Korg M3 Parameter Manual page 629

Damper pedal (CC#64) [Bn, 40, vv]
This message is transmitted when you operate a damper
pedal (optional DS-1H) connected to the DAMPER jack, and
the damper effect will be turned on/off. If the DS-1H is
used, a half-damper effect can be applied.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Damper
Combi/Seq 5–1–1(2)c).
SW1 modulation (CC#80) [Bn, 50, vv]
SW2 modulation (CC#81) [Bn, 51, vv]
If the above CC# are assigned as the function of SW1 or
SW2, operating the switch will transmit this message with
vv=127 [7F] for ON, and vv=00 [00] for OFF.
• In Combination and Sequencer modes, transmission/
reception of these messages can be turned on/off
independently for each timbre/track (Enable SW1,
Enable SW2 Combi/Seq 3–3a)
Foot switch (CC#82) [Bn, 52, vv]
If the above CC# is assigned as the function of the
ASSIGNABLE SWITCH, operating the switch will transmit
this message with vv=127 [7F] for ON, and vv=00 [00] for
OFF.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track ("Enable Foot
Switch" Combi/Seq 3–3a).
Sostenuto (CC#66) [Bn, 42, vv]
If the above CC# is assigned as the function of the
ASSIGNABLE SWITCH, operating the switch will transmit
this message with vv=127 [7F] for ON, and vv=00 [00] for
OFF, and the sostenuto effect will be turned on/off. When
this message is received, the result will be the same as when
the controller is operated (OFF for vv=63 [3F] or below, and
ON for vv=64 [40] or above).
Soft pedal (CC#67) [Bn, 43, vv]
If the above CC# is assigned as the function of the
ASSIGNABLE SWITCH, operating the switch will transmit,
and the soft pedal effect will be turned on. When this
message is received, the result will be the same as when the
controller is operated.
When "Foot controller (CC#04)"–"Soft pedal (CC#67)" are
operated on the M3, the specified alternate modulation or
dynamic modulation etc. will be controlled. When these
messages are received, the result will be the same as if the
controller had been operated. For "SW1 modulation
(CC#80)"–"Soft pedal (CC#67)," vv of 63 [3F] or less will be
OFF, and 64 [3F] or greater will be ON.
Controlling Program tone & envelope
shapes
CC#70–79 control specific parameters of a program.
For details on the program parameters that correspond to
each control change, and how the M3 will respond in each
mode when these are received, refer to "M3 and MIDI CCs"
on page 610.
Filter cutoff (CC#74) [Bn, 4A, vv]
Resonance level (CC#71) [Bn, 47, vv]
Filter EG intensity (CC#79) [Bn, 4F, vv]
Release time (CC#72) [Bn, 48, vv]
These messages are transmitted when you operate the M3's
Realtime Control Slider 1–4. (They can also be set as Slider
5–8 functions.)
Sustain level (CC#70) [Bn, 46, vv]
Attack time (CC#73) [Bn, 49, vv]
Decay time (CC#75) [Bn, 4B, vv]
MIDI applications Messages transmitted and received by the M3
LFO 1 speed (CC#76) [Bn, 4C, vv]
LFO 1 depth (pitch) (CC#77) [Bn, 4D, vv]
LFO 1 delay (CC#78) [Bn, 4E, vv]
These messages are transmitted when assign the above CC#
to the Realtime Control Slider 5–8 or as the X–Y CC control
function.
When you operate these, the corresponding program
parameters will be controlled, and the sound and envelope
will change. When these messages are received, the result
will be the same as when the controller is operated. (When
the message has a value vv=64 [40], the setting will have the
value that was set by the program parameter.)
• In Combination and Sequencer modes, transmission/
reception can be turned on/off independently for each
timbre/track (Enable Realtime Controls Slider 1...8
Combi 5–1–5(6)c, 5–1–7(8)c/Seq 5–1–5(6)c, 5–1–7(8)a).
Note: In Program mode, the corresponding program
parameters will be temporarily edited by these messages.
You can Write the program to save the modified state
(except for certain parameters). The Write operation can also
be performed by a MIDI System Exclusive Program Write
Request message, in addition to the usual method of using
the M3's switches. When you write the data, the values of
the corresponding program parameters will be rewritten.
Note: The results of receiving these messages will depend on
the instrument. The operation may be different when a
device other than the M3 is connected.
X–Y Mode control
If you assign the following CC#s to the X-axis and Y-axis of
the X–Y Mode, the specified CC# will be transmitted when
you operate the M3, and the M3 itself will be controlled
simultaneously. When this message is received, the result
will be the same as if you operated the M3 itself.
You can use this to record X–Y Mode operations on the
internal sequencer or an external MIDI sequencer, or to
control the X–Y Mode from an external MIDI device.
The CC# settings for the X–Y Mode are made in the Global
P2– MIDI CC# Assign page. Although you can select any
MIDI control change CC#00–CC#119 for the X–Y Mode, you
will normally use the default settings that are assigned
when you execute the menu command Reset Controller
MIDI Assign with Default Setting. For more information,
please see "Reset Controller MIDI Assign" on page 387.
These messages are transmitted and received if Global
P1– MIDI Routng page X–Y MIDI Out is set to X–Y. If
Global "X–Y MIDI Out" is set to X–Y CC Control, the
CC# specified for X–Y CC Control in each program,
combination, or song will be transmitted. Normally
you will use the X–Y setting.
The operations described below are for these default
settings.
X–Y Mode X (CC#118) [Bn, 76, vv]
X–Y Mode Y (CC#119) [Bn, 77, vv]
When you move the M3' X–Y Mode in the X direction, X–Y
Mode X will be transmitted (vv: 00:left...7F:right). When
you move it in the Y direction, X–Y Mode Y will be
transmitted (vv: 00:toward yourself...7F:away). The same
result will occur when these messages are received.
KARMA function control
If you assign the following CC#s to the KARMA
CONTROLS sliders and switches, the specified CC# will be
transmitted when you operate the M3, and the M3 itself will
be controlled simultaneously. When these messages are
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