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Roland Manuals
Music Mixer
V-Mixer VM-C7200
Owner's manual
Roland VM-C7200 Owner's Manual
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Also See for VM-C7200
:
Owner's manual
(312 pages)
,
Quick start manual
(100 pages)
,
Software manual
(16 pages)
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Table Of Contents
313
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Contents
Table of Contents
Troubleshooting
Bookmarks
Table of Contents
Important Safety Instructions
Grounding
Using the Unit Safely
Important Notes
Power Supply
Placement
Maintenance
Table of Contents
Introduction
Main Features
Names of Things
Dispaly Area
Monitor Area
Memory Recall Area
Display Area
Memory/Recall Area
Transport Area
Fader Parameter/Section Select Area
Channel Fader Area
Rear Panel
Before Operation
Connections
Precautions on Connection
Front Panel on the Processor
Rear Panel on the Console
Turning the Power On/Off
Turning the Power off
Precautions on Turning the Power on
Adjusting the Display's Contrast
Adjusting Internal Clock
How to Replace the Battery
If You Get Lost
Preparing a Memory Card
Formatting a Memory Card
Creating New Project
Internal Signal Flow
Input Channels
Input
Multi in
Buses/Output Routes
Main out
Flex Buses
Cue
About Digital Connections and the Master Clock
Digital Sound Device and Master Clock
Digital a and B Terminals and Reception of Word Clocks
Word Clock Connector
Checking the Overall System
Settings on the Digital I/O Screen
Restoring the Original Factory Settings
Factory Reset Procedure
Basic Operations
Screen Descriptions
Setting Parameters
Moving the Cursor
Changing Values
Level Meter Settings
Settings for the Panel
Pan Curve Type
Preamp Gain Adjust Mode
Shift Lock
Talkback Button
LED Type
What Is GPI?
Connection Setting of Processor and Console
Connection Status of the Console Itself
When Using Two Consoles
Audio through Function of the Console
Settings Related to Cascade Connection
Cautions on Cascade Connection
Data Storage and Retrieval
Internal Memory
Memory Card
Copying Libraries Containing Various Settings
Calling up and Saving a Library Screen
How to Call up the Copy/Save Screen for each Library
Saving the Current Settings Int Oa Library
Naming a Library as It Is Saved
Storing a Mixing State
Storing and Recalling a Scene
Clearing a Scene
Selecting Which Parameters will be Recalled
Scene Active Channel Page
Current Scene Name Edit Page
Storing and Recalling All Mixer Settings
About the Write Protect Function of the Memory Card
Preparing a Memory Card for Project Storage
Creating a New Project
Storing a Project
Updating a Project
Re-Naming/Erase-Protecting a Project
Naming and Adding Comments to a Project
Erase-Protecting a Project
Selecting a Project
Copying a Project
Erasing a Project from a Memory Card
Copying Data To/From a Memory Card
Moving and Returning a Set of Libraries in a Console
Backing up a Memory Card
Useful Functions
Storing Frequently Used Screens
Storing a Screen as a Macro
Recalling a Screen
Calling up Stored Connections
Routing Template
Selecting a Template
Virtual Patchbay
Saving the Current Connections as a Template
Changing Connections Using the Virtual Patchbay
Directly Calling up a Screen for each Channel
CD EDIT Operation
Directly Jumping to a Parameter's Screen
Quick Channel Edit
Simultaneously Setting Several Channel's Parameters
Determining a Parameter Setting to Change
Preamp Gain
Ch Pan/Ch Level
Surround Depth
Cue Pan/Cue Level
How to Set Parameters
Separating Screen from Fader State
Mixing Procedure 1
Basic Settings by Input Channel
Selecting an Input Channel's Signal Source
Gain, Phantom Power Supply, Phase and Attenuator
Correcting a Signal's Time Delay
Setting up a Channel's PHASE DELAY
Setting up On/Off, Send Level and PAN for a Channel
Switching the Send Point to the Cue Bus
Setting a Channel's Send Level and Send Point to Flex Buses
PAN and DEPTH for Using SURROUND
Setting Surround Panning in CHANNEL EDIT Mode
Setting up Direct-Output Channels
Linking a Channel to Its Adjacent Offevent Partner
Fine Adjustment of Surround Output Level Balance
Setting the Send Level and Point to a MULTI out
Switching the Status of a Channel
Muting a Channel
Adjusting Various Channel Settings
Listen to a Chanel by Itself
Using the STATUS Button to Enter solo Mode
Adjusting Frequency Characteristics
Setting up Equalizers by Band
Cutting Unwanted Low Frequencies
Setting up a High-Pass Filter
Adding an Delay-Based Echo
Naming Input Channels
Creating Channel Names
EZ Naming Function
Mixing Procedure 2
Setting Master MIX Levels and Stereo Balance
Reducing Signal Distortion
Setting the Main out Attenuator
Setting the Cue Bus Attenuator
A Flex Bus and Its Output
Outputting Signals Directly from a Flex Bus
What Is a Flex Bus?
Selecting a Flex Bus's Output
Sending Flex Bus Signals to Internal Destinations
Sending Signals to MAIN out or Cue Bus
Naming a Flex Bus Channel
Routing a Flex Bus to a Surround System Output
Calling up te Channel Edit
Surround Output
The Surround Function
Surround System Playing Environment
Surround Output Connections
Setting up Surround Outputs
Surround Panning
Routing Signals to Multi Outs and Assignable out Jacks
Selecting an Output's Signal Source
MULTI out CHANNEL EDIT Screen
Naming each Output Channel
Setting an Output's Level
Digital Connection
Setting up Dithering
Setting up Monitor Sends for Studio or Stange
Setting up a Monitor for the Mixing Engineer
Turning the Monitor Send to each Output Jack on or off
Calling up Stored Level and Monitor Output Presets
Specifying a Signal to Monitor
Setting the Monitor Volume
Selecting a Monitor Source
To Instanteously Lower the Monitoring Volume
Pre-Setting the DIM Level
Setting the Monitor Stereo Balance
Monitoring in Mono
Talkback and Slate to Player
Selecting a Talkback/Slate Microphone
Turning Talkback/Slate on and Adjusting Its Volume
Turning the Talkback and Slate Features on and off Independently
Simultaneously Controlling the Signals of Multiple Channels
Pairing One Channel with Another
Muting Several Channels
Turning Mute Group 1 to 9 On/Off
Registering and Deleting a Channel in or from a Mute Group
Simultaneously Changing Multiple Channels' Levels
Registering and Deleting a Fader Group
Naming a Fder-Group Master
Controlling the Mute/Solo State of each Fader-Group Master Fader
Registering a Fader-Group Master in a Mute Group
Mute and Solo-Related Settings
Solo Volume and Setting the Channel Signal-Flow Location
How to Set up the solo Feature
Linking Stereo-Link-To Destination
Using the Internal Effects
How the Internal Effects Are Organized
Using the Speaker Modeling Function
Operation for Producing an Effect
Determining the Effect Position
Other Restrictions
Setting Input/Output Levels
Selecting the Effect Library
Selecting a Library
Editing Effects
Determining the Algorithm
Invoking the Edit Screen
Settings Within the Edit Effect Screen
Saving an Effect State
Effect Library
Saving Edited Effects as Used Libraries
Naming Effects Libraries
Calling up the Screen for Setting Effect Library Names
Algorithm List
Reverb
Sound Types
Relationship between Sound and Time
Reverb Sound Quality
Delay
Delay Sounds and the Spread of Sound
Delay Repetition
Stdly-Chorus
How Feedback Works for Delay and Chorus
Stps Delay
Stereo Pitch Shifter Delay
Setting up Pitch
Vocoder
Tips for Using Vocoder
2Ch RSS
What Is RSS?
Precautions for Using RSS
Labeling on RSS Product Package
Delay RSS
Chorus RSS
Guitarmulti 1-3
Usage of Guitar Multi 1 through 3
Adding Wah Effect by Changing Input Volume
Selecting Guitar Amplifier
Vocal Multi
Cutting Distortion in Vocals
Rotary
Guitarampsim
Pre-Amplifier
Speaker Simulator
Recomended Combinations of Pre-Amplifier and Speaker
Stereo Phaser
Phaser and Flanger
Stereo Flanger
Dual Compressor/Limiter
Difference between
Using as Limiter
Using as Compressor
Gate Reverb
Reverb Applications
Multitapdly
Stereo Multi
Reverb 2
Reverb Types
Selecting Gate Type
Space Chorus
Lo-Fi Process
Creating Lo-Fi Sounds
Lo-Fi Processor
Parametriceq
Cutting Noise
Controlling Channels a and B Separately
Graphic EQ
Removing Hum
Hum Canceler
Noise Suppressor
Vocal Canceler
Cancelling the Vocals Alone
Voice Transformer
Vocoder 2
Envelope for Defining Sound Characteristics
Sound Location
Sounding Instrumental Sounds with the Format Fixed
Micsimulator
Microphone Simulator
Selecting the Microphone Used for Recording
Microphone Types that Can by Simulated
3Bndisolater
3-Band Isolator
Muting the Bass
Muting Vocals
Tapeecho201
About Replay Head
Analogfinger
Analog Flanger
Types of Flanger Effect
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