1 Select "Put to Track" to access the dialog box
2 In "Pattern Bank" and "Pattern Select," select the "put"
source pattern. (By default, this will be the pattern
selected in page)
3 In "To: Track," select the "put" destination track.
4 In "Measure," specify the ﬁrst measure of the "put" des-
5 To execute the Put to Track command, press the [F6]
("Put") key. When you execute the command, "Measure"
will automatically count up. If you wish to, you can con-
tinue "putting" the pattern. To exit the command, press
the [F7] ("Exit") key.
Copy To Track
This command copies the speciﬁed area of musical data
from the speciﬁed pattern to a track as musical data.
Unlike the Put To Track command, this command actually
writes the musical data of the pattern into the track, so that
you can edit the copied data in the track. Even if you later
edit the copy source pattern, the musical data of the song
will not be affected.
When you execute the Copy to Track command, the musical
data will be affected as follows.
• Musical data previously existing in the copy destination
measures will be erased.
• The musical data that is copied will playback according
to the time signature specified at the beginning of the
copy destination measures.
Example: Copy the musical data of pattern 41 to measure 2
The procedure is the same as for the Put to Track command.
☞ "Put To Track" (5.1–1c).
Press the [F5] ("Name") key to access the dialog box and
rename the selected track.
Up to sixteen characters can be input. (☞OG p.44)
5.1–2: RPPR Setup
Here you can make settings for the RPPR (Real-time Pattern
Play/Recording) function. RPPR lets you assign a pattern
from a song to each key, and then playback patterns simply
by pressing individual notes on the keyboard. The results
can also be recorded.
For each song, you can assign either a preset pattern or a
user pattern to each of the seventy two keys in the range
C#2–C8. For each key, you can specify the pattern, track
number, and how the pattern will be played.
The arpeggiator is not operated by patterns played
back by RPPR. When RPPR is on, keys for which no
pattern is assigned will sound the track selected by
"Track Select." At this time, the arpeggiator will operate
if either arpeggiator A or B is selected for that track and
turned on. RPPR will not be triggered by notes gener-
ated by the arpeggiator.
When Local Control is OFF ("Local Control On" GLO-
BAL 2.1–1a), the keyboard will not trigger RPPR pat-
tern playback. Notes received at MIDI IN on the
channel of the track currently selected by "Track Select"
will trigger patterns. If you have recorded only the trig-
ger notes on an external sequencer and wish to play-
back the external sequencer to trigger RPPR patterns on
this instrument, set Local Control OFF.
If you want the note data generated by RPPR to be
recorded on the external sequencer, set Local Control
ON, and turn off the echo back function of the external
In the RPPR Setup page, RPPR is turned on automati-
cally. This will be the same result as when the RPPR
check box (1.1–1c) in each page is checked.
5.1–2a: Track Select,
Indicates the track that will trigger RPPR. When note data is
received on the MIDI channel of the selected track, the corre-
sponding pattern will play. ( ☞ 1.1–1c)
The program bank, number, and name of the selected track
will be displayed at the right.
Speciﬁes the playback tempo for RPPR. Refer to " (Tempo)"
( ☞ 1.1–1a).