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Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
1. Program parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
2. Timbre parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
3. Vocoder parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
4. Arpeggio parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
5. Edit utility parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
6. GLOBAL parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
7. MIDI parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
8. Foot parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
9. UserKeyTune parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
10. EQ parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
11. Global utility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
1. What are effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
2. Effects provided by the KingKORG NEO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
3. Controlling the effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
4. Master effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
5. Global effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
1. Using the KingKORG NEO with other MIDI devices (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
2. Channels and messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
3. Parameters transmitted and received via NRPN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
4. System exclusive messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
5. Realtime Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
6. Default control change assignments and transmission/reception (CC#Map) . . . . . . . . . . . . . . . . . . . . . . . . . 34
Parameter Guide
Contents
English
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Table of Contents
Related Manuals for Korg KingKORG NEO
Summary of Contents for Korg KingKORG NEO
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Page 1: Table Of Contents
1. Using the KingKORG NEO with other MIDI devices (MIDI) ....... - Page 2 These symbols respectively indicate a point of caution or a tip. Display indications The values of various parameters shown in the manual are only examples; they might not match what you see on the KingKORG NEO’s display. Example of notation on the main display page GLOBAL “g14: Power Off” page In Global mode, the page name will be displayed on the top of the main display.
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Page 3: Parameters
Single: Only one timbre will be used. p01: Name The KingKORG NEO lets you assign a name of up to 12 characters to each program. TIMBRE A In Program mode, the main display shows the program number and program name. -
Page 4: Timbre Parameters
KeyResponse ............[Norm, Shlw, Deep] This specifies the response of the keyboard. In addition to the conventional velocity-sensitive mode, the KingKORG NEO’s Unison Voice . - Page 5 KingKORG NEO Parameter Guide Parameters Transpose ............... . .[–48…+48] Tune .
- Page 6 KingKORG NEO Parameter Guide Parameters 003: Triangle 007: Blue Noise Outputs a triangle wave. Outputs blue noise. This waveform has a more mild tone than a sawtooth wave or pulse wave. This noise signal has an energy distribution that increases in proportion to the frequency.
- Page 7 KingKORG NEO Parameter Guide Parameters Unison oscillator Ring oscillator OSC A OSC A OSC B OSC C Mod Pitch OSC B RING MOD Detune OSC D OSC E These oscillator types multiply waveforms of differing frequencies, adding sum and difference overtones that do not exist in the original sound.
- Page 8 — Dual Square Detune — These oscillator types produce the simple DWGS (Digital Waveform Generator System) waveforms found on digital synthesizers such as the Korg DW-8000. Dual Tri. Detune — You can generate complex overtones by using VPM (Variable Phase...
- Page 9 1970s. 06 LPF MS-20 A low pass filter that models the filter from Korg’s classic MS-20 analog synthesizer. This simulates the original’s lo-fi sense of noise and distortion, as well as the rough self-oscillation that occurred when the resonance was increased.
- Page 10 KingKORG NEO Parameter Guide Parameters Resonance ..............[000 . . .127] Cutoff This sets the resonance of the filter.
- Page 11 On a synthesizer, this type of change is produced by an EG. The your keyboard velocity to produce greater differences in EG1-Filter amplitude. KingKORG NEO has dedicated EGs for the filter and for the amp. However since these EGs can be used as Virtual Patch sources, you are also free to use them to vary the pitch or numerous other aspects of the sound.
- Page 12 The phase of the LFO will be reset by the first note-on that occurs from a great deal of freedom in creating the sound. The Korg MS Series (MS-20, condition of no keys being held; it will not be reset for subsequently played MS-50, MS-10, etc.) went on sale in 1978 and featured this type of patching.
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Page 13: Vocoder Parameters
KingKORG NEO Parameter Guide Parameters Src (Source) ..............[EG1…MIDI3]... - Page 14 HPF Gate ..............[Disable, Enable] If you set this to “Hold”, the character of the signal that is being input at that The KingKORG NEO’s vocoder can extract the high-frequency portion from moment will be held (Formant Freeze). Subsequently, the sound will retain that the audio source being input to the modulator, and then mix this into the output character regardless of whether there is any input.
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Page 15: Arpeggio Parameters
KingKORG NEO Parameter Guide Parameters Type ....... . . [Up, Down, Alt1, Alt2, Random, Trigger] Arpeggio parameters This selects the arpeggio type. -
Page 16: Edit Utility Parameters
When Resolution =1/8 Adjusts the overall pitch in 0.1 Hz steps, in terms of A4 as the reference pitch. Use this when you need to tune the pitch of the KingKORG NEO to other instruments. Transpose ............... . .[–12…+12] Swing –50... - Page 17 KingKORG NEO Parameter Guide Parameters PreTG: This is the Kirnberger temperament. It was created Data received from the MIDI IN connector will be converted according to Kirnberger in the 18th century, and is used mainly for tuning the Global settings, be routed through the arpeggiator, and sent to the harpsichords.
- Page 18 AutoPOff ..............[Disable, 4hours] “Catch” mode prevents the value from changing abruptly and causing an The KingKORG NEO will automatically power-off if its keyboard, knobs, or unnatural change in the sound when you use the knob. Once the knob position buttons when there has been no user input for a period of time.
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Page 19: Midi Parameters
This selects the reference clock where the KingKORG NEO’s tempo will synchronize. If you specify an external device as the clock, the KingKORG NEO’s Here is where you can adjust MIDI-related settings for the KingKORG NEO. arpeggiator and other functions that you’ve tempo-synchronized (such as LFO or delay) can synchronize to the external device. -
Page 20: Foot Parameters
Polarity (Damper Polarity) ........ - Page 21 Calibration Polarity (Assignable Switch Polarity) ......[+, –/KORG] This specifies the effective operating range of the pedal that’s connected to the This specifies the polarity of the foot pedal that’s connected to the...
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Page 22: Userkeytune Parameters
Load Preload ....[1Program, All Program, Global, All Data] The settings in this page are available if the “g05:Common” page Scale This returns the KingKORG NEO’s programs and global data settings to their parameter is set to “UsrKeyTune”. -
Page 23: Effects
Effects provided by the KingKORG NEO The KingKORG NEO’s effects can be broadly divided into two types: master effects and global effects. Master effects Global effects... -
Page 24: Master Effects
Effects KingKORG NEO Parameter Guide Block diagram Master effects Each of the master effect sections provide the following effect types. RING MOD (Ring Modulator) Effect PRE FX MOD FX REV/DELAY This effect creates a metallic tonal character by multiplying the input signal 1. - Page 25 Effects KingKORG NEO Parameter Guide GT.AMP Block diagram Effect This effect simulates a guitar amp and its cabinet. The response and distortion of the speakers are also simulated. This is effective when used on organ or synth lead sounds. Drive .................[000…127] This adjusts the gain of the amp.
- Page 26 Effects KingKORG NEO Parameter Guide TREMOLO Speed ................[000…127] This continuously adjusts the rotational speed of the speaker.
- Page 27 The spacing of the left and right delay sounds are synchronized with the produces deeper reverberation. KingKORG NEO’s tempo or with MIDI tempo, producing a pleasant stereo delay effect. Time ................. .[000…127] This adjusts the duration of reverb.
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Page 28: Global Effects
This effect produces delay sounds that are synchronized with the The global effect is placed just before the OUTPUT in the effect chain. KingKORG NEO’s tempo or the MIDI tempo. Global effect settings cannot be saved for each program. Depth ................[000…127] This adjusts the amount of delay sound. -
Page 29: Midi
KingKORG NEO’s MIDI exclusive messages. parameters, and control those parameters from an external MIDI sequencer TIP: It’s convenient to use the USB connector when connecting the KingKORG NEO to your while playing the KingKORG NEO’s sound generator. You can also use the computer. - Page 30 MIDI sequencer or computer. TIP: If you choose “Layer” or “Split,” you’ll be able to use the KingKORG NEO as a Recording the note data from the arpeggiator onto an external multi-timbral sound module, and the settings of the “p04: Common” page will be MIDI sequencer / computer available.
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Page 31: Channels And Messages
MIDI channel specified for Timbre B MIDI channel timbre B. Of the KingKORG NEO’s two timbres, timbre B can be set to receive a channel TIP: You can adjust settings so that bank select messages will not be transmitted or received. - Page 32 Controlling time-varying change This is a convenient way to control the KingKORG NEO’s knobs and buttons from an external device, or to control a desired parameter from an external CC#64: Damper pedal [Bn, 40, vv] device.
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Page 33: Parameters Transmitted And Received Via Nrpn
Controlling the arpeggiator and LFOs Vocoder SW: [Bn, 63, 05, Bn, 62, 04, Bn, 06, mm] When the KingKORG NEO’s tempo is synchronized to MIDI clock data from an (n: channel, mm: parameter value) external device, you can use system realtime messages to control the functionality of the arpeggiator and LFOs (→... -
Page 34: Default Control Change Assignments And Transmission/Reception (Cc#Map)
If you assign a control change to a parameter whose assign setting is “OFF”, the value shown in the Value column is received or transmitted. If you are using two KingKORG NEO units to transmit and receive these parameters, you must set the transmitting and receiving programs to the same settings. - Page 35 MIDI KingKORG NEO Parameter Guide Section Parameter Assign Value (transmitted) Value (received) LFO2 Freq. CC#076 0…127, TempoSync=On: (→ p.12) 0…127, TempoSync=On: (→ p.12) V.Patch1 CC#103 Not transmitted 0/1: –63, 2: –62…63: –01, 64: +00, 65: +01…127: +63 V.Patch2 CC#104 Not transmitted 0/1: –63, 2: –62…63: –01, 64: +00, 65: +01…127: +63...
- Page 36 MIDI KingKORG NEO Parameter Guide Mod Harm values for VPM oscillators OSC1, 2, and 3 Delay Time values for MOD DELAY and BPM DELAY The following table shows the control change values that are transmitted and Value (transmitted, received) LFO Sync Note received when you edit the “Mod Harm”...
- Page 37 4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan © 2023 KORG INC. www.korg.com Published 08/2023...