2-2: Osc1 Pitch - Korg KRONOS SGX-2 Parameter Manual

Program mode: HD-1
When the Drum Kit Select window is open, you can use the
Find button to search for Drum Kits by name. The button is
marked with a magnifying-glass icon, and is located at the
bottom of the window to the right of the OK button. For
more information, see "Find dialog" on page 5.
Drum Kits are edited in Global mode. For more information,
see "Global P5: Drum Kit" on page 807 and "Using Drum
Kits" on page 195 of the Operation Guide.
v 2–1: Page Menu Commands
The number before each command shows its ENTER +
number-key shortcut. For more information on these
shortcuts, see "ENTER + 0-9: shortcuts for menu
commands" on page 153.
2–2: OSC1 Pitch
2–2a
2–2b
2–2d
This page contains all of the settings for Oscillator 1's pitch
modulation. For example, you can:
• Set up pitch bend from both Joystick X (with separate
settings for bending up and bending down) and the
ribbon controller.
• Use Pitch Slope to control how the pitch changes when
you play up and down the keyboard.
• Set up Portamento.
• Assign AMS modulation for pitch.
• Set up initial amounts of pitch modulation from the Pitch
EG and LFO1/2, as well as AMS modulation of LFO and
EG amounts.
66
• 0: Write Program. For more information, see "Write
Program" on page 153.
• 1: Exclusive Solo. For more information, see "Exclusive
Solo" on page 153.
• 2: Copy Oscillator. For more information, see "Copy
Oscillator" on page 160.
• 3: Swap Oscillators. For more information, see "Swap
Oscillator" on page 160.
• 4: Sample Parameters. For more information, see
"Sample Parameters" on page 161.
• 5: Remap MS/Sample Banks. For more information,
see "Remap MS/Sample Banks" on page 170.
2–2a: Pitch
Pitch Slope
Normally, this should be set to the default of +1.0.
Positive (+) values cause the pitch to rise as you play higher
on the keyboard, and negative (–) values cause the pitch to
fall as you play higher on the keyboard.
When this is set to 0, playing different notes on the keyboard
won't change the pitch at all; it will be as if you're always
playing C4. This can be useful for special effects sounds, for
instance.
2–2PMC
2–2c
[–1.0...+2.0]