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KORG M50-88 Parameter Manual: Appendices; Alternate Modulation Sources (ams); Alternate Modulation Overview

M50 music workstation.
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Alternate Modulation Sources (AMS)
Alternate Modulation
Overview
Alternate Modulation lets you use controllers, envelopes,
LFOs, etc. to modulate Program parameters. You can use
one controller to modulate multiple parameters
simultaneously. You can also create complex modulation
setups in which (for example) an envelope modulates the
frequency of an LFO, and that LFO is then used to modulate
a filter.
Programs provide 48 types (88 destinations) for alternate
modulation.
Alternate Modulation Sources
You can use the sources listed on the following page to
control Alternate Modulation. If you select two or more
Alternate Modulation destinations for control by the same
AMS, a single source will apply modulation to each of the
specified destinations.
Frequently used assignments such as using Joystick X to
control pitch are provided as special parameters, so it is not
necessary to use Alternate Modulation to accomplish this.
Alternate Modulation
Intensity Mod
Frequency Mod 1
Frequency Mod 2
Intensity Mod
Intensity Mod
OSC1
Pitch Mod
Intensity Mod
Pitch EG
Level Mod 1
Level Mod 2
Time Mod
Reset

Appendices

Shape
Intensity Mod
Frequency Mod 1
LFO1
Frequency Mod 2
Intensity Mod to A
Intensity Mod to A
Intensity Mod to A
Filter1 A
Filter1 B
Cutoff Mod 1
Cutoff Mod 2
Resonance Mod
Output Level Mod
Intensity Mod to A
Intensity Mod to B
Filter1 EG
Level Mod
Time Mod 1
Time Mod 2
Time Mod 3
Reset
AMS Mixers
The AMS Mixers combine two AMS sources into one, or
process an AMS source to make it into something new.
For instance, they can add two AMS sources together, or use
one AMS source to scale the amount of another. You can also
use them to change the shapes of LFOs and EGs in various
ways, modify the response of realtime controllers, and more.
The AMS Mixer outputs appear in the list of AMS sources,
just like the LFOs and EGs.
The original, unmodified inputs to the AMS Mixers are still
available as well. For instance, if you use LFO 1 as an input
to a AMS Mixer, you can use the processed version of the
LFO to control one AMS destination, and the original
version to control another.
Finally, you can cascade two AMS Mixers together, by using
one as the input of another.
For more information, please see "6–1: OSC1 AMS Mix1" on
page 52.
Common LFO
Shape
Intensity Mod
Frequency Mod
LFO2
Intensity Mod to B
Intensity Mod to B
Intensity Mod to B
Driver
Amp 1
Cutoff Mod 1
Cutoff Mod 2
Drive
Low Boost
Resonance Mod
Output Level Mod
Amp1 EG
Level Mod
Time Mod 1
Time Mod 2
Time Mod 3
Reset
Shape
Reset
Intensity Mod
Intensity Mod
Amp Mod
Pan Mod
OSC 1
OSC 2
373

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M50-73, M50-61

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