KORG M50-88 Parameter Manual: Controlling Effects

M50 music workstation.
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Insert Effect Panpot messages, and the panning of the sound
following the insert effect will change. When this message is
received, the result will be the same as when the controller is
operated.
• In Program mode and Sampling mode, this message is
transmitted/received on the global MIDI channel. In
Combination, and Sequencer modes, this message is
transmitted/received on the MIDI channel specified for
each insert effect.
• When you set Pan: #8 (Seq 8–1–3b) in Sequencer mode,
or when you re-select the song or return to the beginning
of the measure in Sequencer mode, Post Insert Effect
Panpot messages will be transmitted by each track
whose Status is BTH, EXT, or EX2. For more
information, please see "8–1–3b: Insert Effect" on
page 176.

Controlling effects

Effect control 1 (CC#12) [Bn, 0C, vv]
Effect control 2 (CC#13) [Bn, 0D, vv]
When the above CC# is assigned to the Assignable Pedal or
knobs 1–4 when the control surface Realtime Control B
mode is selected, operating that controller will transmit
Effect Control 1/2 messages, and the specified dynamic
modulation will be controlled. When this message is
received, the result will be the same as when the controller is
operated.
Although various types of control change can be selected as
dynamic modulation sources, Effect Control 1 (CC#12) and 2
(CC#13) are dedicated for dynamic modulation.
Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv]
Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv]
When the above CC# is assigned to the Assignable Pedal or
Realtime Control knobs 1–4, operating that controller will
transmit Effect 1 Depth (Send 2) or Effect 3 Depth (Send 1)
messages, and the send level 1 or 2 to the master effects
MFX1 or MFX2 will be controlled respectively. When this
message is received, the result will be the same as when the
controller is operated.
On the corresponding MIDI channels, this will
simultaneously control the timbre/track setting as well as
the setting following the Insert Effect.
• In Combination, and Sequencer modes, the actual send
level of the timbre/track is determined by multiplying
this value with the send 1/2 settings for each oscillator
(Prog 8–1d). (See "Send 1 (MFX1)," "Send 2 (MFX2)" on
page 114, Global P1: MIDI "Track MIDI Out" on
page 222)
• When you adjust Send 1 (MFX1) or Send 2 (MFX2)
(Sequencer 8–1b) in Sequencer mode, or when you re-
select a song or return to the beginning of the measure in
Sequencer mode, Send 1/2 will be transmitted by each
track whose Status is BTH, EXT, or EX2. (See "Send1
(MFX1)" on page 175).
Effect 2 depth (IFX1–5 on/off) (CC#92) [Bn, 5C, vv]
Effect 4 depth (MFX1, 2 on/off) (CC#94) [Bn, 5E, vv]
Effect 5 depth (TFX on/off) (CC#95) [Bn, 5F, vv]
Separately from the effect on/off settings in each mode,
Effect Global SW (Global 0–1b) allows you to turn off insert
effects IFX1–5 and master effects MFX1, 2 and total effect
TFX.
If you check IFX1–5 Off, MFX1&2 Off or TFX Off, the
corresponding message will be transmitted with vv=0 [00].
If you uncheck these settings, the corresponding message
will be transmitted with vv=127 [7F]. If you check these
settings, the corresponding effect(s) will be turned off as a
group. If you uncheck these settings, the on/off settings of
MIDI applications Messages transmitted and received by the M50
each mode will be used. The same applies to reception. (vv
of 00 is off, and 01 or greater is the original setting.) These
messages are transmitted/received on the global MIDI
channel. ("IFX 1–5 on/off" - "MFX 1, 2 on/off" - "TFX on/
off" on page 66, page 70)
Note: These messages are defined simply for use in
adjusting the effect levels, and may not have the same
function on another instrument connected to the M50.
Using various controllers
Here we will explain typical ways to use the various
controllers. You can choose from MIDI CC#00–CC#119 for
knobs 1–4 when the control surface Realtime Control B
mode is selected.
Foot controller (CC#04) [Bn, 04, vv]
If the above CC# is assigned as the Assignable Pedal
function, this message will be transmitted when the
controller is operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Foot
Pedal/Switch Combi/Seq 5–2–1(2)c).
Controller (CC#18) [Bn, 12, vv]
This message will be transmitted when the M50's VALUE
slider is operated.
This is valid in Program Select (Prog 0–1a) and
Combination Select (Combi 0–1(2)a) when the program or
combination number/name is selected (highlighted).
Knob modulation 1–B, 2–B, 3–B, 4–B (CC#17, 19, 20, 21)
[Bn, 11, vv], [Bn, 13, vv], [Bn, 14, vv], [Bn, 15, vv]
If the above CC# are assigned to the knobs 1–4 when the
control surface Realtime Control B mode is selected, these
messages will be transmitted when the knobs are operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Realtime
Control Knob 1–B, 2–B, 3–B, 4–B Combi 5–1–7(8)c/Seq
5–1–7(8)c).
Controller (CC#83) [Bn, 53, vv]
If you assign the above CC# to a knobs 1–4 when the control
surface Realtime Control B mode is selected, this message
will be transmitted when you operate the corresponding
controller of the M50.
Damper pedal (CC#64) [Bn, 40, vv]
This message is transmitted when you operate a damper
pedal (optional DS-1H) connected to the DAMPER jack, and
the damper effect will be turned on/off. If the DS-1H is
used, a half-damper effect can be applied.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Damper
Combi/Seq 5–1–1(2)c).
SW1 modulation (CC#80) [Bn, 50, vv]
SW2 modulation (CC#81) [Bn, 51, vv]
If the above CC# are assigned as the function of SW1 or
SW2, operating the switch will transmit this message with
vv=127 [7F] for ON, and vv=00 [00] for OFF.
• In Combination and Sequencer modes, transmission/
reception of these messages can be turned on/off
independently for each timbre/track (Enable SW1,
Enable SW2 Combi/Seq 5–2–1(2)c)
395

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