Page 1 Océ Color System 200 Advanced Operations Operator’s Manual Please read this manual before operating this equipment. After you ﬁnish reading this manual, store it in a safe place for future reference.
Page 3 Preface Congratulations on your purchase of the Océ Color System 200! There are three Operator’s Manuals for the CS200: The Basic Operations Manual, Advanced Operations Manual and Quick Reference. The Basic Operations Manual and the Advanced Operations Manual describe the CS200, its functions, and its method of use.
Page 4: Table Of Contents
Contents CS200 Advanced Operations Manual Color Samples for the Color Palette Sheet Color Chart for the Color Palette Sheet Using This Manual ................How to Use This Manual ..............Structure of Advanced Operations Manual ..........How to Use the CS200 Advanced Operations Manual ....... VIII Touch Panel Display .................
Page 5 General Flow of Setting/Cancellation ............ Chapter 2 Image Creation .................. Changing the Original Image Nega/Posi (Reversing the Hues and Gradations) ........on Copies Mirror Image (Making Copies as a Mirror Image) ........Text Editing (Editing Text on Copies) ED BOARD ........2-10 Special Effects (Reduced Gradation and Solarisation) ED BOARD ....
Page 6: Using This Manual
Using This Manual This Operator’s Manual is organized as shown below. Consult the relevant sections to ﬁnd the information you require. <Basic Operations Manual> <Advanced Operations Manual> The method of operation for each of the functions is explained in detail following the procedure. Read as necessary, such as when a function is ﬁrst used, or you have forgotten how to carry out a function.
Page 7: How To Use This Manual
How to Use This Manual Operation Procedures In this manual, the following marks are used in the explanation of the operation procedures, cautions, notes, and related functions. Indicates that this is a note concerning operation or an explanation Indicates options, etc., required in order to use this function. (Refer of a related function.
Page 8: Structure Of Advanced Operations Manual
Structure of Advanced Operations Manual The Advanced Operations Manual chapters are each composed of the following three sections. 1. Summary of Operation Flow (General Flow of Setting/Cancellation) Image Creation Image Creation (General Flow of Setting/Cancellation) Press the key. Press the key for the mode that you Press the key.
Page 9 3. Explanation of Operation Procedure Mirror Image (Making Copies as a Mirror Image) For details on how to programme the basic copy This mode makes copies of the mirror image of an original. There are three settings, see p. 2-4 of chapter 2 “Basic Copying” in types of Mirror Image functions.
Page 10: How To Use The Cs200 Advanced Operations Manual
How to Use the CS200 Advanced Operations Manual When to Consult the Manual When making copies by performing various changes to the original Chapter 1 Color Balance and Color color Creation Features One Touch Color Color Color Balance Creation When performing various types of changes to the original image on Chapter 2 Changing the Original Image copies on Copies...
Page 11: Touch Panel Display
Touch Panel Display Depending upon conditions, keys on the touch panel display may not be displayed or may be shaded and unable to be selected. 1. Variations to the standard display depending upon the structure of optional devices When the stapler sorter or ﬁlm projector are attached, their keys are displayed on the bottom left of the standard display. When the Stapler Sorter is attached When the Projector is attached 2.
Page 12 3. Keys not displayed because of structure of optional devices Keys that are only operative when optional devices are attached are not displayed if the optional device is not attached. Image Combination screen for when Feeder is not attached Speciﬁcation Setting screen for when Editor is not attached (Cancel Auto Counting key is not displayed.) (Tracing Width and Change Color Sheet keys are not displayed.) 4.
Page 13: General Flow Of Setting / Cancellation
Color Balance and Color Creation Features One Touch Color Color Color Balance Creation This chapter explains how to make copies using One Touch Color, Color Balance, and Color Creation. It also explains how to select colors through the Color Selection Flow.
Page 14: One Touch Color
One Touch Color One Touch Color (General Flow of Setting/Cancellation) One Touch Color Press the key. Press the key for the mode that you One Touch Color want to set. With a one touch you can select the mode you want and make copies.
Page 15 Press the key. The One Touch Color setting procedure is now complete, and the screen returns to the standard display. The name of the mode that was set is displayed. The mode that was set can be canceled by pressing the ONE TOUCH COLOR key and then the C key.
Page 16: Gloss Adjustment/Sharpness/Black Adjustment
Gloss Adjustment/Sharpness/Black Adjustment Gloss Adjustment/Sharpness/Black Adjustment (General Flow of Setting/Cancellation) One Touch Color Press the key. Press the key for the mode that you One Touch Color want to set. Follow the procedure described below to set a mode. Adjust the gloss of the copy and make copies. (See p.
Page 17 Gloss Adjustment Select one of Press the key. MATTE FINISH , or STANDARD GLOSSY If the C key is pressed, the setting mode is canceled and the screen returns to the standard display. Press the key. The Gloss Adjustment setting procedure is now complete, and the screen returns to the standard display.
Page 18: Color Balance
Color Balance Color Balance (General Flow of Setting/Cancellation) Color Balance Press the key. Adjust the color. Color Balance There are four ways to adjust the color. Color Balance Press the + key or the – key. If the C key is pressed, the screen returns to the standard display.
Page 19 Hue Adjustment Press the HUE ADJUST key. Press the key. The Color Balance setting procedure is now complete, and the screen returns to the standard display. The name of the mode that was set is displayed. Density Fine Adjustment Press the DENSITY FINE ADJ. key. The mode that was set can be canceled by pressing the COLOR BALANCE key and then the C key.
Page 20: Color Creation
Color Creation Color Creation (General Flow of Setting/Cancellation) Color Creation Press the key. Press the key for the mode that you Color Creation want to set. Follow the procedure described below to set a mode. Make monochrome copies in a speciﬁed color. (See p.
Page 21 Press the key. Press the key. You can continue setting other Color Creation modes. The Color Creation setting procedure is now complete, and the screen returns to the standard display. The name of the mode that was set is displayed. If the C key is pressed while setting a mode, the set mode is canceled and the screen returns to the standard display.
Page 22: Color Selection Flow (Selecting Colors Within Settings For Each Function)
Color Selection Flow (Selecting Colors within Settings for Each Function) The Color Selection Flow is the procedure for selecting a color(s) to use with a mode.There are ﬁve different methods for selecting colors. Color palette selection Designated color selection Select colors from the Editor’s color palette. You can switch between the three color palette sheets that are provided and a custom sheet.
Page 23 Registered color Color wheel selection Original color selection selection Select a color from the color wheel displayed on the screen. Select a color from among colors that Select the color of the original as it is. have been previously registered. 1) Press the COLOR WHEEL key.
Page 24: One Touch Color (Selecting The Desired Image Quality With One Touch Of A Key)
One Touch Color (Selecting the Desired Image Quality with One Touch of a Key) This function allows for adjustment of the copy image quality so that it corresponds to the original- with just one touch of a key. With the One Touch Color mode, you can adjust the image quality and intensity of color (red, yellow, blue). The six image quality adjustment features of the One Touch Color mode are as follows: Vivid Colors: Makes copies with more vivid hues.
Page 25 Highlight Reproduction Old-fashioned Photo Image Original Copy Original Copy One Touch Color (Selecting the Desired Image Quality with One Touch of a Key) 1-13...
Page 26 The six color intensity adjustment features are as follows: Decrease Red Increase Red Decrease Yellow Increase Yellow Decrease Blue Increase Blue Decrease red Increase red Standard mode Decrease yellow Increase yellow Decrease blue Increase blue One Touch Color (Selecting the Desired Image Quality with One Touch of a Key) 1-14...
Page 27 One Touch Press the Color key. For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. If the C key is pressed, the screen returns to the standard display. Select the desired image quality.
Page 28: Gloss Adjustment (Adjusting The Gloss Of The Copy) / Sharpness (Adjusting The Degree Of Clarity Of Copy Images) / Black Adjustment (Enhancing And Weakening Black Areas Of An Image)
Gloss Adjustment (Adjusting the Gloss of the Copy) Sharpness (Adjusting the Degree of Clarity of Copy Images) Black Adjustment (Enhancing and Weakening Black Area of an Image) Gloss Adjustment Use the Gloss Adjustment function to adjust the gloss with which images are copied. The gloss can be adjusted to “Matte Finish”, “Standard”, or “Glossy”.
Page 29 Black Adjustment The black area of an original can be more clearly copied by adjusting the gray scale. Use this key to prevent black areas from being copied as solid black or to prevent an original with many black characters from being copied too lightly. Black Adjustment adjusts only black without inﬂuencing other colors.
Page 30: Gloss Adjustment
Gloss Adjustment One Touch Press the Color key. For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. If the C key is pressed, the screen returns to the standard display.
Page 31 Press the OK key. Gloss Adjustment for the cover page in the “Cover mode” is carried out during the setting of the The Gloss Adjustment setting process is complete. Cover mode. ONE TOUCH COLOR is displayed. The Gloss Adjustment set with One Touch Color carries out Gloss adjustment for all paper except the cover.
Page 32: Sharpness
Sharpness One Touch Press the Color key. For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. If the C key is pressed, the screen returns to the standard display.
Page 33: Black Adjustment
Black Adjustment One Touch Press the Color key. Press the BLACK ADJUSTMENT key. Press the key to adjust the gray scale. Enhance Black: Makes copies with fewer gray scale steps. By enhancing black, adjustment can be made to prevent portions of the image from being copied too lightly.
Page 34: Color Balance (Adjusting The Color Balance, Saturation, Hue And Density Of Colors)
Color Balance (Adjusting the Color Balance, Saturation, Hue and Density of Colors) Color Balance: Adjust color tones by varying the relative strengths of magenta, yellow, cyan and black. It is also possible to register the adjusted color tones. Saturation Adjustment: Adjusts the vividness of colors;...
Page 35 Saturation Adjustment Increased for all colors Decreased for all colors Hue Adjustment Entire image is given a Entire image is given a bluish tinge. reddish tinge. Standard mode Density Fine Adjustment Magenta high is lowered Magenta medium is lowered Color Balance (Adjusting the Color Balance, Saturation, Hue and Density of Colors) 1-23...
Page 36 Color Balance Setting Color Press the Balance key. For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. For details on Color Balance registration, see p. 1-27. For details on recalling a registered Color Balance, see p.
Page 37 Adjusting the hue Abbreviation meanings are shown below. R: Red 1. Press the HUE ADJUST key. Y: Yellow G: Green C: Cyan B: Blue M: Magenta 2. Press either the key or the key. The hues for all of the six colors shown in the display to the right can be adjusted individually.
Page 38 Press the OK key. The Color Balance setting process is complete. COLOR BALANCE is displayed. The copier is now ready to make copies. Color Balance (Adjusting the Color Balance, Saturation, Hue and Density of Colors) 1-26...
Page 39 Color Balance Memory Use this function to register the adjusted Color Balance settings and recall them again as needed. Up to four settings can be registered. Color Press the Balance key. Change the Color Balance settings to the values that you The Saturation Adjustment, Hue Adjustment, and Density Adjustment set at that time are also want to register, and then press the REGISTER key.
Page 40 2. Enter a name of no more than ﬁve alphanumeric characters. Use the keys to select the cursor position. If the SPACE key is pressed, a single blank space is inserted. If the DELETE key is pressed, the character where the cursor is positioned is deleted. When the named numeric key is pressed after the REGISTER NAME key is pressed, you can change or cancel the names that have been...
Page 41: Color Creation
Color Creation Color Creation has eight color setting modes. Single Color: Makes monochrome (one color) copies. Color Gradation: Makes copies with gradations of a desired color added to the image and background. Color Filter: Makes copies with color ﬁlter effects. Blue Background: Makes copies with a blue background;...
Page 42 Base Color (see p. 1-42) Coloring (see p. 1-44) Original Copy Original Copy Color Conversion (see p. 1-56) 4-full Color/3-full Color (see p. 1-59) Original Copy 4-full Color 3-full Color Color Creation 1-30...
Page 43: Single Color (Making Copies In One Speciﬁc Color)
Single Color (Making Copies in One Speciﬁc Color) This mode makes copies in one speciﬁc color. Color Press the Creation key. For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual.
Page 44 Press the OK key. The Color Creation setting process is complete. SINGLE COLOR is displayed. The copier is now ready to make copies. Color Creation 1-32...
Page 45: Color Gradation (Adding Gradations To The Original Image Or Background)
Color Gradation (Adding Gradations to the Original Image or Background) This mode adds gradations of a desired color to a black and white image For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in or background.
Page 46 You can perform any of the three following adjustments if necessary. If no For details on gradation pattern setting, see “Setting the Gradation Pattern,” on p. 1-36. adjustments are needed, proceed to step 4. Adding a frame: FRAME You can add a frame with the gradation pattern;...
Page 47 There are four methods for selecting a color. If the copier is not equipped with the Editor, only “Color Wheel Selection”, “Registered Color”, or Select a color from the color palette. “Original Color (Ending color only) can be selected. (Color Palette Selection) (See p. 1-65.) To select “Registered Color”...
Page 48 Press the OK key. The Color Creation setting process is complete. COLOR GRADATION is displayed. The copier is now ready to make copies. Setting the Gradation Pattern The following procedure is carried out from the display in step 2. Gradation Blue Background Gradations can be set in the same way in the Blue Background mode.
Page 49 Adding a frame The screen on the right is that shown when pattern is selected. 1. Press the FRAME key. (Only for patterns 2. Select the frame width and then press the OK key. The Frame is set and the initial screen is displayed. Even when a frame is set for Image gradation, if there is no image within the frame, gradation can Specifying the pitch at which gradations repeat...
Page 50 Color Filter (Adding Color Filter Effects to Originals) This mode makes copies with an effect similar to that of a color ﬁlter on a For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in camera.
Page 51 Select a color. There are four methods for selecting a color. If the copier is not equipped with the Editor, only “Color Wheel ” and “Registered Color” can be Select a color from the color palette. selected. (Color Palette Selection) (See p. 1-65.) Select a color from the original.
Page 52: Blue Background
Blue Background (Making a Copy with a Blue Background from a Black-and-White Original) This function changes originals with a black text and white background to For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in copies with a white text and blue background.
Page 53 Press the OK key. The initial settings are “beginning color: blue”, “ending color: none”. You can change the beginning color and the ending color as necessary. If The color of the original can not be selected in you are not going to change them, proceed to step 5. the Blue Background mode.
Page 54 Base Color (Adding Color to the Background of Copies) This mode adds color to the background that is not part of the image in a For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in black and white original.
Page 55 After a color is selected, the Base Color mode is set. Then, the screen returns to the display in step 1. Press the OK key. The Color Creation setting process is complete. BASE COLOR is displayed. The copier is now ready to make copies. Color Creation 1-43...
Page 56: Coloring (Adding Color To A Speciﬁed Location When Making Copies)
Coloring (Adding Color to a Speciﬁed Location When Making Copies) This mode adds color to an area bounded by lines in the original. It can be For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in used, for example, to add colors to each of the bars in a bar graph.
Page 57 Select the target to which color is to be added. BACKGROUND COLORING : Press this key to add color to the background, excluding parts of the image that are inside the area. IMAGE COLORING : Press this key to add color to parts of the image that are inside the area.
Page 58 Use the edit pen to designate the part of the original that When using Coloring, designate a point inside the enclosed area. If you designate a point on the you want to color. line of the enclosed area, Coloring may not be performed properly.
Page 59 Select a color. There are four methods for selecting a color. Select a color from the color palette. (Color Palette Selection) (see p. 1-65.) Select a color from the original. (Designated Color Selection) (see p. 1-67.) Select a color that was previously registered. (Registered Color Selection) (see p.
Page 60 Press the OK key. If you press the COLORING key, you can change the Coloring setting. The Color Creation setting process is complete. (see p. 1-49.) COLORING is displayed. Place the original on the platen glass. The copier is now ready to make copies. Color Creation 1-48...
Page 61: Changing A Coloring Setting That Has Been Previously Set
Changing a Coloring Setting That Has Been Previously Set The following steps are from the screen after the Coloring setting is The items that can be carried out with the Coloring function are as follows. complete. Adding a new coloring setting. Changing a coloring setting.
Page 62 Use the edit pen to designate the part of the original that you want to color. If there are points with the same Coloring setting they can be designated one after the other with the edit pen. Press the OK key. Color Creation 1-50...
Page 63 Select a color. There are four methods for selecting a color. Select a color from the color palette. (Color Palette Selection) (See p. 1-65.) Select a color from the original. (Designated Color selection) (See p. 1-67.) Select a color that was previously registered. (Registered Color selection) (See p.
Page 64 Changing a color processing Press the COLORING key. If the CLEAR COLORING key is pressed, the Coloring setting that has been previously set are all deleted. Select YES or NO . Press the COLORING key for the setting to be changed. When you can not ﬁnd the Coloring Setting you want to change, if the C key is pressed the If the required Coloring setting is not found, press the NEXT PAGE key...
Page 65 Add/Delete a point. If the C key is pressed with no points selected, all of the points displayd are deleted. Adding a point Using the edit pen input the point to be added. Deleting a point 1. Select the point to be deleted by pressing either the key or the key.
Page 66 Deleting a coloring setting Press the COLORING key. Area Editing is also displayed in the Coloring Setting, but it can not be selected here. If the CLEAR COLORING key is pressed, the Coloring setting that has been previously set are all deleted.
Page 67 Press the YES key. Press the OK key. The display returns to the Color Creation display. Color Creation 1-55...
Page 68: Color Conversion
Color Conversion (Changing a Speciﬁc Color in the Original to a Different Color) Use this mode to change a speciﬁc color on an original to a different color For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in on copies.
Page 69 Select whether or not the color will have gradations after conversion. Make the selection by pressing either the GRADATION key or the NO GRADATION key. If necessary, make ﬁne adjustments to the recognition width for the color to be converted and the intensity of ﬁlter effects. If no adjustments are to be made, proceed to step 6.
Page 70 Press the OK key. The Color Creation setting process is complete. COLOR CONVERSION is displayed. Place the original on the platen glass. The copier is now ready to make copies. When using Color Conversion, a converted color selected using the Color Wheel or the Color Palette may be reproduced slightly differently from a color selected in other modes, such as the Paint mode.
Page 71: 4-Full Color/3-Full Color (Switches Between 4-Full Color And 3-Full Color Mode)
4-full Color/3-full Color (Switches Between 4-full Color and 3-full Color Mode) Use this function to select the full color processing method for images. You For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in can select 4-full color processing (using yellow, magenta, cyan and black) the Basic Operations Manual.
Page 72 Press the OK key. The 4-full Color/3-full Color setting is set. Press the OK key. The Color Creation setting is complete. 3-FULL COLOR 4-FULL COLOR is displayed. The copier is now ready to make copies. Color Creation 1-60...
Page 73: Color Registration (Registering A Color Of Your Choice In Memory)
Color Registration (Registering a Color of Your Choice in Memory) This mode permits registration of up to eight original colors. You can For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in assign names to these colors consisting of no more than ﬁve alphanumeric the Basic Operations Manual.
Page 74 Select the color. The numeric key that registered the color is highlighted. There are four methods for selecting a color. When the highlighted numeric key is pressed, Select a color from the color palette. you can change or cancel the colors that have been (Color Palette Selection) (See p.
Page 75: Color Selection Flow (Selecting Colors Within Settings For Each Function)
Color Selection Flow (Selecting Colors within Settings for Each Function) The Color Selection Flow is the procedure performed when selecting colors to use with a function. There are ﬁve different methods for selecting colors. Color Palette Selection (see p. 1-65) Select colors from the Editors color palette.
Page 76 Color Wheel Selection (see p. 1-70) Select a color from the color wheel displayed in the screen. Original Color Selection (see p. 1-71) Select the color of the original as it is. This method can be used with “Ending Color in Color Gradation” or “Color for Text/Contour/Image & Shadow in Text Editing”.
Page 77 Color Palette Selection (Selecting Colors from the Color Palette) Select colors from the Editor’s color palette. You can switch between the For instructions on color palette switching, see “Change Color Sheet,” on p. 7-8 in the Basic three color palette sheets provided and a custom sheet. Operations Manual.
Page 78 Entering the desired color on the palette with the numeric keys. 1. Press the PALETTE NUMBER key. 2. Use the numeric keys to enter the palette color number (two digits). If necessary, press the FINE ADJUST key and adjust the color. Press the OK key.
Page 79: Designated Color Selection
Designated Color Selection (Selecting the Desired Color in an Original Using the Edit Pen) Use the edit pen to designate a color on the original or a color on the color designation sheet. The following procedure is performed in the color selection screen for each function.
Page 80 Using the edit pen, press one point in the colored area of the original. Press the OK key. When registering colors, next set the original, press the SCAN key and then register the color. The color selection process is now complete. Color Selection Flow (Selecting Colors within Settings for Each Function) 1-68...
Page 81: Registered Color Selection (Recalling Colors That Have Been Previously Registered)
Registered Color Selection (Recalling Colors That Have Been Previously Registered) Select a color from colors that have been previously registered. The following procedure is performed in the color selection screen for each function. When no color is registered at all, the REGISTERED COLOR key is shaded and can not be selected.
Page 82: Color Wheel Selection (Selecting A Color From The Color Wheel)
Color Wheel Selection (Selecting a Color from the Color Wheel) Select a color from the color wheel shown in the display. Perform the following steps from the color selection screen for each function. Press the COLOR WHEEL key. If the C key is pressed, the screen returns to the color selection screen for each function.
Page 83: Original Color Selection (Specifying The Color Of The Orginal As It Is)
Original Color Selection (Specifying the Color of the Original As It Is) Select the color of the original as it is. This method can be used with “Ending Color in Color Gradation” or “Color for Text/Contour/Image & The following procedure is performed on the color selection screen for Shadow in Text Editing”.
Page 84 1-72...
Page 85 Changing the Original Image on Copies Image Creation You can use the Image Creation mode to perform various types of changes to the original image on copies. For example, you can have only the contour of an original reproduced on copies, give the copy image a slant, repeat the image a selected number of times on copies or perform other types of editing functions on the original image.
Page 86 Image Creation Image Creation (General Flow of Setting/Cancellation) Image Creation Press the key. Press the key for the mode that you Image Creation want to set. Follow the procedure described below to set a mode. Makes copies with the hues and gradations reversed. (See p.
Page 87 Press the key. Press the key. It is possible to continue setting other Image Creation modes. The Image Creation setting procedure is now complete, and the screen returns to the standard display. The name of the mode that was set is displayed. If the C key is pressed while setting a mode, the set mode is canceled and the previous display returns.
Page 88: Image Creation
Image Creation There are seven different types of Image Creation functions. Nega/Posi: Makes copies with the hues and gradations reversed. Mirror Image: Makes copies of the image as a mirror image of the original. Text Editing: Makes copies with changes added to a portion of the text, such as colored text, contours, or shadows. Special Effects: Makes copies with reduced gradation and solarisation effects.
Page 89 Text Editing (see p. 2-10) Original Color For Text Image & Shadow Shadow Only (Flat Shadow) (Flat Shadow) Image & Shadow Image & Shadow Shadow Only (3-D Shadow) (3-D Shadow) Special Effects (see p. 2-16) Original Reduced Gradation Solarisation Image Creation...
Page 90 Image Repeat (see p. 2-18) Repeat in the vertical direction Repeat in the horizontal direction Original Copy Original Copy Slanted Image (see p. 2-20) Adding a +45 slant Adding a –45 slant Original Copy Original Copy Texture (see p. 2-22) Scanning the texture pattern Scanned pattern Original...
Page 91: Nega/Posi (Reversing The Hues And Gradations)
Nega/Posi (Reversing the Hues and Gradations) This mode reverses the hues and gradations of the original. For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. Image Press the Creation key.
Page 92: Mirror Image (Making Copies As A Mirror Image)
Mirror Image (Making Copies as a Mirror Image) This mode makes copies of the mirror image of an original. There are three For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in types of Mirror Image functions.
Page 93 Press the OK key. Press the OK key. The Image Creation setting process is complete. MIRROR IMAGE is displayed. The copier is now ready to make copies. A small white gap will appear between the true image and the ﬂipped image. Top Symmetry (Bottom Symmetry) is effective when there is an image in the top half (bottom half for Bottom Symmetry) of the original.
Page 94 Text Editing (Editing Text on Copies) This mode enables you to do various types of editing on a black and white original. These image editing capabilities are especially useful for editing text. There are four functions for text processing. Color for Text: Makes copies with speciﬁed colors for text, text contours, and text shadows.
Page 95 When the copier is not equipped with the Editor Select the color. The CONTOUR key and the IMAGE & SHADOW key can also be pressed to There are ﬁve methods for selecting a color. continue the setting process. Select a color from the color palette. If the SHADOW ONLY key is pressed, the (Color Palette Selection) (See p.
Page 96 Setting Contour For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in The Contour mode makes copies of only the contours of the image. The the Basic Operations Manual. color of the contours can be speciﬁed. For details on the Color Selection Flow, see “Color Selection Flow (Selecting Colors within Settings for Each Function)”, on p.
Page 97 When specifying a color for the contour When the original color is set in the Color for Text or the Image & Shadow mode after setting it in 1. Press the CONTOUR COLOR key. the Contour mode, the color setting in the Contour mode will be canceled.
Page 98 Setting Image & Shadow/Shadow Only For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in Image & Shadow function makes copies with shadows added to the image. the Basic Operations Manual. The color of the shadows can be speciﬁed.
Page 99 Select the shadow type. The shadow is added at an angle below and to the left of the image. To add the shadow at an angle 3-D SHADOW : Adds a three-dimensional shadow to the image below and to the right of the image, rotate the FLAT SHADOW : Adds a ﬂat shadow to the background of the image original 90 in the counterclockwize direction when placing it on the platen glass.
Page 100: Special Effects (Reduced Gradation And Solarisation) Ed Board
Special Effects (Reduced Gradation and Solarisation) There are two Special Effects functions. For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in Reduced Gradation: Reduces the number of gradations in the original the Basic Operations Manual.
Page 101 Setting Solarisation 1. Press the SOLARIZATION key. 2. Press any of keys from 1 to 3 to specify the solarisation type. Press the OK key. Other Image Creation modes can also be set. The Special Effects settings are complete. Press the OK key. The Image Creation setting process is complete.
Page 102: Image Repeat (Repeating An Image A Speciﬁed Number Of Times On Copies)
Image Repeat (Repeating an Image a Speciﬁed Number of Times on Copies) This mode makes copies by either repeating the entire original or just a For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in designated area vertically a speciﬁed number of times, or by repeating it the Basic Operations Manual.
Page 103 When repeating in both the horizontal and vertical direction Image Repeat in both the vertical and horizontal directions, areas set by Area Designation (p.3-6) or 1. Press the VERTICAL/HORIZONTAL key. Marker Editing (p.3-23) can not be repeated. Press the AREA DESIGNATION key on the touch panel display to set areas.
Page 104 Slanted Image (Giving the Original Image a Slant on Copies) This mode makes copies giving the image a slant. For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. Image Press the Creation...
Page 105 Press the OK key. If the Slanted Image setting causes a part of the copy image to fall outside of the paper, only the part The Image Creation setting process is complete. that falls on the paper is copied; the rest of the SLANTED IMAGE is displayed.
Page 106: Texture (Adding Patterns To Copies) Ed Board
Texture (Adding Patterns to Copies) This mode scans in a texture or pattern from cloth, paper, etc. and then For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in adds it to the image in the copy. the Basic Operations Manual.
Page 107 Place the texture or pattern to be added on the platen glass. Align the pattern with the V mark on the platen glass and then lower the platen glass cover. Press the SCAN key. The pattern is scanned. Press the OK key. Other Image Creation modes can also be set.
Page 108 Press the OK key. Patterns can not be scanned using the feeder. The Image Creation setting process is complete. TEXTURE is displayed. Place the original to be copied on the platen glass. The copier is now ready to make copies. Image Creation 2-24...
Page 109: General Flow Of Setting / Cancellation
Designating Areas on an Image for Editing Area Marker Editing Designation This chapter describes how to make copies using the Area Designation and Marker Editing functions. With Area Designation, the edit pen is used to designate a speciﬁc area on an original.
Page 110: Area Designation
Area Designation Area Designation (General Flow of Setting/Cancelation) Area Designation [Structure of Area Designation] Multiple Area Designations can be made for one area editing. Area Designation Area 1 Area 2 Area 3 Area 1 Area 2 Area editing designation Area editing 1 Area editing 2 Up to a maximum of 30 area editing...
Page 111 Designate an area. Specify the area editing. For the method of Area Designation, see “Designating Areas,” For details on how to designate Area Editing areas, see on p. 3-8. The different types of Area Designations are shown “Designating Areas,” on p. 3-8. below.
Page 112: Marker Editing
Marker Editing Marker Editing (General Flow of Setting/Cancelation) Marker Editing Press the key. Use the highlight marker to Marker Editing designate an area on a black-and- The copy settings for each marker color and the colors that can be selected are displayed. white original.
Page 113: On The Platen Glass
Align the original with the V mark Press the key. on the platen glass. The Marker Editing setting procedure is now complete, and the screen returns to the standard display. The mode that was set can be canceled by pressing the MARKER EDITING key and then the C key.
Page 114 Area Designation (Using the Edit Pen) Use the edit pen with this function and designate a speciﬁc area of the original for image editing. There are two methods used for Area Designation. Rectangular Area Designation: With the edit pen, designate an area by entering the corner points of two of the opposing angles of the rectangular area.
Page 115: Using Designated Areas
Using Designated Areas Multiple Area Designations can be made on a single original. The range of application is large, since multiple areas can be used in combination and different editing functions can be selected for each area editing. For example, assume the following page is to be copied. Original Copy If different editing functions are selected for each part of the original, the processes overlap each other as shown below.
Page 116: Designating Areas
Designating Areas Place the original face up on the Editor and align the original with the V For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in mark. the Basic Operations Manual. Area Press the Designation...
Page 117 Press the OK key. The Area Designation is complete. Select the editing method. Area editing that will be performed on the same area can be speciﬁed consecutively. After Framing: Copies only the part of the image inside the designated speciﬁcation, those keys for editing functions that area.
Page 118 Multiple Editing Press the key for the desired editing functions. If a copy setting key is pressed, the selected function is displayed on the setting screen. The methods for setting each of the functions are explained below. There are several restrictions concerning area SINGLE COLOR see p.
Page 119 Turn the original face down and align it with the V mark on the platen glass. The copier is now ready to make copies. The feeder can be used if the method of area designation is other than Enclosed Area. Two-page Separation mode can be set if the method of area designation is two-point designation.
Page 120 Non-rectangular Area Designation The Non-rectangular Area Designation method differs depending on the type of non-rectangular selected area. “Polygon”, “Free”, and “Tracing” can not be speciﬁed past Area Processing [16]. Designate an area using the edit pen. Designating a circle If the OK key is pressed, the Non-rectangular Area Designation process is completed.
Page 121 Designating polygons When an area is designated with a polygon or a free-hand drawing in which the lines intersect, the Use the edit pen to enter the corners of the polygon being designated. outermost line is recognized as the boundary of the Press the SET key to connect the corners.
Page 122: Changing Previously Set Areas Or Editing Functions
Changing Previously Set Areas or Editing Functions The operations described below are performed on the screen that is The items that can carried out with the Coloring function are as follows: displayed after the Area Designation settings are completed. Adding an Area editing Changing an Area editing settings Adding / Deleting an area Shifting / Reducing the area point...
Page 123 Designate the area, using the edit pen. Designating a rectangular area Use the edit pen to designate two of the opposing corners of the rectangle. Designating a non-rectangular area Press the NON-RECTANGULAR key. To designate non-rectangular areas, see “Non-rectangular Area Designation,”...
Page 124 Press the OK key. Continue the Area Editing, or end the Area Editing as necessary. To continue specifying other Area editing: 1. Designate an area. To designate an area, see “Designating Areas,” on p. 3-8. 2. Select the editing functions for the area(s). To end the Area editing: Press the OK key.
Page 125 Press the AREA EDITING key for which you want to If the CANCEL ALL AREA EDITING key is pressed, the displayed areas are canceled. change the settings. (When the Area Editing key is pressed) if an Press the NEXT PAGE key to display the area editing on the next area is not already set, ADJUST AREA is shaded.
Page 126 3. Use the eight-direction keys to shift. Objects are shifted in 1 mm steps. X: Shifted in the horizontal direction. key to shift right, key to shift left. Y: Shifted in the vertical direction. key to shift up, key to shift down. Changing the area size Size corrections are only made when the designated area size is not copied correctly.
Page 127 Press the OK key. Changes/Additions to the editing function are carried out as necessary. When corrections to the editing function are necessary, proceed to step 6. Press the OK key. Deleting an Area editing. Press the AREA DESIGNATION key. If there is no Area Editing required, press the NEXT PAGE key to display the next screen.
Page 128 Press the AREA EDITING key which you want to delete. Press the CANCEL ALL AREA EDITING key. Press the YES key. Press the OK key. The display returns to the standard display. Area Designation (Using the Edit Pen) 3-20...
Page 129: Area Designation Restrictions
Area Designation Restrictions When Designated Areas Overlap If designated areas overlap, the editing function programmed last has priority as the setting for the overlapping portion of the areas. If an editing function was programmed for the entire copy while an area designation was already in place, the area designation always takes priority, regardless of the order in which the editing function settings were made.
Page 130 Restrictions on area editing The following restrictions apply to the editing functions that are speciﬁed for the area editing. Color Balance: Color Balance can be speciﬁed a total of four times for one original, three times in area editing, and once for the entire original. Speciﬁcation with the same setting in two different areas is still counted as two speciﬁcations.
Page 131: Marker Editing
Marker Editing (Partial Editing by Designating an Area with the Highlight Markers) If a black-and-white original marked with a highlight marker is copied using Marker Editing, the copier is able to scan the marks and perform a variety of editing to the marked area, such as adding color or painting the area. The image outside the area designated with the highlight marker is copied in black and white.
Page 132: Marking Black-And-White Originals
Marking Black-and-White Originals Acceptable originals With Marker Editing, use black-and-white originals. If color originals are used, the editing may not be performed correctly. Marks drawn on the original can not be erased. To preserve the original, make a black single-color copy and then use the markers on that. Highlight Markers For best result, use Highlight Markers (red, blue, green).
Page 133 One-point Designation If the image to be edited has a solid border, marking one point inside the border with a highlight marker causes the area inside the border to be recognized as an area. A maximum of 4,000 items can be speciﬁed in one original.
Page 134 Encircled Designation A region bordered by highlight marker is recognized as an area. Any number of bordered areas can be designated on one original. There are two methods for making Encircled Area Designations. Entire Enclosed The entire region enclosed by the highlight marker is recognized as an area.
Page 135 Do not designate encircled areas so that they overlap. Such areas may not be recognized properly. The encircled area should have a diameter of at least 5 mm, and the border should be at least 1 mm wide. 1 mm min. 5 mm min.
Page 136: Making Copies With The Basic Settings
Making Copies with the Basic Settings The Marker Designation is made with the basic settings. The basic settings For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in are as follows: the Basic Operations Manual.
Page 137 Turn the original face down and align it with the V mark on the platen glass. Press the OK key. The Marker Editing setting process is complete. MARKER EDITING is displayed. The copier is now ready to make copies. Marker Editing (Partial Editing by Designating an Area with the Highlight Markers) 3-29...
Page 138: Changing The Marker Editing Features
Changing the Marker Editing Features For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. The settings used to make the copy in the above example are as follows: Red marker One-point designation: Base color...
Page 139 Changing the Editing Feature 1. Press either the One-point Designation mode key or the Encircled Designation mode key. For One-point Designation For Designated Area, only BASE COLOR can be selected. For Encircled Designation The initial setting for the bordered area designation is ENTIRE ENCLOSED .
Page 140 Changing the Editing Color The initial setting for the selected color for the red highlight marker is RED. This procedure changes the color for the editing of a region designated The initial setting for the selected color for the with a red, blue, or green highlight marker. blue highlight marker is BLUE.
Page 141 Use a highlight marker to designate an area on a black- and-white original. Turn the original face down and align it with the V mark on the platen glass. Press the OK key. The Marker Editing setting process is complete. MARKER EDITING is displayed.
Page 142 Restrictions on marker editing The following restrictions apply to the editing functions that are speciﬁed for the marker editing. Text Editing : Only one shadow type can be speciﬁed for one original. (Shadow) Text Editing : Only one contour width can be speciﬁed for one original. (Contour) The following restrictions apply to copy settings that are speciﬁed for marker editing.
Page 143: Image Composition (Inserting A Color Image Into A Black-And-White Original) Editor Ed Board
Combining Images and Characters from Different Originals to Make Composite Copies Composition General Flow of Setting/Cancellation ............ Image Composition (Inserting a Color Image into a Black-and-White Original) EDITOR ED BOARD ............Changing Previously Set Image Composition .......... Character Composition (Combining Characters from a Black-and-White Original with a Color Original) EDITOR ED BOARD ......
Page 144 Composition Composition (General Flow of Setting/Cancelation) Composition Press the key. Press the key for the mode that you Composition want to set. The method for setting each mode is explained below. Inserts the image that is extracted into the background original. (see p.
Page 145 For Image Composition Place the original Place the original Press the on the Editor and on the platen (Start) key. designate the area. glass. For Character Composition Select the type of Make the Place text Place the Press the Character necessary settings originals on the background...
Page 146: Image Composition
Image Composition (Inserting a Color Image into a Black-and-White Original) This function extracts an image from a color original and inserts it into a color original that becomes the background. The only size original that can be used in Image Composition is LTR. Use LTR-size paper in portrait orientation;...
Page 147 Place the originals on the Editor. Align the original from which the image is to be extracted with the positioning mark and then align the background original with the V mark. Insertion Background original original Designate the area of the image to be extracted. Use the edit pen to designate the area on the insertion original to be extracted.
Page 148 Set the copy ratio of the image. Auto Zoom is normally selected. The numeric keys can be used to enter any desired copy ratio. Press the OK key. How to insert an image when the sizes of the source area and the destination area differ. The Image Composition setting process is complete.
Page 149: Changing Previously Set Image Composition
Changing Previously Set Image Composition Carry out the following steps after setting Image Composition and making a copy. With the original set on the platen glass, press the IMAGE COMPOSITION key. Press the ADJUST AREA key. Change the area/area size of the original. Changing the original to be inserted Press the INSERTION ORIGINAL key.
Page 150 Change the position / size of original. Changes to location and changes to size can not be carried out at the same time. Changing the area position Changes to the location are used when the Use the eight-direction keys to shift. Objects are shifted in 1 mm steps. designated size is correct, but the copy is made with X: Shifted in the horizontal direction.
Page 151 Press the OK key. The copier is now ready to make copies. Image Composition (Inserting a color Image into a Black-and-White Original)
Page 152: Character Composition
Character Composition (Combining Characters from a Black-and-White Original with a Color Original) This function inserts a text original into a color original. There are basically two Character Composition modes: Superimpose and Window. Using these modes, you can also add color or contours to text. When performing Multiple Editing or Shift Text, set that mode ﬁrst before selecting either Superimpose or Window.
Page 153 Multiple Editing (see p. 4-22) Shift Text (see p. 4-29) Character Composition (Combining Characters from a Black-and-White Original with a Color Original) 4-11...
Page 154: Superimpose (Inserting Text In Reverse)
Superimpose (Inserting Text in Reverse) This function inserts text in reverse into a color original. During For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in composition, text editing, such as adding color to the text, can be the Basic Operations Manual.
Page 155 Set the Text Editing. There are four types of editing that can be used: Color For Text (adding color to text) (see p. 2-10) Contour (using only the contours of the text in the combined image) (see p. 2-12) Image & Shadow (adding shadows to the text) (see p. 2-14) Shadow Only (using only the shadows of the text in the combined image) (see p.
Page 156 3. Press the FRAMING key or the BLANKING key. FRAMING : Scans only the region inside the speciﬁed area. BLANKING : Scans the original, blanking the region inside the area. 4. Use the edit pen to designate two of the opposing corners of the area.
Page 157 Press the SCAN key. After the text is scanned, the following screen is displayed. Align the background color original with the V mark on the platen glass. Press the OK key. The Character Composition setting process is complete. CHARACTER COMPOSITION is displayed.
Page 158: Window (Leaving A Window Around The Text After Composition)
Window (Leaving a Window Around the Text After Composition) This function inserts an entire speciﬁed area containing text into a color For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in original.
Page 159 Select the Window type. SOLID : Inserts the character original into the background. TRANSPARENT : Allows the background to show through the text. Press the OK key. Place the black-and-white character original on the Editor. Align the character original face up with the V mark on the Editor. Designate the Window area.
Page 160 Select the Window color. There are four methods for selecting a color. Select a color from the color palette. (Color Palette Selection) (See p. 1-65.) Select a color from the original. (Designated Color Selection) (See p. 1-67.) Select a color that was previously registered. (Registered Color Selection) (See p.
Page 161 1. Select a Text Editing feature. There are four types of editing: Color For Text (adding color to text) (see p. 2-10) Contour (using only the contours of the text in the combined image) (see p. 2-12) Image & Shadow (adding shadows to the text) (see p. 2-14) Shadow Only (using only the shadows of the text in the combined image) (see p.
Page 162 2. Press the FRAMING key or the BLANKING key and then press the OK key. FRAMING : Scans only the region inside the designated area. BLANKING : Scans the original, blanking the region inside the area. 3. Use the edit pen to designate two of the opposing corners of the area.
Page 163 Press the SCAN key. After the text is scanned, the following screen is displayed. Place the background color original on the platen glass. Align the background color original with the V mark on the platen glass. Press the OK key. The Character Composition setting process is complete.
Page 164: Multiple Editing (Editing Parts Of The Image For Composition)
Multiple Editing (Editing Parts of the Image for Composition) Usually, when using Character Composition, you must select either For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in Superimpose or Window, and you can not use them both at the same time. the Basic Operations Manual.
Page 165 Press the SUPERIMPOSE key. Place the black-and-white character original on the Editor. Align the character original face up with the V mark on the Editor. Designate the superimpose area. The Enclosed Area designation method for designating non-rectangular areas can not be used There are two methods for designating the superimpose area.
Page 166 Set the Text Editing. There are four types of editing that can be used: Color For Text (adding color to text) (see p. 2-10) Contour (using only the contours of the text in the combined image) (see p. 2-12) Image & Shadow (adding shadows to the text) (see p. 2-14) Shadow Only (using only the shadows of the text in the combined image) (see p.
Page 167 Window For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. Composition Press the key. If the C key is pressed, the screen returns to the standard display. Press the CHARACTER COMPOSITION key.
Page 168 Press the WINDOW key. Select the Window type. SOLID : Inserts the character original into the background. TRANSPARENT : Allows the background to show through the text. Press the OK key. Place the black-and-white character original on the Editor. Align the character original face up with the V mark on the Editor. Designate the Window area.
Page 169 Press the OK key. Select the Window color. There are four methods for selecting a color. Select a color from the color palette. (Color Palette Selection) (See p. 1-65.) Select a color from the original. (Designated Color Selection) (See p. 1-67.) Select a color that was previously registered.
Page 170 When SOLID is selected To continue designating window areas for Multiple Editing, repeat steps 4 through 12. If TRANSPARENT is selected, proceed to step 13. Superimpose areas can also be designated for Multiple Editing (see p. 4-12). 1. Select a Text Editing feature. There are four types of editing: Color For Text (adding color to text) (see p.
Page 171: Shift Text (Adjusting The Layout Of The Text Image For Composition)
Shift Text (Adjusting the Layout of the Text Image for Composition) This function is used to shift the position of a text image on the black-and- For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in white original and then insert it in a color original.
Page 172 Press the SUPERIMPOSE key. Place the black-and-white character original on the Editor. Align the character original face up with the V mark on the Editor. Designate the area of the image to be shifted. Designate the area as a rectangular area. (See p. 3-8.) Character Composition (Combining Characters from a Black-and-White Original with a Color Original) 4-30...
Page 173 Specify the shift area. An image can only be shifted at 100% of the image size. It can not be shifted at a reduced or Designate the area as a rectangular area. (See p. 3-8.) enlarged size. For the follow steps, refer to p. 4-13, steps 4 onwards. Character Composition (Combining Characters from a Black-and-White Original with a Color Original) 4-31...
Page 174 Window For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in the Basic Operations Manual. Composition Press the key. If the C key is pressed, the screen returns to the standard display. Press the CHARACTER COMPOSITION key.
Page 175 Press the WINDOW key. Place the black-and-white character original on the Editor. Align the character original face up with the V mark on the Editor. Designate the Window area. The Enclosed Area designation method for designating non-rectangular areas can not be used There are two methods for designating the window area.
Page 176: Changing Previously Set Character Composition
Changing Previously Set Character Composition Window Carry out the following steps after setting a Character Composition Window and making a copy. Press the CHARACTER COMPOSITION key. Press the EDIT SETTINGS key. Select the window type and press the OK key. The ADJUST AREA key is shaded until an area that has been previously set is selected.
Page 177 Press the ADJUST AREA key. Change the area position / area size. Changes to location and changes to size can not be carried out at the same time. Changing the area Changes to the location are used when the Use the eight-direction keys to shift. Objects are shifted in 1 mm designated size was correct, but the copy was steps.
Page 178 Multiple Editing Carry out the following steps after setting Shift Text for a Character Composition and making a copy. Press the CHARACTER COMPOSITION key. Press the EDIT SETTINGS key. Press the key for the Multiple Editing to be set. Set the Multiple Editing contents. The ADJUST AREA key is shaded until an area that has been previously set is selected.
Page 179 Press the key for the number corresponding to the area you wish to change. Press the ADJUST AREA key. Changes to location and changes to size can not be carried out at the same time. For horizontal direction, correction values to the left are displayed by “+”, and correction values to the right are “–”.
Page 180: Color In Color (Combining Color Images)
Color In Color (Combining Color Images) This function combines two color originals in color. There are two types of Color In Color: Entire Image Composition: Overlays two color originals in their entirety. It is possible to change the intensity of each of the images independently.
Page 181 Area Composition (see p. 4-42) Color Inlay Original Original Copy Transparent Image Original Original Copy Blurred Border Original Original Copy Color In Color (Combining Color Images) 4-39...
Page 182: Entire Image Composition (Combining Two Color Originals)
Entire Image Composition (Combining Two Color Originals) This function overlays two color originals in their entirety; the intensity of For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in each original can be changed independently. the Basic Operations Manual.
Page 183 Press the SCAN key. After the original is scanned, the following screen is displayed. Specify the mixing ratio. Press either the key or the key to adjust the ratio. Place the second original on the platen glass. Place the original face down and align it with the V mark on the platen glass.
Page 184: Area Composition
Area Composition (Extracting a Color Image and Combining It with a Second Original) There are three types of Area Composition: For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in Color Inlay the Basic Operations Manual.
Page 185 Select the Area Composition type. Up to 16 areas can be combined. Only one of Transparent Image or Blurred COLOR INLAY TRANSPARENT IMAGE BLURRED BORDER Border can be set. Transparent Image or Blurred Border can be designated for only one area. Place the original from which the image is to be extracted on the Editor.
Page 186 Press the OK key. Values can be set between 1 and 999. If the value is set 400 or above, the setting automatically becomes 400%. If the value is set to 25 or below, the setting automatically becomes 25%. Set the copy ratio. If the 1:1 key is pressed, the copy ratio is set to 1:1 (100%).
Page 187 Another Area Composition can be set. Repeat steps 12 through 14 depending on the number of images to be combined. Press the OK key to ﬁnish. After setting Transparent Image or Blurred Border, the TRANSPARENT IMAGE key and the BLURRED BORDER keys are shaded and can not be selected.
Page 188: Offset Plate Original (Creating Color Separations Of A Color Original)
Offset Plate Original (Creating Color Separations of a Color Original) This function creates four color separations of a color original. Offset Plate Original Yellow separation Magenta separation Original Cyan separation Black separation Offset Plate Original (Creating Color Separations of a Color Original) 4-46...
Page 189 This function separates the colors of the original and creates four black For details on how to program the basic copy settings, see p. 2-4 of chapter 2 “Basic Copying” in copies, one each for the yellow, magenta, cyan, and black (BK) the Basic Operations Manual.
Page 190 4-48...
Page 191 Index Index ....................Offset Plate Original (Creating Color Separations of a Color Original)
Page 192 Index ACS B, 2-38 Cancel Auto Counting B, 3-25, 5-4 ACS key B, 1-12 Cassette Switching B, 7-3 Adequate installation space B, 1-3 Center Shift B, 2-41, 4-3 Additional Functions B, 7-2 Center Shift key B, 1-12 Auto Orientation B, 7-33 Changing the Original Image on Copies A, 2-1 Automatic Gradation Adjustment B, 7-21 Changing the Position of the Image When Making Copies B, 4-1...
Page 193 A = Advanced Operations Manual B = Basic Operations Manual Color Selection Flow A, 1-63 Color Palette Selection A, 1-65 Darken Image A, 1-12 Color Wheel Selection A, 1-70 Decrease Blue A, 1-14 Designated Color Selection A, 1-67 Decrease Red A, 1-14 Original Color Selection A, 1-71 Decrease Yellow A, 1-14 Registered Color Selection A, 1-69...
Page 194 Fan B, 1-4 ID key B, 1-11 Feeder B, 9-5 ID Number, Entering an B, 2-3 Feeder Auto Start B, 7-4 If the Copy Paper Becomes Jammed B, 8-11 Feeder Cleaning B, 7-28 Image & Shadow A, 2-10 Film Projector-B1 B, 9-44 Image Coloring A, 1-45 Filter (Color Conversion) A, 1-57 Image Combination B, 3-21...
Page 195 A = Advanced Operations Manual B = Basic Operations Manual Nega/Posi A, 2-7 RDF-E1 B, 9-5 9 on 1 B, 3-21 Recall key B, 1-11 9 on 1/two-sided B, 3-21 Rectangle A, 3-8 Non Sort mode B, 9-19 Reduced Gradation A, 2-16 Non-rectangle A, 3-12 Reduction (R) key B, 1-12 Non-sort bin B, 9-17...
Page 196 Text B, 2-25 Using the Cover and Transparency Interleaving Modes B, 6-1 Text Editing A, 2-10 Using the Two-sided, Two-page Separation, and Frame Erase Text/Photo B, 2-25 Modes B, 5-1 Text/Photo Priority B, 7-26 Text/Printed Image B, 2-25 Texture A, 2-21 3-D shadow A, 2-15 Ventilation port B, IX, 1-3 Timer Settings B, 7-18...
Page 197 Chart for the Color Palette Sheet Color Sheet A Color Sheet B Color Sheet C Yellow Magenta Cyan Black Yellow Magenta Cyan Black Yellow Magenta Cyan Black No. 1 No. 1 No. 1 No. 2 No. 2 No. 2 No. 3 No.

Oce Color System 200 Operator's Manual

Chapter 1 General Flow of Setting / Cancellation

Color Selection Flow (Selecting Colors Within Settings for each Function)

One Touch Color (Selecting the Desired Image Quality with One Touch of a Key)

Gloss Adjustment (Adjusting the Gloss of the Copy) / Sharpness

Gloss Adjustment (Adjusting the Gloss of the Copy) / Sharpness (Adjusting the Degree of Clarity of Copy Images) / Black Adjustment (Enhancing and Weakening Black Areas of an Image)

Color Balance (Adjusting the Color Balance, Saturation, Hue and Density of Colors)

Color Creation

Color Selection Flow (Selecting Colors Within Settings for each Function)

Chapter 2 Image Creation

General Flow of Setting / Cancellation

Chapter 3

Marker Editing

Chapter 4 Image Composition

Character Composition

Color in Color (Combining Color Images)

Offset Plate Original (Creating Color Separations of a Color Original)

Quick Links

Need help?

Questions and answers

Subscribe to Our Youtube Channel

Related Manuals for Oce Color System 200

Summary of Contents for Oce Color System 200

Table of Contents