Download Print this page

KORG M50-88 Parameter Manual Page 395

M50 series music workstation.
Hide thumbs
   
1
2
Table of Contents
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419

Advertisement

MIDI messages
Universal exclusive
Master volume
Master balance
Master fine tune
Master coarse tune
(1):When a arpeggiator controller is assigned to a CC#
indicated by [*] (Global P2: Controllers– MIDI CC#
Assign)
*: Assignable
[*]:The ARP Controllers, and Chord Trigger Switches can be
assigned to CC#00–119. CC#s indicated by [*] will be
assigned automatically when you execute the Global P2–
MIDI CC# Assign menu command Reset Controller
MIDI Assign with the CC Default setting.
The CC Default settings are the CC#s recommended as
the CC# for each of these controllers. Normally you
should use these settings when assigning CC#s.
When one of the M50's controllers is operated, the
corresponding or the assigned control change will be
transmitted.
If you choose RT knob 1-B – 4-B, or SW1/2, its MIDI control
change message will be transmitted according to the settings
in Realtime Control Knob Assign, SW1/2 Assign.
If you've selected ARP ON/OFF, ARP GATE, ARP
VELOCITY, ARP LENGTH, ARP OCTAVE, or Chord Trigger
SW1–4, those MIDI control change messages will be
transmitted according to the Global P2-MIDI CC# Assign
settings.
The following sections describes operation in each mode.
Program mode
When one of the M50's controllers is operated, a control
change message will be transmitted on the global MIDI
channel (MIDI Channel Global 1–1a).
If the control surface is set to Realtime Control B mode,
and knobs 1–4 or the assignable pedal are assigned to
Master Volume, the universal exclusive message Master
Volume will be transmitted.
Combination mode
When one of the M50's controllers is operated, a control
change message will be transmitted on the global MIDI
channel (MIDI Channel Global 1–1a).
Simultaneously, the message will also be transmitted on the
MIDI channel (MIDI Channel Combi 3–1(2)c) of any timbre
whose Status (Combi 3–1(2)c) is EXT or EX2.
When one of the M50's controllers is operated, its effect will
apply to any timbre whose Status is INT and whose MIDI
Channel setting is either Gch or the same as the global MIDI
channel.
In the case of Master Volume, the universal exclusive
message Master Volume will be transmitted only on the
global MIDI channel.
You can make settings for MIDI Filter (Combi P5) to
enable or disable control changes and controllers for
each timbre. When checked, the above operations will
be enabled.
Effect dynamic modulation can be controlled when the Ch
(Combi 8–1–4a, 9–2a) setting for IFX1–5, MFX1, 2, or TFX is
either set to Gch or to the same channel as the global MIDI
channel. (In the case of All Routed, control is possible on the
MIDI channel of any routed timbre.)
MIDI transmission when the M50's controllers are operated Foot Pedal Assignments
Realtime
Realtime
Value
Joystick
Knob
Knob
SW1, 2
Slider
1–A...4–A
1–B...4–B
*
ARP
Knob1
Knob2
Knob3
Knob4
On/Off
(GATE)
(VELOCITY)
(LENGTH)
(OCTAVE)
Sequencer mode
When one of the M50's controllers is operated, its effect will
apply to the MIDI track 1–16 that is currently selected by
Track Select (Seq 0–1–1(2)a).
If the Status (Seq 3–1(2)c) of the track selected by Track
Select is EXT, EX2, or BTH, a control change message will be
transmitted on the MIDI channel specified by MIDI
Channel (Seq 3–1(2)c).
If the Status is INT or BTH, operating one of the M50's
controllers will affect only that MIDI track. Simultaneously,
the same effect will also apply to any MIDI track with the
same MIDI Channel setting.
In the case of Master Volume, the universal exclusive
message Master Volume will be transmitted.
You can make settings for MIDI Filter (Seq P3) to enable
or disable control changes and controllers for each
track. When checked, the operations effective for a
Status of INT or BTH will be enabled. Tracks whose
Status is EXT, EX2, or BTH will transmit control
changes regardless of this setting.
Effect dynamic modulation can be controlled when the Ch
(Seq 8–1–4a, 9–2a) setting for IFX1–5, MFX1, 2, or TFX
matches the MIDI channel of the track selected by Track
Select. (In the case of All Routed, control is possible on the
MIDI channel of all routed tracks.)
If one of the M50's controllers is operated during realtime
recording, the corresponding or assigned control change
will be recorded.
Chord
Available
Foot
Foot
Trigger
Damper
for AMS
Switch
Pedal
SW1...4
*
Available
for Dmod
387

Advertisement

   Related Manuals for KORG M50-88

This manual also for:

M50-73, M50-61

Comments to this Manuals

Symbols: 0
Latest comments: