or a Signal
  188
Chapter 10 Combining Recorders

191
- Remotely Controlling a Recorder
  191
Chapter 11 Recording/Playing Back Fader or Knob Actions

197
Chapter 12 Using with MIDI Devices

223
- Settings Related to MIDI
  223
- Example of Connections
  226
  - Controlling a MIDI Device from the Console
    229
  - Controlling the Console from a MIDI Device
    231
    
    Balanced Connection
    233
    
    Absolute Recording
    233
    
    Automix Function
    233
    
    Active Sensing
    233
    
    Ad Converter
    233
    
    Auto Wah
    233
    
    Nd Unit
    233
  - Glossary
    233
    
    Blank Parameter Chart
    234
    
    Cascade Connection
    234
    
    Channel Message
    234
    
    Bass Cut Filter
    234
    
    Channel Link
    234
    
    Comb Filter
    234
    
    Bulk Dump
    234
    
    Condenser Microphone
    235
  - Data Entry
    235
  - Effect Expansion Board
    236
  - Digital I/O Connector
    236
  - Dynamic Microphone
    236
  - Discrete Circuit
    236
  - Effect Processor
    236
  - Effect Patch
    236
  - DIM Function
    236
  - Direct Box (DI)
    236
  - Drop Format
    236
  - Feedback Delay
    237
  - Feedback Level
    237
  - Flash Memory
    237
  - Frequency-Independent Compressor
    238
  - Goose-Neck Microphone
    238
  - Graphic Equalizer
    238
  - Frame Rate
    238
  - Flex Bus
    238
  - High Frequency Trimmer
    239
  - Guitar Amp Simulator
    239
  - Guitar Amp Modeling
    239
  - High Frequency Damp
    239
  - Insertion Effect
    239
  - Lithium Battery
    239
  - Insertion Jack
    239
  - Low Frequency Trimmer
    240
  - Low Frequency Damp
    240
  - Master Effects
    240
  - Manual Punch-In
    240
  - Master Tape
    240
  - MIC Converter
    240
  - Meter Bridge
    240
  - Multitrack Recording
    241
  - Noise Suppressor
    241
  - Noise Generator
    241
  - Motor Faders
    241
  - Micro Edit
    241
  - Parametric Equalizer
    242
  - Non-Drop Format
    242
  - Output Assign
    242
  - Panning Delay
    242
  - Note Number
    242
  - Ntsc Format
    242
  - Pal Format
    242
  - Phantom Power
    243
  - Peaking Type
    243
  - Phase Delay
    243
  - Pink Noise
    243
  - Pitch Shifter
    243
  - Realtime Modify Filter
    244
  - Relative Recording
    244
  - Pre-Fader Listen
    244
  - Region Set
    244
  - Shelving Type
    245
  - Return Level
    245
  - Sample Rate
    245
  - Send Level
    245
  - Sine Wave
    245
  - Spectrum Analyzer
    246
  - Smpte Time Code
    246
  - Sound Modeling
    246
  - Stereo Link
    246
  - Sub Frame
    246
  - Timing Clock
    247
  - Xlr Connector
    248
  - White Noise
    248
  - Word Length
    248
  - Zero Return
    248
  - Word Clock
    248
  - VM Link
    248
  - Parameter List
    249
    
    Level Meter
    252
    
    Auto Punch
    253
  - Overall Operations
    262

Roland V-Mixer VM-C7200 Quick Start Manual (100 pages)

V-Mixing Console

Brand: Roland | Category: Music Mixer | Size: 8 MB

Roland V-Mixer VM-C7200 Frequently Asked Questions (5 pages)

V-Mixing Console

Brand: Roland | Category: Music Mixer | Size: 0 MB

Roland V-Mixer VM-C7200 Software Manual (16 pages)

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Brand: Roland | Category: Music Mixer | Size: 0 MB

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Roland V-Mixer VM-C7200 Manuals

Roland V-Mixer VM-C7200 Owner's Manual (313 pages)

Table of Contents

Roland V-Mixer VM-C7200 Owner's Manual (312 pages)

Table of Contents

Chapter 1 Introduction

Chapter 2 Basic Operations and Their Settings (System/Project)

Chapter 3 Data Storage and Retrieval

Chapter 4 Useful Functions

Chapter 5 Mixing Procedure 1 (Input Channel)

Chapter 6 Mixing Procedure 2 (Output and Monitor)

Chapter 7 Mixing Procedure 3 (Settings Common to Input and Output)

Chapter 8 Using the Internal Effects

Chapter 9 Using the Spectrum Analyzer

Chapter 10 Combining Recorders

Chapter 11 Recording/Playing Back Fader or Knob Actions

Chapter 12 Using with MIDI Devices

Roland V-Mixer VM-C7200 Quick Start Manual (100 pages)

Table of Contents

Getting Started

Before Mixing Operations

Mixing Operations

Using Sub Outputs

Using On-Board Effects

Other Important Features

Some Special Features

Using EZ Routing Templates

Connection Samples

Roland V-Mixer VM-C7200 Frequently Asked Questions (5 pages)

Table of Contents

Roland V-Mixer VM-C7200 Software Manual (16 pages)

Related Products

Roland Categories