Korg KRONOS SGX-2 Parameter Manual page 467

Common Tone Adjust Parameters
These parameters affect both Oscillators in a HD-1 Program,
or both EXi in an EXi Program. Some EXi instruments may
not support all of the Common Tone Adjust parameters; for
details, please see the individual EXi manuals.
Unless otherwise noted, all of the following Tone Adjust
parameters are Relative.
Off. This means that the Tone Adjust control has no effect.
Filter Cutoff. This scales the cutoff frequency of all of the
filters at once. For instance, in the HD-1, it affects both
Filters A and B.
This parameter interacts with CC# 71.
Filter Resonance. This scales the resonance of all of the
filters at once - for instance, in the HD-1, it affects both
Filters A and B. It interacts with CC# 74.
Filter EG Intensity. This scales the effect of the Filter EG
on the cutoff frequency. It affects all of the filters at once; for
instance, in the HD-1, it affects both Filters A and B.
–99 means no modulation. +99 means maximum modulation
in the same direction, positive or negative, as the original
Program. For instance, if the original Program's EG
Intensity was set to –25, then setting the Tone Adjust to +99
moves the EG Intensity to –99.
This parameter interacts with CC# 79.
Amp Velocity Intensity. This scales the effect of velocity on
the Amp level.
–99 removes the velocity modulation entirely. +99 means
maximum modulation in the same direction, positive or
negative, as the original Program.
Filter/Amp EG Attack Time. This scales the attack times
of the Filter and Amp EGs, along with other related
parameters.
When the value is +1 or more, this also affects the Amp EG's
Start and Attack Levels, Start Level AMS, and Attack Time
AMS, as described below:
Between values of +1 and +25, the Start Level, Start Level
AMS, and Attack Time AMS will change from their
programmed values to 0. Over the same range, the Attack
Level will change from its programmed value to 99.
This parameter interacts with CC# 73.
Filter/Amp EG Decay Time. This scales the decay and
slope times of the Filter and Amp EGs. It interacts with CC#
75.
Filter/Amp EG Sustain Level. This scales the sustain levels
of the Filter and Amp EGs. It interacts with CC# 70.
Filter/Amp EG Release Time. This scales the release times
of the Filter and Amp EGs. It interacts with CC# 72.
Filter EG Attack Time. This scales the attack times of the
Filter EGs.
Filter EG Decay Time. This scales the decay and slope
times of the Filter EGs.
Filter EG Sustain Level. This scales the sustain levels of
the Filter EGs.
Filter EG Release Time. This scales the release times of the
Filter EGs.
Amp EG Attack Time. This scales the attack times of the
Amp EGs.
Combination P0: Play 0–9: Control Surface
Amp EG Decay Time. This scales the decay and slope
times of the Amp EGs.
Amp EG Sustain Level. This scales the sustain levels of the
Amp EGs.
Amp EG Release Time. This scales the release times of the
Amp EGs.
Pitch EG Attack Time. This scales the attack times of the
Pitch EG (or EGs, in the case of some EXi instruments).
Pitch EG Decay Time. This scales the decay and slope
times of the Pitch EG (or EGs, in the case of some EXi
instruments).
Pitch EG Sustain Level. This scales the sustain levels of the
Pitch EG (or EGs, in the case of some EXi instruments).
Note: this does not apply to the HD-1.
Pitch EG Release Time. This scales the release times of the
Pitch EG (or EGs, in the case of some EXi instruments). It
interacts with CC# 77.
Pitch LFO1 Intensity. This scales the effect of LFO1 on the
Pitch.
–99 removes the LFO modulation entirely. +99 means
maximum modulation in the same direction, positive or
negative, as the original Program.
LFO1 Speed. This scales LFO1's frequency. When the LFO
is in MIDI/Tempo mode, this adjusts the Base Note. For
more information, please see "Frequency" on page 97.
This parameter interacts with CC# 76.
LFO1 Fade. This scales LFO1's fade-in time. For more
information, please see "Fade" on page 98.
LFO1 Delay. This scales LFO1's delay time - the time
between note-on and the onset of the LFO. For more
information, please see "Delay" on page 98.
This parameter interacts with CC# 78.
LFO1 Stop. This Absolute parameter controls whether
LFO1 is stopped or running. For more information, please
see "Stop" on page 97.
The PROG setting restores the Program's original values -
convenient if Oscillator 1's LFO was stopped, but Oscillator
2's was not.
LFO2 Speed. This scales LFO2's frequency. When the LFO
is in MIDI/Tempo mode, this adjusts the Base Note. For
more information, please see "Frequency" on page 97.
LFO2 Fade. This scales LFO2's fade-in time. For more
information, please see "Fade" on page 98.
LFO2 Delay. This scales LFO2's delay time - the time
between note-on and the onset of the LFO. For more
information, please see "Delay" on page 98.
LFO2 Stop. This Absolute parameter controls whether
LFO2 is stopped or running. For more information, please
see "Stop" on page 97.
Common LFO Speed. This scales the Common LFO's
frequency. When the LFO is in MIDI/Tempo mode, this
adjusts the Base Note.
Unison. This Absolute parameter turns Unison on and off.
For more information, please see "Unison" on page 43.
Number Of Voices. This Absolute parameter sets the
number of Unison voices. If Unison is not On, this
parameter has no effect. For more information, please see
"Number of voices" on page 43.
453