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Assign
[List of Tone Adjust assignments]
This lets you assign a Tone Adjust parameter to the switch.
For a full list of the available choices, please see "Common
Tone Adjust Parameters" and "HD-1 Tone Adjust
Parameters," below.
On Value
The parameter is set to this value when the switch is On.
When the switch is assigned to a two-state Absolute
parameter, such as Hold, this will always be the same as the
Switch Status (see below).
Switch Status
This simply shows whether the switch is On or Off. The
status is also shown by the LEDs in the physical buttons.
Sliders 1–8 and Master Slider
These work identically to Knobs 1–8, as described above.
Common Tone Adjust Parameters
These parameters affect both Oscillators 1 and 2.
Unless otherwise noted, all of the Common Tone Adjust
parameters are Relative.
Off. This means that the Tone Adjust control has no effect.
Filter Cutoff. (–99...+99, CC#74)
This scales the cutoff frequency of all of the filters at once.
For instance, in the HD-1, it affects both Filters A and B.
Filter Resonance. (–99...+99, CC#71)
This scales the resonance of all of the filters at once. For
instance, in the HD-1, it affects both Filters A and B.
Filter EG Intensity. (–99...+99, CC#79)
This scales the effect of the Filter EG on the cutoff
frequency. It affects all of the filters at once; for instance, in
the HD-1, it affects both Filters A and B.
–99 means no modulation. +99 means maximum modulation
in the same direction, positive or negative, as the original
Program. For instance, if the original Program's EG
Intensity was set to –25, then setting the Tone Adjust to +99
moves the EG Intensity to –99.
Amp Velocity Intensity. (–99...+99)
This scales the effect of velocity on the Amp level.
–99 removes the velocity modulation entirely. +99 means
maximum modulation in the same direction, positive or
negative, as the original Program.
Filter/Amp EG Attack Time.
(–99...+99, CC#73)
This scales the attack times of the Filter and Amp EGs, along
with other related parameters.
When the value is +1 or more, this also affects the Amp EG's
Start and Attack Levels, Start Level AMS, and Attack Time
AMS, as described below:
Between values of +1 and +25, the Start Level, Start Level
AMS, and Attack Time AMS will change from their
programmed values to 0. Over the same range, the Attack
Level will change from its programmed value to 99.
Filter/Amp EG Decay Time.
(–99...+99, CC#75)
This scales the decay and slope times of the Filter and Amp
EGs. It interacts with CC# 75.
[Depends on parameter]
[Off, On]
Program P0: Play 0–9: Control Surface
Filter/Amp EG Sustain Level.
(–99...+99, CC#70)
This scales the sustain levels of the Filter and Amp EGs.
Filter/Amp EG Release Time.
(–99...+99, CC#72)
This scales the release times of the Filter and Amp EGs.
Filter EG Attack Time. (–99...+99)
This scales the attack times of the Filter EGs.
Filter EG Decay Time. (–99...+99)
This scales the decay and slope times of the Filter EGs.
Filter EG Sustain Level. (–99...+99)
This scales the sustain levels of the Filter EGs.
Filter EG Release Time. (–99...+99)
This scales the release times of the Filter EGs.
Amp EG Attack Time. (–99...+99)
This scales the attack times of the Amp EGs.
Amp EG Decay Time. (–99...+99)
This scales the decay and slope times of the Amp EGs.
Amp EG Sustain Level. (–99...+99)
This scales the sustain levels of the Amp EGs.
Amp EG Release Time. (–99...+99)
This scales the release times of the Amp EGs.
Pitch EG Attack Time. (–99...+99)
This scales the attack times of the Pitch EG (or EGs, in the
case of some EXi instruments).
Pitch EG Decay Time. (–99...+99)
This scales the decay and slope times of the Pitch EG (or
EGs, in the case of some EXi instruments).
Pitch EG Sustain Level. (–99...+99)
This scales the sustain levels of the Pitch EG (or EGs, in the
case of some EXi instruments). Note: this does not apply to
the HD-1.
Pitch EG Release Time. (–99...+99)
This scales the release times of the Pitch EG (or EGs, in the
case of some EXi instruments).
Pitch LFO1 Intensity. (–99...+99, CC#77)
This scales the effect of LFO1 on the Pitch.
–99 removes the LFO modulation entirely. +99 means
maximum modulation in the same direction, positive or
negative, as the original Program.
LFO1 Speed. (–99...+99, CC#76)
This scales LFO1's frequency. When the LFO is in
MIDI/Tempo mode, this adjusts the Base Note. For more
information, please see "Frequency" on page 97.
LFO1 Fade. (–99...+99)
This scales LFO1's fade-in time. For more information,
please see "Fade" on page 98.
LFO1 Delay. (–99...+99, CC#78)
This scales LFO1's delay time - the time between note-on
and the onset of the LFO. For more information, please see
"Delay" on page 98.
This parameter interacts with CC# 78.
LFO1 Stop. (PROG/Off/On, Absolute)
This Absolute parameter controls whether LFO1 is stopped
or running. For more information, please see "Stop" on
page 97.
The PROG setting restores the Program's original values–
convenient if Oscillator 1's LFO was stopped, but Oscillator
2's was not.
37
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