Korg KROSS Parameter Manual page 304

Appendices
can use Intensity to A and Intensity to B to specify the intensity
separately for Filter A and B.
• You can set AMS to a controller, and use the controller only
when you want to control the depth of the filter sweep produced
by the Common LFO.
Amp (see page 33)
The volume can be controlled by the pitch/filter EG, Common
LFO, controllers, or tempo etc.
• If an EG or controller that changes with a positive (+) value
(EXT(+)) is selected as the AMS, setting the Intensity to +99
will allow you to increase the volume to a maximum of eight
times that of the current volume.
• If an EG, LFO, or controller that changes with a ± value (Pitch
EG, Filter EG, LFO, KT, EXT(+–) is selected as the AMS,
setting the Intensity to +99 will allow you to increase the
volume to a maximum of eight times that of the current volume
(for positive (+) changes of the AMS), or to decrease the
volume to zero (for negative (–) changes of the AMS).
• In addition to the time-variant changes in volume produced by
the amp EG, you can also make the volume change in
synchronization with the pitch/filter EG. Select Pitch EG or
Filter EG as the AMS, and adjust Intensity. If you wish to
cancel the effect of the Amp EG and use the pitch/filter EG to
control the volume, set all levels of the Amp EG to +99.
Amp LFO1/2 Intensity (see page 33)
The amp modulation intensity of LFO 1/2 can be controlled by the
EG, Common LFO, keyboard tracking, controllers, or tempo etc.
• If you select EG as the AMS, the depth of the tremolo effect
produced by LFO modulation will change in synchronization
with the changes in EG level. If you set Intensity to a positive
(+) value, the tremolo effect will deepen as the EG level rises,
and lessen as the EG level falls. If Intensity is set to a negative
(–) value, the phase of the LFO will be inverted.
• If select a controller such as SW1 or 2 as the AMS, you can
apply the tremolo effect by pressing the SW1 or SW2 switch
when desired.
Pan (see page 32)
The oscillator pan can be controlled by the EG, LFO, keyboard
tracking, controllers, or tempo etc.
• If you select Note Number as the AMS and set Intensity to
+50, panning will be controlled by the keyboard position: center
at the C4 note, far right at C9 or above, and far left at C–1 or
below.
• If EG is selected as the AMS, the oscillator pan will be
controlled in synchronization with the changes in EG level. If
Intensity is set to a positive (+) value, the pan will move
toward the right as the EG level increases, and toward the left as
the EG level decreases. If Intensity is set to a negative (–)
value, the opposite effect will occur.
EG Reset —
Pitch EG (see page 18)
Filter EG (see page 28)
Amp EG (see page 36)
You can use the EG, LFO, keyboard tracking, controllers, or tempo
etc. to control EG Reset. Use the Threshold setting to specify the
AMS value where result will occur.
• By setting AMS to Common LFO, you can reset the envelope
cyclically at the interval of the Common LFO. The result is just
as if the shape specified by the envelope were being used as a
special LFO.
• You can reset the envelope by setting AMS to a controller such
as JS+Y, and using the controller when desired, producing a
one-shot filter envelope sweep.
EG Level —
Pitch EG (see page 19)
Filter EG (see page 29)
296
Amp EG (see page 37)
EG levels can be controlled by the Common LFO, keyboard
tracking, controllers, or tempo etc.
You can specify an Intensity value for each EG segment (Start,
Attack, Break). If you set the Intensity value to +66, you will be
able to control the respective level over a maximum range of ±99.
• Set AMS to Velocity for Amp EG Level Modulation, Intensity
Start to +00, Attack to +66, and Break to –66.
Set all Amp EG levels to +00. As you play with increasing
velocity, the EG levels will change more greatly. At the
maximum velocity, the Start Level will stay at +00, but the
Attack Level will change to +99 and the Break Level will
change to –99.
EG Time —
Pitch EG (see page 20)
Filter EG (see page 30)
Amp EG (see page 38)
EG times can be controlled by the Common LFO, keyboard
tracking, controllers, or tempo etc.
You can specify an Intensity value for each EG segment (Attack,
Decay, Slope, Release). EG times are determined by the Alternate
Modulation value when the preceding point is reached. For
example, the Alternate Modulation value at the moment the
envelope reaches the attack level will determine the decay time.
If Intensity is set to a value of 8, 17, 25, 33, 41, or 49, the
corresponding time can be multiplied by a maximum of 2, 4, 8, 16,
32, or 64 times (or divided by 1/2, 1/4, 1/8, 1/16, 1/32, 1/64).
• Select M.Wheel:#01 for AMS, and set AMS Intensity to +8,
At to +, Dc to –, and Sl and Rl to 0. When you move the
modulation wheel away from yourself, the Attack Time will be
lengthened by a maximum of 2 times. The Decay Time will be
shortened by a maximum of 1/2. The Slope and Release times
will not change.
LFO Frequency (see page 41)
The frequency of LFO 1, 2 or Common LFO can be controlled by
the EG, keyboard tracking, controllers, or tempo etc.
You can also use the LFO2 frequency to modulate LFO1, or use
the Common LFO frequency to modulate LFO 1/2.
If Intensity is set to a value of 16, 33, 49, 66, 82, or 99, the
corresponding frequency can be multiplied by a maximum of 2, 4,
8, 16, 32, or 64 times (or divided by 1/2, 1/4, 1/8, 1/16, 1/32, 1/64).
• Select M.Wheel:#01 for AMS, and set Intensity to +16. When
you move the modulation wheel away from yourself, the LFO
frequency will be increased by a maximum of 2 times. If you
set Intensity to –16 and move the modulation wheel away from
yourself, the LFO frequency will be decreased by up to 1/2.
LFO Frequency AMS Intensity (see page 41)
You can use the EG, keyboard tracking, controllers, or tempo etc.
to control the intensity of the AMS that controls the frequency of
the LFO 1, 2, or Common LFO.
For example if you're using the pitch EG to modulate the LFO
frequency, you could use a separate AMS to control the depth of
this effect.
• Set AMS to a controller such as SW 1 or 2, so that the pitch EG
will lightly control the LFO frequency when the switch is off,
and more deeply when the switch is on.
LFO Shape (see page 42)
You can use a EG, keyboard tracking, controllers, or tempo etc. to
control the shape of the LFO 1, 2, or Common LFO waveform.
You can also use the LFO2 frequency to modulate LFO1, or use
the Common LFO frequency to modulate LFO 1/2.
• You can control the LFO waveform by setting AMS to a
controller such as modulation wheel, and using the controller
when desired.
Common LFO Reset (see page 43)
You can use a controller or tempo etc. to reset the Common LFO.