Al-1: Tone Adjust - Korg KRONOS SGX-2 Parameter Manual

EXi: AL-1 Analog Synthesizer

AL-1: Tone Adjust

AL-1 Tone Adjust Default Settings
Oscillators 1 & 2 Oscillators 1 & 2
Width/Phase/Detune Width/Phase/Detune
AMS Intensity AMS Intensity
Switches 1–5: Switches 1–5:
Mixer Mutes Mixer Mutes
OSC 1, OSC 2, OSC 1, OSC 2,
Sub OSC/Audio, Sub OSC/Audio,
Ring Mod, Ring Mod,
Noise Noise
Tone Adjust provides an elegant physical interface to the
AL-1's parameters. Most of the factory sounds use the
default layout, as shown above. You can also customize the
layout for individual sounds, if desired.
For more information about Tone Adjust, please see "0–9f:
Tone Adjust," on page 35.
AL-1 Tone Adjust parameters
The AL-1 supports all of the Common Tone Adjust
parameters, as described under "0–9f: Tone Adjust," on
page 35. It also adds a number of its own additional
parameters, which apply only to the AL-1.
Note that these additional parameters are separate for each
EXi, as opposed to being shared by both EXi in the Program.
All of the additional parameters are listed below. Each is
marked as either relative (meaning that it scales the existing
parameter value) or absolute (which over-writes the existing
value).
Oscillator 1
• Tune (absolute)
• Waveform (absolute)
• Morph (absolute)
• Morph AMS Intensity (absolute)
• Detune/Pulse Width (absolute)
• Detune/Pulse Width AMS Intensity (absolute)
Oscillator 2
Oscillator 2 has the same Tone Adjust parameters as
Oscillator 1, above.
Oscillators common
• Sync On/Off (absolute)
228
Filters A & B Filters A & B FM Amount FM Amount
EG Intensity EG Intensity
EG 1 (Filter) ADSR EG 1 (Filter) ADSR
Drive Drive LFOs 1 & 2 LFOs 1 & 2
Speed Speed
Amp EG ADSR Amp EG ADSR
• FM Amount (absolute)
• FM AMS Intensity (absolute)
Mixer
• OSC 1 level (absolute)
• OSC 2 level (absolute)
• Sub OSC/Audio Input level (absolute)
• Ring Mod level (absolute)
• Noise level (absolute)
Filter A
In addition to the standard Tone Adjust filter parameters, the
AL-1 adds the following:
• Type (absolute)
• Cutoff (absolute)
• Resonance (absolute)
• Frequency EG Intensity (absolute)
• Frequency LFO Intensity (absolute)
Filter B
Filter B has the same Tone Adjust parameters as Filter A,
above.
Amp
• AMS 1 Intensity (absolute)
• AMS 2 Intensity (absolute)
• Drive (absolute)
• Low Boost (absolute)
Switches 7 & 8: Switches 7 & 8:
LFOs 1 & 2 LFOs 1 & 2
Stop Stop
Switch 6: Switch 6:
Sync On/Off Sync On/Off