Midas PRO6 Manuals

Manuals and User Guides for Midas PRO6. We have 3 Midas PRO6 manuals available for free PDF download: Owner's Manual, Quick Reference Manual

Midas PRO6 Owner's Manual

Midas PRO6 Owner's Manual (668 pages)

PRO SERIES LIVE AUDIO SYSTEMS

Brand: Midas | Category: Music Mixer | Size: 30.78 MB

Table of Contents

Important Safety Instructions

5
Instructions de Sécurité Importantes

6
PRO6 EC-Declaration of Conformity

7
PRO9 EC-Declaration of Conformity

11
Licences

13
- General Precautions
  17
Precautions

17
- Safety Warnings
  17
- Audio Connections
  18
- Handling the Equipment
  18
- Electric Fields
  19
- Optional Equipment
  19
- Special Accessories
  19
Recommandations

21
- Connexions Audio
  22
- Table of Contents
  25
Contents

36
Overview

43
Chapter 1: Introduction

45
- About this Manual
  45
  - Structure
    45
  - Conventions
    46
  - Terminology
    46
  - GUI Diagrams
    47
- Training
  47
- PRO Series User Documentation
  47
- PRO Series Host Software Version
  47
- Warranty and Registration
  47
- Service and Support
  47
Chapter 2: PRO Series Live Audio Systems

49
- Introducing the PRO3
  49
- Introducing the PRO6
  49
- Introducing the PRO9
  49
- Overview
  50
- Key Features
  51
- Applications
  55
- System Components
  56
- FOH and MON
  59
- System Buses
  59
- MIX Matrix
  60
- Processing
  62
  - Processing Components
    62
  - Input Channel Processing
    62
  - MIX Channel Processing
    63
  - Output Channel Processing
    63
  - Effects Processing and Geqs
    64
- Audio Physical Connections
  64
- Surround Capabilities
  64
- Network
  65
- Reliability (Redundancy)
  65
- Control Software
  65
- Gui
  66
- System Card Expansion
  66
- Console Linking
  66
- Integration of Third Party Hardware/Software
  66
Chapter 3: About the Control Centre

69
- Overview of the Control Centre
  69
- Bay and GUI Layout
  70
- Control Surface
  71
- Gui
  72
- Front and Rear Panel Connections
  73
- External Interfaces and Peripheral Devices
  74
- MIX Buses
  74
- Automation
  75
- Processing Elements
  75
Getting Started

77
Chapter 4: Setting up the System

79
- Initial Set-Up Procedure
  79
- Unpacking the Equipment
  79
- Making up a Rack
  79
  - Outboard Equipment Rack Requirements
    79
- Wiring Instructions
  80
- Powering the System
  84
- Switching the Control Centre On/Off
  85
- Setting up the ID of the Unit(S)
  86
Basic Operation of the PRO Series

87
Chapter 5: Before You Start

89
Chapter 6: Working with the Control Centre

93
- About the PRO Series Controls
  93
- About Channel Operation
  94
- About GUI Operation
  94
  - Click
    95
  - Drag
    95
- Common GUI Screen Elements
  95
- Parameter Values Displayed on Touch
  96
- Operating the GUI Screen Controls
  96
  - Using Drop-Down Lists
    96
  - Spin Buttons
    97
  - About Windows
    97
- Using the GUI Menu
  98
- Text Editing
  99
Chapter 7: Navigation

101
- An Introduction to Navigation
  101
- Navigating the Input Channels
  101
- Navigating the MIX Buses
  106
- Navigating the Output Channels
  108
- Navigation Via the GUI
  110
- Fault Finding a Problem Channel
  111
Chapter 8: Patching

113
- Introduction
  113
- Terms Used in PRO Series Patching
  113
- About the Patching Screen
  113
- Patching Tooltips
  130
  - Standard Tooltip
    130
  - List Tooltip
    130
- About the Patching Procedure
  131
- Configuring the Devices
  131
  - About the Configuration Window
    132
  - Device Configuration Procedure
    132
- Configuring the Snake Type
  134
- Setting up the I/O Rack Devices
  134
  - Device Set-Up Procedure
    135
- How to Patch
  136
  - Working with Patch Connectors
    136
  - Single Patching (SINGLE)
    138
  - Sequence Patching (SEQ.)
    139
  - Automatic Patching (AUTO)
    139
  - Clearing All Current Patching
    140
Chapter 9: Basic Operation

141
- Setting a MIC Amplifier's Input Gain
  141
- Setting the High and Low Pass Filters
  142
- Input Equalisation (E Zone)
  143
- Input Dynamics Processing (D Zone)
  144
- Output Processing
  145
- Using VCA/POP Groups
  146
  - Configuring VCA/POP Groups
    147
- Setting up a MIX
  148
  - MIX Bus Routing
    150
  - Linking
    150
- Using Fader Flip
  150
- Setting up the Effects Rack
  151
- Simple Routing to Master Stereo Outputs
  153
- Scene and Show Management (Automation)
  154
  - Managing the Shows
    154
  - Managing the Scenes
    156
  - Additional Control - Managing Events
    158
  - Show Editor
    159
- Configuring the Inputs and Outputs
  160
- Using Copy and Paste
  160
  - Copy and Paste Rules and Restrictions
    161
- User Library (Presets)
  161
- Surround Panning
  162
- Two-Man Operation
  164
- Saving Your Show Files to a USB Memory Stick
  165
- External AES50 Synchronisation
  166
- Security (Locking Mode)
  166
Advanced Operation and Features

167
Chapter 10: Stereo Linking

169
- Changing the Linking Options
  170
- Linking the Master Channels
  171
Chapter 11: Panning

173
- Stereo Panning
  173
- SIS™ (LCR) Mode
  173
- Surround Panning
  175
  - About the Controls in Surround Mode
    176
- Speaker Placement
  178
Chapter 12: Soloing

179
- Using solo A/B
  179
- Solo Hierarchy
  181
- Solo in Place (SIP)
  181
Chapter 13: Muting

183
Chapter 14: Monitors and Communications

185
- Monitors (a and B)
  185
  - Delay (GUI Only)
    187
- Solo System
  187
  - Solo in Place Switch
    188
  - C/O Switch
    189
  - Monitor Output (a and B) Sections
    189
  - Source (a and B) Sections
    190
  - Solo (a and B) Sections
    190
  - Solo Mode Section (GUI Only)
    191
  - Solo System Section
    191
- Signal Generator
  192
- Talk Osc/Routing
  194
  - Internal Talk Groups
    195
- Talk MIC
  196
  - Internal Talk MIC
    196
  - External Talkback
    197
Chapter 15 Graphic Equaliser (GEQ)

199
- Overview of the Geqs
  199
- About the Graphic Eqs Screen
  200
- About the GEQ Window
  201
- GEQ Front Panel Features
  202
- Configuring the Number of Geqs (and Effects)
  203
- Copying Settings between Geqs
  204
Chapter 16: Internal Effects

205
- Overview of the Internal Effects
  205
  - Rack Unit Number Allocation
    206
- About the Effect Window
  206
- Working with the Effects
  207
- Effect Configuration
  207
- Effect Programs
  208
- Delay Effect
  208
- Virtual DN780 Reverb Effect
  210
- Flanger Effect
  212
- Phaser Effect
  213
- Pitch Shifter Effect
  215
  - Feedback
    216
- SQ1 Dynamics Effect
  216
- 3-Band Compressor Effect
  217
Chapter 17: Control Groups

219
- VCA and POP Groups
  219
  - VCA Fast Strips
    220
  - POP Groups
    221
  - Working with VCA/POP Groups
    221
- Auto-Mute (Mute) Groups
  222
- Talk Groups
  223
- About the Control Group Screens
  224
  - Management Section
    224
- Programming the Groups
  225
- Configuring the Groups
  226
Chapter 18: Copy and Paste

227
- Channels Versus Scenes
  227
Chapter 19 Assignable Controls (I Zone)

229
Chapter 20: Scenes and Shows

239
- About Automation
  239
- Automation Controls
  240
  - Next LCD Button
    241
- Automation Screen
  241
- Using the Right-Click Menu
  242
- Scenes
  243
- Scene Contents
  244
- Point Scenes
  244
- Numbering and Navigation
  244
- Global Scene
  244
- Initial Snapshot Scene (Scene 0)
  244
- Date and Time
  245
- Scene Cue List
  245
  - Configuring the Scene Cue List View
    247
- Editing Scene Properties
  247
- Adding a New Scene
  248
- Copying and Deleting Scenes
  248
- Changing the Order of the Scenes
  249
- Overriding Store Scope
  249
- Using Patching in Automation
  250
- Using Zoom
  250
- Show Files
  251
  - Managing Show Files
    251
  - Managing Show Files on the Files Screen
    252
- Rehearsals
  252
- Safes
  253
Chapter 21 Scope (Automation)

255
- About Scope
  255
- About the Recall Scope Screen
  255
- Selecting Scope Parameter Sections
  257
  - Selecting Bus Parameters
    260
- Saving Scope Parameters in a Scene
  261
- Using Store Scope
  261
Chapter 22 Events (Automation)

263
Chapter 23 Crossfades

263
- Global Scene
  263
- Connecting up the MIDI/GPIO Equipment
  264
- About Events
  263
  - MIDI
    263
  - Gpio
    263
  - Internal
    263
- About the Edit Event Window
  264
- Programming Events
  265
Crossfades (Automation)

269
- About the Crossfade Edit Event Window
  269
  - About the Crossfade Parameters
    270
  - Crossfade Set up Section in the Edit Event Window
    271
- How a Crossfade Operates
  272
- Crossfade Groups
  273
- Global Events
  275
- Manually Controlling a Crossfade
  276
Chapter 24 User Libraries (Presets)

277
- About the Preset Manager Screen
  277
- Managing User Libraries
  278
- Deleting Presets from a User Library
  279
Chapter 25: File Management

281
- About the Files Screen
  281
- About the Master Controller File Synchronisation Window
  283
Chapter 26: Using Other Devices with the PRO Series

285
- Using Multiple Digital Consoles
  285
  - Synchronising the Consoles
    285
  - Sharing DL431 MIC Splitter a and B Inputs
    286
- Using an External USB Mouse
  286
- Using an External USB Keyboard
  286
- Using an External Monitor
  287
Chapter 27: Changing the User Settings

289
Chapter 28 Delay Compensation (Latency)

295
- Insert Compensation
  295
- GEQ Compensation
  296
- GUI Delay Compensation Options
  296
- Monitor Mode (Align with Masters)
  298
- Zones
  299
- Master to Matrix Post-Processing Option
  299
- Solo Bus Delay Compensation
  300
- Typical Configurations
  301
  - FOH MIX Setup
    301
  - FOH MIX Low Latency
    302
  - Monitor MIX
    303
  - Monitor MIX (Low Latency)
    304
Chapter 29: Panel Connections

307
- Front Panel Connections
  307
- Rear Panel Connections
  308
Chapter 30: Inputs

319
- Input Channel Routing
  319
- Input Channel Areas of the Control Surface
  320
- Input Fast Strips, Channel Strips and MIX Buses
  321
- Inputs on the GUI
  322
  - GUI Input Fast Strips
    322
  - GUI Channel Strips (Inputs)
    322
- Input Metering
  324
- Channel Configuration Controls
  325
  - Input Channel ID (GUI Only)
    326
  - Input Channel Source Select (GUI Only)
    326
  - Input Channel Delay (GUI Only)
    326
  - Stereo Linking (GUI Only)
    326
  - Safes
    327
- MIC Amp Input Gain (Preliminary Input Processing)
  328
  - Using Gain Swap
    330
  - Processing Order
    330
  - Direct Output
    330
- Dynamics (D Zone)
  332
  - Compressor
    332
  - Compressor Graph
    334
  - Gate
    336
  - Side Chain
    338
- Insert
  340
- EQ (E Zone)
  341
  - EQ Graph
    343
- Mixes
  345
- Master Controls, Solo/Mute and Fader
  348
  - Masters Sections and Pan Control
    348
  - LCD Select Button
    350
  - Mute, solo and Safes
    350
  - Fader
    351
- Outputs
  353
Chapter 31 Outputs

353
- Output Channel Routing
  353
- Output Channel Areas on the Control Surface
  354
- Output Fast Strips, Channel Strips and MIX Buses
  355
- Outputs on the GUI
  356
  - Output Fast Zone (Overview Screen)
    356
  - GUI Channel Strips
    356
- Output Metering
  360
- Talk
  361
- Dynamics and EQ
  361
  - Compressor (D Zone)
    362
  - EQ (E Zone)
    363
  - EQ Graph
    367
- Mute, Safes, Level and solo
  367
- Output Channel Configuration Controls
  369
  - Output Channel ID (GUI Only)
    369
  - Output Channel Source/Destination (GUI Only)
    369
  - Stereo Linking (GUI Only)
    370
  - Gain Swap (GUI Only)
    370
  - MIX Mode (GUI Only)
    370
  - Input Mode (GUI Only)
    370
  - Fader Linking (GUI Only)
    370
  - Bus Trim (GUI Only)
    370
  - Direct Input (GUI Only)
    370
  - Safes
    371
  - Insert (GUI Only)
    371
  - Output Channel Delay (GUI Only)
    371
  - Processing Order
    371
- Mixes
  371
- Masters
  372
Chapter 32: GUI Menu

373
- Elements of the GUI Menu
  374
- GUI Menu Flowchart
  375
- GUI Menu Options
  378
Appendices

381
Appendix A Application Notes

383
- Spatial Imaging System (SIS™)
  383
- PRO Series Compressor Modes (Dynamic)
  383
  - Description
    383
  - Compressor Envelope Modes
    385
- PRO Series Input Channel EQ Modes
  387
  - Basic Specification
    387
  - Description of the Input Channel EQ Modes
    387
- PRO Series Output Channel EQ Modes
  389
  - Basic Specification
    389
  - Description of the Output Channel EQ Modes
    389
Appendix B Technical Specification

391
- PRO Series General Statistics
  391
- PRO Series General Specifications
  393
- PRO Series Audio Performance Specifications
  394
  - Frequency Response
    394
  - Gain Error at 1Khz
    394
  - Input CMRR
    395
  - Distortion at 0Dbu
    395
  - Distortion at +20Dbu
    396
  - Signal Path Noise 22Hz to 22Khz Unweighted
    397
  - Dynamic Range 22Hz to 22Khz Unweighted
    397
- PRO Series System Inputs and Outputs
  398
  - DL251 I/O Box
    398
  - DL351 I/O Box
    398
  - DL451 I/O Box
    399
  - DL431 Splitter (Option)
    400
  - DL371 Dsp/Router
    401
  - PRO Series Control Surface
    402
- PRO Series Input and Output Characteristics
  404
- PRO Series Main Processing Functions
  406
  - Main Input Channel Functions
    406
  - Auxiliary Input Channel Functions
    407
  - Output Channel Functions
    408
  - Effects Channel Functions
    409
- PRO Series Status Functions
  410
  - Meters
    410
  - Screens
    410
  - Screen Functions
    410
  - LCD Switches
    410
Appendix C Klark Teknik DN370 GEQ

411
- Notes
  411
- Using the GEQ
  411
  - Studio and Creative Use
    411
  - Live Use (MON)
    411
  - Bypassing the EQ
    412
- Audio Signal Path
  413
Appendix D Klark Teknik DN780 Reverb

415
- Parameter Application Notes
  415
  - Pre-Delay
    415
  - Pattern
    415
  - Level
    415
  - Decay
    415
  - LF Key
    415
  - HF Key
    416
  - Room Size
    416
- About the Special Effects Programs
  416
  - Direct Signal
    416
  - Delay" Effect
    416
  - ADT" Effect
    416
  - Multi-Tap Echo" Effect
    417
  - Sound-On-Sound" Effect
    417
  - Infinite Room" Effect
    418
  - Alive", "Non-Linear" and "Reverse" Effects
    418
- Technical Specifications
  419
  - Audio
    419
  - Digital
    419
  - Parameters
    419
  - Controls
    419
Appendix E I/O Modules

421
- DL441 Analogue Input Module
  422
- DL442 Analogue Output Module
  423
- DL443 Analogue Jack I/O Module
  424
- DL444 Analogue D-Type I/O Module
  426
  - Connecting to Eight Xlrs
    429
  - Pinouts for the Remote Status Connector
    430
- DL452 Digital I/O Module
  431
Appendix F Replacing a Module

433
- Replacing a Module
  433
Appendix G Troubleshooting

435
- No Audio
  435
- Diagnostics
  435
  - About the Diagnostics Inspector Window
    437
- Swapping the Active Network
  438
- Swapping the Active Master Controller
  438
- Synchronising the Files
  439
- Mapping a GUI Screen to Another Bay
  440
- Reset Switches
  440
- Troubleshooting Automation
  441
  - Error Messages
    441
  - Error Condition Messages
    442
  - Error Description Messages
    443
Appendix H Updating PRO Series Host Software

449
- About the PRO Series Updater
  449
- About the Updater Screen
  450
- Using the PRO Series Updater
  452
  - What You will Need
    452
  - Preparation
    452
  - Updating Your System
    452
Appendix I Documentation

457
- System User Documentation
  457
- Supplementary Documentation
  458
Appendix J Reference Tables

459
- Definition of the Primary Buses
  459
- Navigating to the Patching Screen
  460
Appendix K Parameters Affected by Scope

463
- Introduction
  463
- Overview
  464
- Inputs
  465
  - Patching
    465
  - Configuration
    466
  - Dynamics
    468
  - Insert
    469
  - Aux Send
    471
  - Matrix Send
    472
  - Fader
    473
- Returns (Aux Returns)
  475
  - Patching
    475
  - Configuration
    476
  - Dynamics
    477
  - Insert
    477
  - Aux Send
    477
  - Matrix Send
    478
  - Fader
    479
- Auxes (Aux Sends)
  481
  - Patching
    481
  - Configuration
    482
  - Dynamics
    483
  - Insert
    484
  - Aux Send
    485
  - Aux Preset
    485
  - Matrix Send
    486
  - Fader
    487
- Matrices
  489
  - Patching
    489
  - Configuration
    490
  - Dynamics
    491
  - Insert
    492
  - Aux Send
    493
  - Aux Preset
    493
  - Matrix Send
    493
  - Fader
    494
- Masters
  495
  - Patching
    495
  - Configuration
    496
  - Dynamics
    497
  - Insert
    498
  - Aux Send
    499
  - Aux Preset
    499
  - Matrix Send
    500
  - Fader
    501
- GEQ Rack
  502
  - Patching
    502
  - Geq
    503
- Effects Rack
  504
  - Patching
    504
  - Effects
    505
- Groups
  506
Appendix L Parameters Affected by Automate Patching

507
- Inputs
  507
- Auxes
  508
- Matrices
  508
- Masters
  509
- Effects
  509
- System Devices
  510
- Monitors
  510

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Midas PRO6 Owner's Manual

Midas PRO6 Owner's Manual (614 pages)

Live Audio System

Brand: Midas | Category: Stereo System | Size: 13.66 MB

Table of Contents

Important Safety Instructions

3
EC-Declaration of Conformity

5
Licences

7
Precautions

11
- Table of Contents
  15
Chapter 1 Introduction

27
- About this Manual
  27
- Training
  29
- PRO6 User Documentation
  29
- PRO6 Host Software Version
  29
- Warranty and Registration
  29
- Service and Support
  29
- Key Features
  32
- Applications
  33
- System Components (Standard Supply)
  34
- FOH and MON
  34
- System Buses
  34
- MIX Matrix
  35
- Processing
  36
- Audio Physical Connections
  38
- Surround Capabilities
  39
- Network
  39
- Reliability (Redundancy)
  39
- Control Software
  40
- Gui
  40
- System Card Expansion
  40
- Console Linking
  40
- Integration of Third Party Hardware/Software
  40
About the PRO6 Control Centre

43
- Overview of the PRO6 Control Centre
  43
- Bay and GUI Layout
  44
- PRO6 Control Surface
  45
- Gui
  46
- Front and Rear Panel Connections
  47
- External Interfaces and Peripheral Devices
  48
- MIX Buses
  48
- Automation
  49
- Processing Elements
  49
Setting up the System

53
- Initial Set-Up Procedure
  53
- Unpacking the Equipment
  53
- Making up a Rack
  53
- Wiring Instructions
  54
- Powering the PRO6 System
  56
- Switching the PRO6 Control Centre On/Off
  57
- Setting up the DL351 Modular I/O Unit ID
  58
Before You Start

61
- Principles of Operation
  61
- Operating Modes
  61
- Hints and Tips
  62
- Saving Your Work
  63
Working with the PRO6 Control Centre

65
- About the PRO6 Controls
  65
- About Channel Operation
  66
- About GUI Operation
  66
- Common GUI Screen Elements
  68
- Parameter Values Displayed on Touch
  68
- Operating the GUI Screen Controls
  68
- Using the GUI Menu
  70
- Text Editing
  71
Navigation

73
Patching

81
- Introduction
  81
- Terms Used in PRO6 Patching
  81
- About the Patching Screen
  81
- Patching Tooltips
  93
- About the Patching Procedure
  94
- Configuring the Devices
  94
- Configuring the PRO6 with the Snake Type
  97
- Setting up the I/O Rack Devices
  97
- How to Patch
  99
Basic Operation

105
- Setting a MIC Amplifier's Input Gain
  105
- Setting the High and Low Pass Filters
  106
- Input Equalisation (E Zone)
  107
- Input Dynamics Processing (D Zone)
  108
- Output Processing
  109
- Using VCA/POP Groups
  110
- Setting up a MIX
  112
- Using Fader Flip
  114
- Setting up the Effects Rack
  115
- Simple Routing to Master Stereo Outputs
  117
- Scene and Show Management (Automation)
  118
- Configuring the Inputs and Outputs
  124
- Using Copy and Paste
  124
- User Library (Presets)
  125
- Surround Panning
  126
- Two-Man Operation
  128
- Saving Your Show Files to a USB Memory Stick
  129
- External AES50 Synchronisation
  130
- Security (Locking Mode)
  130
Advanced Operation and Features

131
Stereo Linking

133
- Changing the Linking Options
  134
- Linking the Master Channels
  135
Panning

137
- Stereo Panning
  137
- SIS™ (LCR) Mode
  138
- Surround Panning
  139
- Speaker Placement
  143
Soloing

145
- Using solo A/B
  145
- Solo Hierarchy
  147
- Solo in Place (SIP)
  147
Muting

149
Monitors and Communications

151
- Monitors (a and B)
  151
- Solo System
  153
- Signal Generator
  158
- Talk Osc/Routing
  159
- Talk MIC
  161
Graphic Equaliser (GEQ)

163
- Configuring the Number of Geqs (and Effects)
  163
- About the Graphic Eqs Screen
  165
- About the GEQ Window
  167
- GEQ Front Panel Features
  169
- Copying Settings between Geqs
  170
Internal Effects

171
- Overview of the Internal Effects
  171
- About the Effect Window
  172
- Working with the Effects
  173
- Effect Configuration
  173
- Effect Programs
  174
- Delay Effect
  175
- Virtual DN780 Reverb Effect
  176
- Flanger Effect
  179
- Phaser Effect
  180
- Pitch Shifter Effect
  181
- SQ1 Dynamics Effect
  182
- 3-Band Compressor Effect
  182
Control Groups

183
- VCA and POP Groups
  183
- Auto-Mute (Mute) Groups
  187
- Talk Groups
  188
- About the Control Group Screens
  189
- Programming the Groups
  190
- Configuring the Groups
  190
Copy and Paste

191
- Channels Versus Scenes
  191
Assignable Controls (I Zone)

193
Scenes and Shows (Automation)

203
- About Automation
  203
- Automation Controls
  204
- Automation Screen
  205
- Using the Right-Click Menu
  206
- Scenes
  207
- Scene Contents
  208
- Point Scenes
  208
- Numbering and Navigation
  208
- Global Scene
  208
- Initial Snapshot Scene (Scene 0)
  208
- Date and Time
  209
- Scene Cue List
  209
- Editing Scene Properties
  211
- Adding a New Scene
  212
- Copying and Deleting Scenes
  212
- Changing the Order of the Scenes
  213
- Overriding Store Scope
  213
- Using Patching in Automation
  214
- Using Zoom
  214
- Show Files
  215
- Rehearsals
  216
- Safes
  217
Scope (Automation)

219
- About Scope
  219
- About the Recall Scope Screen
  219
- Selecting Scope Parameter Sections
  220
- Saving Scope Parameters in a Scene
  223
- Using Store Scope
  224
Events (Automation)

225
- About Events
  225
- About the Edit Event Window
  226
- Programming Events
  227
Crossfades (Automation)

231
- About the Crossfade Edit Event Window
  231
- How a Crossfade Operates
  234
- Crossfade Groups
  235
- Global Events
  237
- Manually Controlling a Crossfade
  238
User Libraries (Presets)

239
- About the Preset Manager Screen
  239
- Managing User Libraries
  240
- Deleting Presets from a User Library
  241
File Management

243
- About the Files Screen
  243
- About the Master Controller File Synchronisation Window
  245
Using Other Devices with the PRO6

247
- Using Multiple Digital Consoles
  247
- Using an External USB Mouse
  248
- Using an External USB Keyboard
  248
- Using an External Monitor
  249
Changing the User Settings

251
Delay Compensation (Latency)

257
- Insert Compensation
  257
- GEQ Compensation
  258
- GUI Delay Compensation Options
  258
- Monitor Mode (Align with Masters)
  260
- Zones
  261
- Master to Matrix Post-Processing Option
  261
- Solo Bus Delay Compensation
  262
- Typical Configurations
  263
Panel Connections

269
- Front Panel Connections
  269
- Rear Panel Connections
  270
Inputs

281
- Input Channel Routing
  281
- Input Channel Areas of the Control Surface
  282
- Input Fast Strips, Channel Strips and MIX Buses
  283
- Inputs on the GUI
  284
- Input Metering
  286
- Channel Configuration Controls
  287
- MIC Amp Input Gain (Preliminary Input Processing)
  290
- Dynamics (D Zone)
  294
- Insert
  300
- EQ (E Zone)
  301
- Mixes
  304
- Master Controls, Solo/Mute and Fader
  307
Outputs

311
- Output Channel Routing
  311
- Output Channel Areas on the Control Surface
  312
- Output Fast Strips, Channel Strips and MIX Buses
  313
- Outputs on the GUI
  314
- Output Metering
  319
- Talk
  320
- Dynamics and EQ
  320
- Mute, Safes, Level and solo
  326
- Output Channel Configuration Controls
  327
- Mixes
  330
- Masters
  330
GUI Menu

331
- GUI Menu Flowchart
  332
- GUI Menu Options
  333
Appendices

335
Appendix A Application Notes

337
- Spatial Imaging System (SIS™)
  337
- PRO6 Compressor Modes (Dynamic)
  337
- PRO6 Input Channel EQ Modes
  341
- PRO6 Output Channel EQ Modes
  343
Appendix B Technical Specification

345
- PRO6 General Statistics
  345
- PRO6 General Specifications
  346
- PRO6 Audio Performance Specifications
  347
- PRO6 System Inputs and Outputs
  351
- PRO6 Input and Output Characteristics
  357
- PRO6 Main Processing Functions
  359
- PRO6 Status Functions
  362
Appendix C Klark Teknik DN370 GEQ

363
- Notes
  363
- Using the GEQ
  363
- Audio Signal Path
  365

Midas PRO6 Quick Reference Manual

Midas PRO6 Quick Reference Manual (84 pages)

Control Centre

Brand: Midas | Category: Recording Equipment | Size: 15.42 MB

Table of Contents

General Precautions
9
Safety Warnings
9
Audio Connections
10
Table of Contents
13
Introduction

15
Chapter 1: Introducing the PRO6

17
Chapter 2: About the PRO6 Control Centre

19
- Overview of the PRO6 Control Centre
  19
- Bay and GUI Layout
  20
- PRO6 Control Surface
  21
- Gui
  22
- Front Panel Connections
  23
- Rear Panel Connections
  23
Chapter 3: Working with the PRO6 Control Centre

27
- Basic GUI Operation
  27
- Operating the GUI Screen Controls
  28
- Using the GUI Menu
  29
- Text Editing
  30
Chapter 4: Navigation

31
Chapter 5: Patching

37
- Introduction
  37
- Function Buttons
  38
- About the Patching Procedure
  39
- Configuring the Devices
  39
- Configuring the PRO6 with the Snake Type
  41
- Setting up the I/O Rack Devices
  41
- How to Patch
  43
Chapter 6 Basic Operation

45
- Principles of Operation
  45
- Operating Modes
  45
- Normal Mode
  45
- Hints and Tips
  46
- Saving Your Work
  47
- Setting a MIC Amplifier's Input Gain
  48
- Setting the High and Low Pass Filters
  49
- Input Equalisation (E Zone)
  50
- Input Dynamics Processing (D Zone)
  51
- Using VCA/POP Groups
  53
- Setting up a MIX
  55
- Setting up the Effects Rack
  58
- Simple Routing to Master Stereo Outputs
  60
- Scene and Show Management (Automation)
  60
- Configuring the Inputs and Outputs
  65
- Using Copy and Paste
  65
- Surround Panning
  68
- Two-Man Operation
  68
- Saving Your Show Files to USB Memory Stick
  70

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