Preset Effects Programs - Yamaha AW2816 Owner's Manual

Preset Effects Programs

The following table lists the preset effects programs. See "Effects Parame-
ters" on page 362 for detailed parameter information. Effects programs that
use the HQ. PITCH effect can be used only with Effect 2.
Reverb-type Effects
# Title
01
Reverb Hall REVERB HALL
02
Reverb Room REVERB ROOM
03
Reverb Stage REVERB STAGE
04
Reverb Plate REVERB PLATE
05
Early Ref. EARLY REF.
06
Gate Reverb GATE REVERB
07
Reverse Gate REVERSE GATE
Delays
# Title
08
Mono Delay MONO DELAY
09
Stereo Delay STEREO DELAY
10
Mod.delay MOD.DELAY
11
Delay LCR DELAY LCR
12
Echo ECHO
Modulation-type Effects
# Title
13
Chorus CHORUS
14
Flange FLANGE
15
Symphonic SYMPHONIC
16
Phaser PHASER
17
Auto Pan AUTO PAN
18
Tremolo TREMOLO
HQ.PITCH
19
HQ.Pitch
(Effect 2 only)
20
Dual Pitch DUAL PITCH
21
Rotary ROTARY
22
Ring Mod. RING MOD.
23
Mod.Filter MOD.FILTER
360
Preset Effects Programs
Type
Reverb simulating a large space such as a concert hall.
Reverb simulating the acoustics of a smaller space (room) than REVERB
HALL.
Reverb designed with vocals in mind.
Simulation of a metal-plate reverb unit, producing a feeling of hard-
edged reverberation.
An effect which isolates only the early reflection (ER) component from
reverberation. A flashier effect than reverb is produced.
A type of ER designed for use as gated reverb.
A reverse-playback type ER.
Type
Mono delay with simple operation. Use when you don't need to use
complex parameter settings.
Stereo delay with independent left and right.
Mono delay with modulation.
Three-tap delay (L, C, R).
Stereo delay with additional parameters for more detailed control. The
signal can be fed back from left to right, and right to left.
Type
Three-phase stereo chorus.
The well-known flanging effect.
A Yamaha proprietary effect that produces a richer and more complex
modulation than chorus.
Stereo phaser with 2–16 stages of phase shift.
An effect which cyclically moves the sound between left and right.
Tremolo
Only one note is pitch-shifted, but a stable effect is produced.
Stereo pitch shift with left and right pitches set independently.
Simulation of a rotary speaker.
An effect that modifies the pitch by applying amplitude modulation to
the frequency of the input. On the AW2816, even the modulation fre-
quency can be controlled by modulation.
An effect which uses an LFO to modulate the frequency of the filter.
Appendix
Description
Description
Description