013: Multi Mode Filter; 014: St. Sub Oscillator - Korg M3 Parameter Manual

Effect Guide
LFO Frequency
Step Frequency
Step-Tri
d: BPM
e: Step Base Note
e: Times
The width of an LFO step, or a cycle of random LFO, is
obtained by multiplying the length of a note ( ... ) (selected
for Step Base Note, in relation to the tempo specified in
BPM, or the MIDI Clock tempo if BPM is set to MIDI) by the
number specified in the Times parameter.
i: Wet/Dry
The effect sound's phase will be reversed when you set this
parameter in the range of values from –Wet to –1:99.

013: Multi Mode Filter

(Stereo Multi Mode Filter)
This is a multi-mode filter with four types; low pass, high
pass, band pass, and band reject. You can use LFO or
dynamic modulation to vary the cutoff frequency or
resonance.
Stereo In - Stereo Out
Left
Trim
LPF
HPF
BPF
BRF
Trim
Right
LFO: Tri / Sine
LPF, HPF, BPF,
Type
BRF
a
Trim 0...100
Cutoff 0...100
b Src Off...Tempo
Amt –100...+100
Resonance 0...100
Src Off...Tempo
c
Amt –100...+100
LFO Triangle,
Waveform Sine
Phase
–180...+180
d [degree]
Depth 0...100
LFO
Frequency 0.02...20.00
[Hz]
e
Src Off...Tempo
–20.00...
Amt
+20.00
450
Random Filter LFO
Step Frequency
Random
Multimode Filter Driver
Output
Filter Type
Multimode Filter Driver
Output
LFO Phase
LFO Shape
Selects the type of filter
Sets the input level
Sets the cutoff frequency
(center frequency)
Selects the modulation source
of the cutoff
Sets the modulation amount of
the cutoff
Sets the resonance amount
Selects the source that will
modulate the amount of
resonance
Sets the amount by which the
resonance will be modulated
Selects the LFO Waveform
Sets the LFO phase difference
between the left and right
p.449
Sets the depth to which the
LFO will modulate the cutoff
frequency
Sets the speed of the LFO p.449
Selects a modulation source for
LFO speed
Sets the modulation amount of
LFO speed
MIDI Sync
BPM
f
Base Note
Times
LFO Type
g
CmnLFO
Offset [deg]
Drive SW
h
Output Level 0...100
Drive Gain
i
Low Boost
Wet/Dry
j Src
Amt

014: St. Sub Oscillator

(Stereo Sub Oscillator)
This effect adds very low frequencies to the input signal. It is
very useful when simulating a roaring drum sound or
emphasizing powerful low range. This effect is different
Wet / Dry
from the equalizer in that you can add very low range
harmonics. You can also adjust the oscillator frequency to
match a particular note number, for use as an octaver.
Stereo In - Stereo Out
Left
Envelope Sens
Wet / Dry
D -mod
Note No.
Envelope Sens Pre LPF
Right
a OSC Mode
Note Interval –48...0
b
Note Fine
Fixed
Frequency
[Hz]
c Src
Amt
d Envelope Pre
LPF
Envelope
Sens
e
Envelope
Shape
When this is on, the LFO speed
is set by BPM, Base Note, and
Off, On
Times, instead of Frequency
MIDI syncs to the system
MIDI,
tempo; 40–300 sets the tempo
40.00...
manually for this individual
300.00
effect
Selects the type of notes that
...
specify the LFO speed
Sets the number of notes that
x1...x32
specify the LFO speed
Individual, Selects either (individual) LFO,
Common1, Common FX LFO1, or Common
Common2 LFO2
Sets the phase offset when
–180...+180 Type = Common 1 or Common
2
Switches distortion on/off
Off, On
within the filter
Sets the output level
0...100 Sets the distortion amount
Sets the amount of low-range
0...100
boost
Dry, 1 : 99... Sets the balance between the
99 : 1, Wet effect and the dry input
Selects a modulation source for
Off...Tempo
Wet/Dry
Sets the modulation amount
–100...+100
for Wet/Dry
Envelope Shape
Pre LPF
Sine Oscillator
Fixed
Fixed Frequency
Pitch
OSC Mode
Note Interval, Fine
Note (Key Follow)
Envelope Shape
Determines whether the oscil-
Note (Key
lator frequency follows the
Follow),
note number or whether it is
Fixed
fixed
Sets the pitch difference from
the note number when OSC
Mode=Note (Key Follow) p.451
Fine adjustment of the oscil-
–100...+100
lator frequency
Sets the oscillator frequency
10.0...80.0
when OSC Mode=Fixed
Selects the modulation source
Off...Tempo for the oscillator frequency
when OSC Mode=Fixed
Sets the oscillator frequency
–80...+80 modulation amount when OSC
Mode=Fixed
Sets the upper limit of the
frequency range for which very
1...100
low harmonics are added
Sets the sensitivity with which
0...100
very low harmonics are added
Sets the oscillator's volume
–100...+100
envelope curve
p.448
p.448
p.448
p.448
p.448
p.448
Wet / Dry
Wet / Dry
p.451
p.451
p.451