Download Print this page

KORG TR Parameter Manual Page 245

Music workstation.
Hide thumbs

Advertisement

Foot switch (CC#82) [Bn, 52, vv]
If the above CC# is assigned as the function of the ASSIGN-
ABLE SWITCH, operating the switch will transmit this mes-
sage with vv=127 [7F] for ON, and vv=00 [00] for OFF. (This
can also be set as a B-mode function of the REALTIME
CONTROL knobs [1]–[4].)
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track ("Foot Pedal/
Switch" COMBI 4.4–2a, SEQ 4.4–3(4)a).
When "Foot controller (CC#04)"–"Foot switch (CC#82)" ar e
operated on the TR, the specified alternate modulation or
dynamic modulation etc. will be controlled. When these
messages are received, the result will be the same as if the
controller had been operated. For "SW1 modulation
(CC#80)"–"Foot switch (CC#82)," vv of 63 [3F] or less will be
OFF, and 64 [40] or greater will be ON.
Damper pedal (CC#64) [Bn, 40, vv]
This message is transmitted when you operate a damper
pedal (separately sold Korg DS-1H etc.) connected to the
DAMPER jack, and the damper effect will be turned on/off.
If the DS-1H is used, a half-damper effect can be applied.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track ("Damper CC#64"
COMBI 4.1–2a, SEQ 4.1–3(4)a).
Sostenuto (CC#66) [Bn, 42, vv]
If the above CC# is assigned as the function of the ASSIGN-
ABLE SWITCH, operating the switch will transmit this mes-
sage with vv=127 [7F] for ON, and vv=0 [00] for OFF, and
the sostenuto effect will be turned on/off. When this mes-
sage is received, the result will be the same as when the con-
troller is operated (OFF for vv=63 [3F] or below, and ON for
vv=64 [40] or above).
Soft pedal (CC#67) [Bn, 43, vv]
If the above CC# is assigned as the function of the ASSIGN-
ABLE SWITCH, the soft pedal effect will be turned on/off.
When this message is received, the result will be the same as
when the controller is operated.
Controlling via the controllers of a connected MIDI
instrument such as the TRITON
Ribbon Controller (CC#16) [Bn, 10, vv]
When a control change is received from the ribbon controller
or other assigned controller of a MIDI instrument (such as
the TRITON), the specified effect (e.g., alternate modulation
or dynamic modulation) will be applied.
• In Combination or Sequencer modes, transmission and
reception can be turned on/off for each timbre/track.
("Ribbon CC#16" COMBI 4.2–2a, SEQ 4.2–3(4)a)
Controller (CC#18) [Bn, 12, vv]
When the [VALUE] slider of MIDI instruments such as the
TRITON, or a control change assigned to a controller is
received, the specified alternate modulation or dynamic
modulation effect will be applied.
Controlling the tone/envelope of a program
CC#70 control specific parameters of a program. For details
on the program parameters that correspond to each control
change, and how this instrument will respond in each mode
when these are received, refer to "TR operations when con-
trol changes are transmitted/received" (☞p.230).
238
Low pass filter cutoff (CC#74) [Bn, 4A, vv]
Resonance level/High pass filter cutoff (CC#71) [Bn, 47, vv]
Filter EG intensity (CC#79) [Bn, 4F, vv]
Release time (CC#72) [Bn, 48, vv]
These messages are transmitted when you operate this
instrument's REALTIME CONTROLS [1]–[4] knobs in A-
mode. (They can also be set as B-mode functions.)
Sustain level (CC#70) [Bn, 46, vv]
Attack time (CC#73) [Bn, 49, vv]
Decay time (CC#75) [Bn, 4B, vv]
LFO 1 speed (CC#76) [Bn, 4C, vv]
LFO 1 depth (pitch) (CC#77) [Bn, 4D, vv]
LFO 1 delay (CC#78) [Bn, 4E, vv]
These messages are transmitted when assign the above CC#
to the REALTIME CONTROLS [1]–[4] knobs in B-mode and
operate them.
When you operate these, the corresponding program
parameters will be controlled, and the sound and envelope
will change. When these messages are received, the result
will be the same as when the controller is operated. (When
the message has a value vv=64 [40], the setting will have the
value that was set by the program parameter.)
• In Combination and Sequencer modes, transmission/
reception can be turned on/off independently for each
timbre/track ("Realtime Control Knob1, 2, 3, 4" COMBI
4.3–1a, SEQ 4.3).
In Program mode, the corresponding program parame-
ters will be temporarily edited by these messages. You
can Write the program to save the modified state
(except for certain parameters). The Write operation can
also be performed by a MIDI exclusive Program Write
Request message, in addition to the usual method of
using the TR's switches. When you write the data, the
values of the corresponding program parameters will
be rewritten.
The results of receiving these messages will depend on
the instrument. The operation may be different when a
device other than the TR is connected.
Silencing all notes on a specific channel
All note off (CC#123) [Bn, 7B, 00] (value 00)
When this is received, all currently-sounding notes on that
channel will be turned off (as though the keys had been
released). However, the release portion of the notes will
remain.
All sound off (CC#120) [Bn, 78, 00] (value 00)
When this is received, all currently-sounding notes on that
channel will be silenced. While the All Note Off message
allows the release portion of the notes to remain, the All
Sound Off message will silence the notes immediately.
However, these messages are provided for emergency use,
and are not something that you will use while performing.
Resetting all controllers on a specific channel
Reset all controllers (CC#121) [Bn, 79, 00] (value 00)
When this is received, the value of all controllers on that
channel will be reset.

Advertisement

COMING SOON

   Also See for KORG TR

   Related Manuals for KORG TR

Comments to this Manuals

Symbols: 0
Latest comments: