KORG TR Parameter Manual: Smpl 5.2: Controller; Ctrls (controls); Smpl 7.1: Insert Effect; Setup

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SMPL 5.2: Controller

5.2–1: Ctrls
(Controls)
Specifies the functions that the [SW1], [SW2] key, and the B-
mode functions of the REALTIME CONTROLS knobs [1]–[4]
will have in Sampling mode.
These controllers can be used to make realtime changes in
effect dynamic modulation functions etc. while you sample.
In Sampling mode, it is not possible to use AMS to con-
trol program parameters.
5.2–1a
5.2–1a: Knob B Assign
Here you can assign the B-mode functions (mainly various
types of control change) for the front panel REALTIME
CONTROLS knobs [1]–[4] (☞p.225 "Realtime Control
Knobs B Assign List"). The functions you specify here will
operate when the front panel REALTIME CONTROLS
knobs [1]–[4] are operated in B-mode.
Knob1–B (Knob1–B Assign)
Knob2–B (Knob2–B Assign)
Knob3–B (Knob3–B Assign)
Knob4–B (Knob4–B Assign)
Example settings
Here's how you can assign knob [1] (B-mode) to control the
"Wet/Dry" balance of the 44: St/Cross Dly effect selected
for IFX, and use knob [2] (B-mode) to control the "Pan" after
the IFX in realtime while you sample.
1 Set "BUS (IFX) Select" (1.1–3a) to IFX.
2 Select 44: St/Cross Dly for "IFX" (7.1–1).
3 Set "IFX On/Off" (7.1–1) to ON.
4 Set the IFX page "W/D" setting to Dry, "Src" to Kb1[+],
and "Amt" to +50. " (7.1–2)
5 In Knobs B Assign, set "Knob 1–B" to Knob Mod.1
(CC#17), and set "Knob 2–B" to IFX Pan (CC#08).
6 Press the [SELECT] key to make the "B" LED light.
7 Rotate knob [1], [2] and the panning of the external input
sound and the delay level will change. You can sample
the sound while you modify it.
5.2–1b: SW1/2 Assign
Here you can assign the functions of the [SW1] and [SW2]
keys (☞p.224 "SW1, SW2 Assign List").
SW1 (SW1 Assign)
SW1 Mode
SW2 (SW2 Assign)
SW2 Mode
( ☞ PROG 2.2–1b)
5.2–1b
5.2–1c
[Off...MIDI CC#95]
[Off...MIDI CC#95]
[Off...MIDI CC#95]
[Off...MIDI CC#95]
[Off...AfterT Lock :N/A]
[Toggle, Momentar y]
[Off...AfterT Lock :N/A]
[Toggle, Momentar y]
■ 5.2–1c: UTILITY
☞"Delete SMPL," "Copy SMPL," "Move SMPL," "Rename
SMPL," "SMPL To Stereo," "Delete MS," "Copy MS,"
"Move MS," "Rename MS," "MS To Stereo/MS To
Mono," "Conv. To Prog," "Keyboard Disp." (1.1–3f)
SMPL 7.1: Insert Effect
Here you can make insert effect settings for use in Sampling
mode.
When you set "BUS" (1.1–3a) to IFX, the external input
sound from the rear panel AUDIO INPUT 1 and 2 jacks will
be sent to IFX (insert effect). By selecting insert effect and
making settings in this page, you can apply the insert effect
to the signal entering through the external input, and sam-
ple the result.
☞For details on insert effect, refer to p.159 "7. Effect Guide."
In Sampling mode, master effects 1 and 2 and the mas-
ter EQ cannot be used.
Insertion effect settings in Sampling mode are not
backed up when the power is turned off. If you wish to
keep the insertion effect settings, you can use "Copy
Insert Effect" (7.1–1a).
For example, you can copy the insertion effect settings
of Sampling mode to a program or combination in
order save them. When you write the program or com-
bination, the settings will be saved in internal memory.
In Sampling mode, you can use "Copy Insert Effect"
(7.1–1a) to copy these effect settings from the program
or combination back into Sampling mode and use
them.
7.1–1: Setup
Here you can select insert effects, switch them on/off, make
chain settings, and specify the pan of the sound after pass-
ing through the insert effect.
These parameters are the same as in Program mode. ☞ Pro-
gram mode "7.1–2: Setup"
■ 7.1–1a: UTILITY
☞"Copy Insert Effect" (PROG 7.1–1c), "Select by Category"
(PROG 7.1–2c)
7.1–1a
121

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