Korg M3 Parameter Manual page 351

sion: 2/3, 1/2, 1/3, 1/4 1/6. The sampling rate following
conversion will be displayed in Hz.
4. In "Save to No.," specify the save destination sample
number. By default, an unused sample number will be
selected.
The sample number cannot be specified if "Overwrite" is
checked. For more information, please see "About
"Overwrite"" on page 329.
For stereo samples, use "Save to No.(L)" and "(R)" to
specify the save-destination of the L and R channels.
5. To execute the Insert Zero command, press the OK but-
ton. To cancel, press the Cancel button.
This command cannot be executed on a sample whose
sampling rate is 192 Hz or less.
The left and right channels of a Stereo sample must
have the same sampling rate. Although it is possible to
select mono multisamples for –L and –R and convert
their sampling rate separately, the system will then no
longer be able to handle the pair as a stereo sample.
Reverse
This command reverses the sample data (i.e., exchanges the
beginning and end).
The Reverse command is always executed on all waveform
data of the selected sample, regardless of the Edit Range
Start and Edit Range End settings.
1. Use Sample Select (1–1b) to select the sample that you
wish to edit.
2. Select "Reverse" to open the dialog box.
3. In "Save to No.," specify the save destination sample
number. By default, an unused sample number will be
selected.
The sample number cannot be specified if "Overwrite" is
checked. For more information, please see "About
"Overwrite"" on page 329.
For stereo samples, use "Save to No.(L)" and "(R)" to
specify the save-destination of the L and R channels.
4. To execute the Reverse command, press the OK button.
To cancel, press the Cancel button.
Note: When you execute this command, all of the sample
data will be rewritten to reverse its direction. The P2: Loop
Edit also contains a Rev (2–1d) command, which simply
reverses the playback direction without affecting the sample
data itself.
Sampling: Menu Command Link
Link
This command connects the currently selected sample with
another sample.
SOUND A
SOUND A
The volume of the two samples can be changed gradually at
the transition to gradually mix the samples with each other.
This is called crossfade, and can be used to produce a
natural-sounding transition between the two sounds.
SOUND A
CROSSFADE LINK
Volume
SOUND A
Crossfaded portion
(SOUND A gradually diminishes,
and (SOUND B gradually increases)
Crossfaded portion
(This is called the "Crossfade Length")
Link will be executed for all of the selected sample data,
regardless of the "Start" and "End" settings.
1. Use Sample Select (1–1b) to select the sample that will
be placed in front by the Link command.
2. Select "Link" to open the dialog box.
3. The sample number selected for Front Sample No. will
be displayed. When the command is executed, this
sample will be placed in front.
SOUND B
LINK
SOUND B
SOUND B
SOUND B
Time
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