0-7: Sampling/Audio In - Korg M3 Parameter Manual

Combination mode
0–7: Sampling/Audio In
0–7a
0–7b
Here you can adjust the settings for the analog/digital audio
signal input (Analog, S/P DIF), and the sampling-related
settings for Combination mode.
As in Program mode, sampling in Combination mode
allows you to sample an incoming audio signal or to sample
a M3 performance. The M3 can also be used as a 4-in 6-out
effect processor.
For example, here are some ways you might use this.
• Sample only an external audio signal from AUDIO
INPUT (e.g., guitar) or S/P DIF, while you listen to the
performance using the KARMA function or Drum Track
function.
• You can play a combination that uses filters, effects, or
the KARMA function, and resample your performance.
• You can sample your performance on the M3 together
with an external audio source.
Note: By installing the EXB-FW option you can add input/
output via FireWire. This gives you a total of 6-in and 6-out.
Using the control surface to make audio input set-
tings
You can use the control surface to make Play/Mute, Solo
On/Off, and Volume settings for the audio input. These
settings can be made from the front panel mixer section, or
in the display of the P0: Play– Control Surface page. Here we
will explain how to use the front panel.
For the procedure, please see "Using the control surface to
make audio input settings" on page 8.
The control surface will control the Global mode
settings if Use Global Setting is On (checked).
Audio input/output
128
ADC OVERLOAD !!
AUDIO INPUT 1, 2 ADC
LEVEL Analog to
(MIC/LINE) Digital
(MIN...MAX) Converter
S/P DIF IN (L, R)
OPTION:
FIREWIRE IN (L, R)
0–7a: Audio Input
Use Global Setting
0–7
On (checked): The Audio Input settings (Analog 1, 2, S/
Menu
P DIF 1, 2) you specify in Global P0: Basic Setup– Audio
page will be used.
Note: FireWire 1 and 2 are enabled if the EXB-FW option is
installed.
Normally you will leave this setting On (checked). The
Audio Input setting you make in Global mode will always
0–7c
be used; i.e., the Audio Input setting will not change even if
you switch combinations. This is convenient when you want
to select various combinations and sample an external audio
source from Audio Input along with your playing.
Off (unchecked): The Audio Input settings (Analog 1, 2, S/
P DIF 1, 2) you specify here will be used.
If you want to make specific Audio Input settings as part of
the combination, uncheck this, and make the desired Audio
Input settings here. You can make oscillator, effect, and
audio input settings in conjunction with each other; for
example, you could create and store a combination in which
an external audio source drives a vocoder effect. For more
information, please see "Example: Rhythmic Vocoder
(Combination)" on page 424.
Input
Analog: The INPUT 1 and 2 jacks will input mic level or line
level signals.
S/P DIF: A digital audio from the S/P DIF IN jack will be
input. Connect the digital output of your instrument or DAT
etc. to the S/P DIF IN jack. The S/P DIF input/output
supports 48 kHz sample rates.
If you want to use S/P DIF, set System Clock to S/P
DIF. For more information, please see "System Clock"
on page 359.
FireWire: If the EXB-FW option is installed, input a digital
audio signal from the FireWire connector. The sample rate of
the FireWire input/output is 48 kHz.
"Audio Input" (0–7a)
Bus(IFX/Indiv.)
Insert
= L/R or IFX1-5
Effects
"Level" "Pan"
[127=0dB]
Master
Effects
Insert
Effects
"Level" "Pan"
[127=0dB]
Insert
Effects
"Level" "Pan"
[127=0dB]
[Analog, S/P DIF, (FireWire)]
"Source Bus" (0–7b)
= L/R
CLIP !!
Sampling
L-Mono
Total
R-Mono Stereo
Effects
REC Sample Setup
"Mode" (0–7b)
"Recording Level" (0–7c)
[–inf ... 0.0dB ... +18.0dB]
L/MONO
R
[Off, On]
AUDIO
OUTPUT