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KORG M50-88 Parameter Manual: Foot Pedal Assignments

M50 music workstation.
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ARP LENGTH
Use the switch to control the arpeggiator's Length.
(Foot switch "on" is equivalent to turning the knob to the far
right; foot switch "off" is equivalent to turning the knob to
the far left.)
ARP OCTAVE
Use the switch to control the arpeggiator's Octave.
(Foot switch "on" is equivalent to turning the knob to the far
right; foot switch "off" is equivalent to turning the knob to
the far left.)
Chord SW 1...4
Use the switch to control the chord trigger switches 1–4.
When playing notes, the footswitch triggers the switch as if
it had been hit at maximum velocity.

Foot Pedal Assignments

You can connect a pedal (such as the optional Korg XVP-10
or EXP-2) to the rear-panel ASSIGNABLE PEDAL input,
and then use it to control a wide variety of functions, as
described below.
This setting is made for the entire M50, on the Global P2:
Controllers– Foot Controllers page.
A note on MIDI CCs
Some of the assignments include MIDI CCs, which are
transmitted whenever the slider is moved. Note that the
MIDI CCs can still be received even if they are not assigned
to a physical controller.
If you select RT Knob 1-B – 4-B, the MIDI control change
message specified by the Realtime Control Knob Assign
settings in each mode will be transmitted.
List of Foot Pedal assignments
Off
This setting disables the pedal.
Master Volume
This controls the overall volume, and transmits the
Universal System Exclusive Master Volume message [F0H,
7FH, nn, 04, 01, vv, mm, F7H]. You can use this to adjust the
volumes of all Tracks or Timbres at the same time, while
preserving their relative balance.
Foot Pedal (CC#04)
You can use this general-purpose controller as an AMS or
Dmod source. Note that you'll also need to assign Foot
Pedal (CC#04) to control the desired parameter within the
Program or Effect.
Portamento Time (CC#05)
Controls the speed at which portamento will change the
pitch.
Volume (CC#07)
Control the volume of a Program, Combination, or of a
MIDI track in Sequencer modes.
Post IFX Pan (CC#08)
Control the pan after passing through the Insert Effect.
Pan (CC#10)
Control the pan of a Program, of a timbre in a Combination,
or of a MIDI track in Sequencer modes.
Expression (CC#11)
Expression is a secondary volume control, which you can
use to scale level without affecting the main volume settings
or CC#7 values. For more information, please see
"Expression (CC#11)" on page 383.
Controller Assignments Foot Pedal Assignments
FX Control 1 & 2 (CC#s12 & 13)
These assignments are intended for Effect Dynamic
Modulation (Dmod). Note that you'll also need to assign FX
Ctrl1 or 2 to control the desired parameter within the Effect.
MFX Send 1 & 2 (CC#s 93 & 91)
These control the send levels to Master Effects 1 and 2,
respectively.
CC#s 93 and 91 actually control send levels in two different
places: the sends directly from the Program OSC and the
send levels of the last Insert Effect in the chain which
matches the CC's MIDI channel.
JS+Y (CC#01)
This duplicates the function of JS+Y. Whatever JS+Y is
assigned to control, the pedal will control as well.
JS–Y (CC#02)
This duplicates the function of JS–Y. Whatever JS–Y is
assigned to control, the pedal will control as well.
Ribbon (CC#16)
You can use this general-purpose controller as an AMS or
Dmod source. Note that you'll also need to assign Ribbon
(CC#16) to control the desired parameter within the
Program or Effect.
Value Slider (CC#18)
Pedal operation will control the effect of the VALUE slider.
RT Knob1–A...4–A
RT Knob1–B...4–B
Use the pedal to control the effect of knobs 1–4 when the
control surface is in Realtime Control A/B modes.
ARP GATE
Use the pedal to control the arpeggiator's Gate.
ARP VELOCITY
Use the pedal to control the arpeggiator's Velocity.
ARP LENGTH
Use the pedal to control the arpeggiator's Length.
ARP OCTAVE
Use the pedal to control the arpeggiator's Octave.
385

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M50-73, M50-61

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