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Combination mode
VJS X Mode
You can set up the Vector to send out CCs in several
different patterns, as shown in the graphic below. This
controls the pattern for the X axis.
Note that this setting affects only CC Control; it has no effect
on Volume Control. Also, it applies only to the Combi
Vector CCs, and has no effect on the individual Program
Vector CCs.
Positive sends out only +X, starting at 0 at the far left, and
increasing to 127 at the far right. –X is disabled in this mode.
Negative sends out only –X, starting at 0 at the far right, and
increasing to 127 at the far left. In this mode, +X is grayed
out.
Xfade sends out both +X and –X, overlapping throughout
the X axis. As one increases, the other decreases.
Split sends out both +X and –X, with a split in the center. +X
is sent when the point moves to the right of the center, and –
X is sent when the point moves to the left of center.
Vector CC Modes
Positive
G enerates only +X,
incre asing from left to right.
0
+X C C
1 2 7
–1 2 7
0
X-Axis
Xfade
G enerates both +X and –X.
O ne incre ases as the other
decre ases.
0
+X C C
1 2 7
0
–X C C
1 2 7
–1 2 7
0
X-Axis
+X
This assigns the controller sent by the +X vector. You can
use this as an AMS source to control Program parameters, or
as a Dmod source to control Effects parameters. It will be
grayed out if the VJS X Mode, above, is set to Negative.
In addition to the standard list of MIDI controllers, you can
also assign the +X vector to duplicate the function of several
front-panel controllers, including JS X, JS+X, JS-X, Knobs
5–8, and SW 1–2.
For instance, if you assign +X to Knob 6, the vector's +X
will use the controller assigned to Knob 6 on the Controller
Assign page.
462
[Positive, Negative, Xfade, Split]
Negative
G enerates only –X,
incre asing from right to left.
1 2 7
–X C C
+ 1 2 7
–1 2 7
0
X-Axis
Split
G enerates both +X and -X.
Both are 0 in the center.
+X incre ases to the right;
–X incre ases to the left.
+X C C
0
1 2 7
0
–X C C
+ 1 2 7
–1 2 7
0
X-Axis
[Off...MIDI CC#119]
Finally, you can also assign +X to control the Master
Volume.
–X
This assigns the controller sent by the –X vector. It will be
grayed out if the VJS X Mode, above, is set to Positive.
The selections are the same as for +X, above.
VJS Y Mode
This controls the Vector CC pattern for the Y axis. For more
information, see the description under VJS X Mode, above.
+Y
This assigns the controller sent by the +Y vector. It will be
grayed out if the VJS Y Mode, above, is set to Negative.
The selections are the same as for +X, above.
–Y
This assigns the controller sent by the +Y vector. It will be
grayed out if the VJS Y Mode, above, is set to Positive.
The selections are the same as for +X, above.
Show Point
You can view the volume and CC values for the current
position of the Vector Joystick, or for any of the EG's five
points. This selects the point whose values will be shown.
CC at Show Point [%]
0
This read-only display shows the volume values for the
current Vector point, as selected by the Show Point
parameter, above.
Timbre 01
+ 1 2 7
Enable Combi Vector CC
This controls whether or not the Timbre will receive the
Combi Vector CCs.
If this is On, the Timbre will receive the CCs, and the
Timbre's Program will respond to them according to its own
AMS settings.
If this is Off, the Timbre will not receive the CCs. This can
be useful if the Combi's Vector CCs are causing unwanted
1 2 7
modulation, or conflicting with the Program's own Vector
CCs.
Enable Program Vector CC
This controls whether or not the Program's own Vector CCs
+ 1 2 7
will be active.
If this is On, the Program's Vector CCs and Vector EG will
work as AMS sources, just as they did in Program mode.
The CCs will not affect any other Timbres, even if they are
set to the same MIDI channel.
Note that. in some cases, the Vector CCs may have been
used for modulating the Program's effects via Dmod. This
functionality is not carried into the Combi; for modulating
the Combi effects, use the Combi's Vector CCs instead.
If Enable Program Vector CC is Off, then the Program's
Vector CCs will have no effect. This can be useful if they are
conflicting with the Combi's Vector CCs.
Timbres 02–16
The settings for Timbres 2–16 are identical to those for
Timbre 01, as described above.
[Off...MIDI CC#119]
[Positive, Negative, Xfade, Split]
[Off...MIDI CC#119]
[Off...MIDI CC#119]
[VJS, Vector EG Point 0...4]
[Off, On]
[Off, On]
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