Korg Soundlink DRS OASYS PCI Patches & Effects Manual page 39

Analog Synths
You can also make the filter produce one pitch, while the oscillator produces
another. For instance, to make the filter play a fifth above the oscillator:
1.
2.
This will make the filter play 7 half-steps (a fifth) higher.
3.
This cancels out the coarse tune edit above, so that the oscillator plays at pitch again
- but the filter is still transposed up by a fifth.
4.
Now, try playing the sound! The Resonance and Noise parameters interact to
control the volume of the filter's pitch.
Attack
0-100. This sets the attack time of the filter envelope, which controls how long it
takes from the moment that the key is pressed until the envelope reaches its peak.
Decay
0-100. This sets the decay time of the filter envelope, which controls how long it
takes the envelope to fall to the sustain level after the attack is complete.
Sustain
0-100. This sets the sustain level for the filter envelope. After the decay time is
complete, the envelope will stay at this level as long as the note is held.
Release
0-100. This sets the release time of the filter envelope, which controls how long it
takes the envelope to fall to zero after the note is released.
ADSR Envelope
OASYS PCI
Follow instructions 1 through 9 above.
In the Program Edit window, change the Patch's Coarse Tune to +7.
In the Noise Synth control panel, set the Oscillator Frequency to -7.
Set the Oscillator Level to 100.
Attack time
Sustain
Decay time Sustain while
holding note
Level
Release time
Comb Synth
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