KORG M50-88 Parameter Manual: Controlling Effects

M50 music workstation.
Hide thumbs
   
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419
Insert Effect Panpot messages, and the panning of the sound
following the insert effect will change. When this message is
received, the result will be the same as when the controller is
operated.
• In Program mode and Sampling mode, this message is
transmitted/received on the global MIDI channel. In
Combination, and Sequencer modes, this message is
transmitted/received on the MIDI channel specified for
each insert effect.
• When you set Pan: #8 (Seq 8–1–3b) in Sequencer mode,
or when you re-select the song or return to the beginning
of the measure in Sequencer mode, Post Insert Effect
Panpot messages will be transmitted by each track
whose Status is BTH, EXT, or EX2. For more
information, please see "8–1–3b: Insert Effect" on
page 176.

Controlling effects

Effect control 1 (CC#12) [Bn, 0C, vv]
Effect control 2 (CC#13) [Bn, 0D, vv]
When the above CC# is assigned to the Assignable Pedal or
knobs 1–4 when the control surface Realtime Control B
mode is selected, operating that controller will transmit
Effect Control 1/2 messages, and the specified dynamic
modulation will be controlled. When this message is
received, the result will be the same as when the controller is
operated.
Although various types of control change can be selected as
dynamic modulation sources, Effect Control 1 (CC#12) and 2
(CC#13) are dedicated for dynamic modulation.
Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv]
Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv]
When the above CC# is assigned to the Assignable Pedal or
Realtime Control knobs 1–4, operating that controller will
transmit Effect 1 Depth (Send 2) or Effect 3 Depth (Send 1)
messages, and the send level 1 or 2 to the master effects
MFX1 or MFX2 will be controlled respectively. When this
message is received, the result will be the same as when the
controller is operated.
On the corresponding MIDI channels, this will
simultaneously control the timbre/track setting as well as
the setting following the Insert Effect.
• In Combination, and Sequencer modes, the actual send
level of the timbre/track is determined by multiplying
this value with the send 1/2 settings for each oscillator
(Prog 8–1d). (See "Send 1 (MFX1)," "Send 2 (MFX2)" on
page 114, Global P1: MIDI "Track MIDI Out" on
page 222)
• When you adjust Send 1 (MFX1) or Send 2 (MFX2)
(Sequencer 8–1b) in Sequencer mode, or when you re-
select a song or return to the beginning of the measure in
Sequencer mode, Send 1/2 will be transmitted by each
track whose Status is BTH, EXT, or EX2. (See "Send1
(MFX1)" on page 175).
Effect 2 depth (IFX1–5 on/off) (CC#92) [Bn, 5C, vv]
Effect 4 depth (MFX1, 2 on/off) (CC#94) [Bn, 5E, vv]
Effect 5 depth (TFX on/off) (CC#95) [Bn, 5F, vv]
Separately from the effect on/off settings in each mode,
Effect Global SW (Global 0–1b) allows you to turn off insert
effects IFX1–5 and master effects MFX1, 2 and total effect
TFX.
If you check IFX1–5 Off, MFX1&2 Off or TFX Off, the
corresponding message will be transmitted with vv=0 [00].
If you uncheck these settings, the corresponding message
will be transmitted with vv=127 [7F]. If you check these
settings, the corresponding effect(s) will be turned off as a
group. If you uncheck these settings, the on/off settings of
MIDI applications Messages transmitted and received by the M50
each mode will be used. The same applies to reception. (vv
of 00 is off, and 01 or greater is the original setting.) These
messages are transmitted/received on the global MIDI
channel. ("IFX 1–5 on/off" - "MFX 1, 2 on/off" - "TFX on/
off" on page 66, page 70)
Note: These messages are defined simply for use in
adjusting the effect levels, and may not have the same
function on another instrument connected to the M50.
Using various controllers
Here we will explain typical ways to use the various
controllers. You can choose from MIDI CC#00–CC#119 for
knobs 1–4 when the control surface Realtime Control B
mode is selected.
Foot controller (CC#04) [Bn, 04, vv]
If the above CC# is assigned as the Assignable Pedal
function, this message will be transmitted when the
controller is operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Foot
Pedal/Switch Combi/Seq 5–2–1(2)c).
Controller (CC#18) [Bn, 12, vv]
This message will be transmitted when the M50's VALUE
slider is operated.
This is valid in Program Select (Prog 0–1a) and
Combination Select (Combi 0–1(2)a) when the program or
combination number/name is selected (highlighted).
Knob modulation 1–B, 2–B, 3–B, 4–B (CC#17, 19, 20, 21)
[Bn, 11, vv], [Bn, 13, vv], [Bn, 14, vv], [Bn, 15, vv]
If the above CC# are assigned to the knobs 1–4 when the
control surface Realtime Control B mode is selected, these
messages will be transmitted when the knobs are operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Realtime
Control Knob 1–B, 2–B, 3–B, 4–B Combi 5–1–7(8)c/Seq
5–1–7(8)c).
Controller (CC#83) [Bn, 53, vv]
If you assign the above CC# to a knobs 1–4 when the control
surface Realtime Control B mode is selected, this message
will be transmitted when you operate the corresponding
controller of the M50.
Damper pedal (CC#64) [Bn, 40, vv]
This message is transmitted when you operate a damper
pedal (optional DS-1H) connected to the DAMPER jack, and
the damper effect will be turned on/off. If the DS-1H is
used, a half-damper effect can be applied.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Damper
Combi/Seq 5–1–1(2)c).
SW1 modulation (CC#80) [Bn, 50, vv]
SW2 modulation (CC#81) [Bn, 51, vv]
If the above CC# are assigned as the function of SW1 or
SW2, operating the switch will transmit this message with
vv=127 [7F] for ON, and vv=00 [00] for OFF.
• In Combination and Sequencer modes, transmission/
reception of these messages can be turned on/off
independently for each timbre/track (Enable SW1,
Enable SW2 Combi/Seq 5–2–1(2)c)
395

Advertising

   Related Manuals for KORG M50-88

This manual also for:

M50-73, M50-61

Comments to this Manuals

Symbols: 0
Latest comments: