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Program mode
For Single and Double Programs:
MS/DKit Select overrides all of the Multisample Velocity
zones, so that the newly selected Multisample plays over the
entire velocity range.
By default, you can select from the same Bank as the original
Program's MS1.
You can use the MS/DKit Bank parameter, described below,
to change these defaults as desired.
For Multisamples only:
You can use the Tone Adjust Rev (Reverse) and Ofs (Start
Offset) parameters to modify the newly selected
Multisample. By default, the Rev (Reverse) is set to Off, and
its Ofs (Start Offset) is set to 0.
For Drum Programs:
By default, you can select from the same Bank as the original
Program's DrumKit. You can use the MS Bank parameter,
described below, to select a different Bank.
MS Bank. (Mono, Stereo..., Meta)
This Meta-parameter modifies the MS/Dkit Select
parameter, so that you can select Multisamples from any
Bank you like.
MS/DKit Min #. (0...56, Meta)
This Meta-parameter sets a minimum value for the MS/Dkit
Select parameter. You can use this in conjunction with the
MS/DKit Max # parameter, below, so that front panel slider
selects only from a small set of choices. This is particularly
convenient with the internal ROM, in which similar
Multisamples are grouped together. For instance, this makes
it easy to select between a group of bells, or a set of electric
basses.
MS/DKit Max #. (0...56, Meta)
This Meta-parameter sets a maximum value for the MS/
Dkit Select parameter. Please see MS/DKit Min #, above,
for more information.
Start Offset. (0ff, 1th...8th, Absolute)
This allows you to change the Start Offset of the
Multisample specified by the MS Select parameter. It
applies only when:
The Program is a Single or Double (not a Drum Kit)
For more information, please see "Ofs (Start Offset)" on
page 22.
Drive. (0...99, Absolute)
This controls the Oscillator's Drive parameter, as described
under "Drive" on page 41.
Low Boost. (0...99, Absolute)
This controls the Oscillator's Low Boost parameter, as
described under "Low Boost" on page 41.
Pitch Slope. (–1.0...2.0, Absolute)
This controls the Oscillator's Pitch Slope parameter, as
described under "Pitch Slope" on page 23.
LFO 1 Waveform. (Triangle...Rad6, Absolute)
This selects the waveform for the Oscillator's LFO 1, as
described under "Waveform" on page 48.
LFO 2 Waveform. (Triangle...Rnd6, Absolute)
This selects the waveform for the Oscillator's LFO 2, as
described under "Waveform" on page 48.
Amp LFO 1 Intensity. (–99...+99, Absolute)
This controls the depth and direction of Amp modulation
from LFO1, as described under "Intensity (LFO1)" on
page 44.
Amp LFO 2 Intensity. (–99...+99, Absolute)
This controls the depth and direction of Amp modulation
from LFO2, as described under "Intensity (LFO1)" on
page 44.
10
Filter LFO 1 Intensity to A. (–99...+99, Absolute)
This controls the depth and direction of Filter A cutoff
modulation from LFO1, as described under "Intensity to A"
on page 36.
Filter LFO 1 Intensity to B. (–99...+99, Absolute)
This controls the depth and direction of Filter B cutoff
modulation from LFO1, as described under "Intensity to B"
on page 36.
Filter LFO 2 Intensity to A. (–99...+99, Absolute)
This controls the depth and direction of Filter A cutoff
modulation from LFO2, as described under "Intensity to A"
on page 36.
Filter LFO 2 Intensity to B. (–99...+99, Absolute)
This controls the depth and direction of Filter B cutoff
modulation from LFO2, as described under "Intensity to B"
on page 36.
Pitch LFO 1 AMS Intensity. (–12.00...+12.00, Absolute)
You can use an AMS source, such as aftertouch, to modulate
the depth of pitch modulation (vibrato) from LFO1. This
controls the intensity of that AMS modulation. For more
information, please see "Intensity" on page 24.
Pitch LFO 2 AMS Intensity. (–12.00...+12.00, Absolute)
This is similar to Pitch LFO 1 AMS Intensity, above.
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