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KORG M50-88 Parameter Manual: Alternate Modulation Settings

M50 music workstation.
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Appendices

Alternate Modulation settings

When you operate an AMS (Alternate Modulation Source),
the modulation destination will be affected as shown in the
table below.
By using alternate modulation, you can create complex
systems of modulation in which EG, LFO, keyboard tracks,
and controllers work together.
• You can apply complex change to an LFO or EG, for
example by using the pitch/filter/amp EG to control the
frequency or intensity of an LFO that modulates the
pitch/filter/amp, or by using LFO2 to control the
frequency of LFO1.
AMS operations and their result
AMS source
& value range
Parameter
AMS
Intensity
Pitch *4
(+12.00)
Pitch EG Int.
(+12.00)
Pitch LFO1/
(+12.00)
2 Int.
Filter
(+99)
Frequency
Filter
(+99)
Resonance
Filter EG Int.
(+99)
Filter LFO1/2
(+99)
Int.
Filter Output
(+99)
Level A/B
Drive
(+99)
Low Boost
(+99)
Amp
(+99)
Amp LFO1/2
(+99)
Int.
Pan
(+50)
EG Level
(+66)
EG Time
(+49)
LFO 1
(+99)
Frequency *4
LFO 2
(+99)
Frequency *4
Common LFO
(+99)
Frequency *4
LFO 1 Shape (+99)
LFO 2 Shape (+99)
Common LFO
(+99)
Shape
376
Amp EG
Pitch & Filter
LFO1 & 2
0...+99
EGs
–99...0...+99
–99...0...+99
0...+1
–1...0...+1
Dedicated
Octave
Octaves
parameter
(Filter EG as
AMS;
dedicated
parameter
for Pitch EG)
Dedicated
parameter
for Pitch EG
0...+1
–1...0...+1
Octave
Octaves
0...+10
–10...0...+10
Dedicated parameter
Octaves
Octaves
(Pitch EG as
AMS;
dedicated
parameter
for Filter EG)
0...+99
Dedicated
parameter
for Filter EG
0...+99
–99...0...+99
0...+99
0...+99
0...+99
Dedicated
0...1x...8x
Dedicated
parameter
parameter
0...+99
–99...0...+99
0...+63
1x...64x
1/64x...
1x...64x
(LFO2 only)
1x...64x
0...+99
–99...0...+99
(LFO2 only)
0...+99
• The tone, EG, and LFO etc. can be controlled not only by
key velocity or the joystick, but also from a switch, knob,
or pedal etc.
• Panning can be controlled in realtime from a controller,
EG, or LFO etc.
• You can use the filter EG to control pitch or volume at
the same time that it controls the filter.
• Controllers etc. can be used to control EG levels or times.
This lets you shape the EG in realtime.
• Filter/amp keyboard tracking or note number can be
used to control the EG or LFO according to the keyboard
pitch that is played.
• Pitch, tone, EG or LFO can be controlled by the tempo of
the arpeggiator and/or sequencer.
Common
Filter & Amp
Common
LFO
Key Track
Key Track
–99...0...+99
–99...0...+99
1 & 2
–99...0...+99
–1...0...+1
Octaves
–1...0...+1
Octaves
–1...0...+1
Octaves
Dedicated
–10...0...+10
parameter
Octaves
for Filter
KTrk
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
0...1x...8x
Dedicated
parameter
for Amp
KTrk
–99...0...+99
–63...0...+63
–99...0...+99
1/64x...1x...64x
1/64x...1x...64x
1/64x...1x...64x
–99...0...+99
–99...0...+99
Note
EXT(+/–) *1
Number
–Max...0...+Max
C–1...C4...C9
EXT (Tempo) *2
=...60.00...120.00...240.00...
Dedicated
–1...0...+1
parameter
Octaves
–1...0...+1
Octaves
–10...0...+10
Octaves
–99...0...+99
0...1x...8x
1/64x...1x...64x
–99...0...+99
EXT(+) *3
0...127
0...+1
Octave
0...+1
Octave
0...+1
Octave
0...+10
Octaves
0...+99
0...+99
0...+99
0...+99
0...+99
0...+99
1x...8x
0...+99
0...+63
0...+99
1x...64x
1x...64x
1x...64x
1x...64x
0...+99
0...+99
0...+99

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This manual also for:

M50-73, M50-61

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