Typical Configurations - Midas PRO2 Owner's Manual

Typical configurations

Typical configurations
Here are some actual examples of typical configurations to illustrate the effects of delay
compensation. Please note the following:
• All XLRs are located at stage end, unless FOH is stated.
• INS can mean an internal effect or an external effect with analogue, or AES3 I/O at
either FOH or stage position.
• Abbreviations are: IP = input channel; AS = aux (send) channel, AR = (aux) return
channel; AR (Input) = (aux) return channel set to input mode; MAST = master
channel; MTX = matrix channel; DI (mix) = direct input set to Mix Zone (DI can be
either pre- or post-); and DI (input) = direct input set to System Input Zone (DI can
be either pre- or post-).
FOH Mix Setup
The following table shows the delay compensation settings for this mix.
Option
Master to Matrix Post-processing
Input Channels
Insert
Aux Sends
Monitor Mode (Align with Masters)
Insert
Send-FX-Return
Graphic EQ
Master and Matrix
Insert
Graphic EQ
The following example signal paths all measure the same latency of 815 samples @
96kHz = 8.49 ms:
• FOH XLR – IP – MAST – XLR
• XLR – IP – MAST – XLR
• XLR – IP – MTX – XLR
• XLR – IP – AS - MAST – XLR
• XLR – IP – AS – INS – MAST – XLR
• XLR – IP (With INS) – AS (With INS) – INS – AR – MAST (With INS) - XLR
• XLR – IP (With INS) – AS (With INS + GEQ) – INS – AR – MAST (With INS + GEQ) -
XLR
• XLR – IP – AS – INS – MAST DI (Mix)
• XLR – IP – AS – INS – MTX DI (Mix)
• XLR – MAST DI (Input)
• XLR – MTX DI (Input)
• XLR – AS DI – MAST – XLR
• XLR – AR (Input) – MAST – XLR
• XLR – IP – MAST – MTX
• XLR – IP – AS (With GEQ) – MAST (With GEQ)
PRO2 Live Audio System
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