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Bank cannot be used to change to User Sample Banks or
EXs numbered 126 and higher.)
• You can use the Tone Adjust Reverse and Start Offset
parameters to modify the newly selected Multisample.
By default, Reverse is set to Off, and Start Offset is set
to 0.
For Wave Sequences and Drum Kits:
• Wave Sequence and Drum Kit Banks are ignored; all
items in all banks are available in a continuous list via
the Select parameter.
MS/WS Type. (Off/MS/WavSeq, Meta)
This Meta-parameter modifies the MS/WS Select parameter,
so that you can specifically choose to select either
Multisamples or Wave Sequences.
If the Select parameter is not used, or if the current sound is
a Drum Program, MS/WS Type has no effect.
MS Bank. (ROM mono/stereo, Smp:Old RAM
mono/stereo, EXs1 mono...EXs125 stereo, Meta)
This Meta-parameter modifies the MS/WS/Dkit Select
parameter, so that you can choose Multisamples from a Bank
other than the one selected in the Program. You cannot use
MS Bank to change to User Sample Banks or EXs
numbered 126 and higher.
If the Select parameter is not used, this setting has no effect.
MS Bank does not apply to Wave Sequences and Drum
Kits, as described above.
MS/WS/DKit Min #. (0...16383, Meta)
This Meta-parameter sets a minimum value for the
MS/WS/Dkit Select parameter. You can use this in
conjunction with the MS/WS/DKit Max # parameter,
below, so that a knob or slider selects only from a small set
of choices. This is particularly convenient with the internal
ROM, in which similar Multisamples are grouped together.
For instance, this makes it easy to select between a group of
bells, or a set of electric basses.
If the Select parameter is not used, this setting has no effect.
MS/WS/DKit Max #. (0...16383, Meta)
This Meta-parameter sets a maximum value for the
MS/WS/Dkit Select parameter. Please see MS/WS/DKit
Min #, above, for more information.
Start Offset. (0...8, Absolute)
This allows you to change the Start Offset of the
Multisample specified by the MS/WS Select parameter. It
applies only when:
• The Program is a Single or Double (not a Drum Kit)
• The MS/WS Select parameter is used to select a
Multisample (not a Wave Sequence)
For more information on Start Offsets, see "Start Offset" on
page 64.
Drive. (0...99, Absolute)
This controls the Oscillator's Drive parameter, as described
under "Drive" on page 86.
Low Boost. (0...99, Absolute)
This controls the Oscillator's Low Boost parameter, as
described under "Low Boost" on page 87.
Pitch Slope. (–1.0...2.0, Absolute)
This controls the Oscillator's Pitch Slope parameter, as
described under "Pitch Slope" on page 66.
Program P0: Play 0–9: Control Surface
LFO 1 Waveform. (Triangle...Rad6, Absolute)
This selects the waveform for the Oscillator's LFO 1, as
described under "Waveform" on page 96.
LFO 2 Waveform. (Triangle...Rad6, Absolute)
This selects the waveform for the Oscillator's LFO 2, as
described under "Waveform" on page 96.
Amp LFO 1 Intensity. (–99...+99, Absolute)
This controls the depth and direction of Amp modulation
from LFO1, as described under "4–2c: LFO 1/2" on page 90.
Amp LFO 2 Intensity. (–99...+99, Absolute)
This controls the depth and direction of Amp modulation
from LFO2, as described under "4–2c: LFO 1/2" on page 90.
Filter LFO 1 Intensity to A. (–99...+99, Absolute)
This controls the depth and direction of Filter A cutoff
modulation from LFO1, as described under "3–3a: LFO 1/2"
on page 80.
Filter LFO 1 Intensity to B. (–99...+99, Absolute)
This controls the depth and direction of Filter B cutoff
modulation from LFO1, as described under "3–3a: LFO 1/2"
on page 80.
Filter LFO 2 Intensity to A. (–99...+99, Absolute)
This controls the depth and direction of Filter A cutoff
modulation from LFO2, as described under "3–3a: LFO 1/2"
on page 80.
Filter LFO 2 Intensity to B. (–99...+99, Absolute)
This controls the depth and direction of Filter B cutoff
modulation from LFO2, as described under "3–3a: LFO 1/2"
on page 80.
Pitch LFO 1 AMS Intensity. (–12.00...+12.00, Absolute)
You can use an AMS source, such as aftertouch, to modulate
the depth of pitch modulation (vibrato) from LFO1. This
controls the intensity of that AMS modulation. For more
information, see "4–2c: LFO 1/2" on page 90.
Pitch LFO 2 AMS Intensity. (–12.00...+12.00, Absolute)
This is similar to Pitch LFO 1 AMS Intensity, above. For
more information, see "4–2c: LFO 1/2" on page 90.
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