Channel Processing; Inputs; Ouputs; Control Surface - SoundCraft Vi1 User Manual

Digital live sound console
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CHANNEL PROCESSING

Inputs

Analogue gain (remote control of local or stage box mic preamp)
Digital Gain Trim (+18/-36dB)
Delay (0-100ms)
HPF, LPF (variable 20-600Hz and 1-20kHz)
4-band fully parametric EQ, shelf mode on HF/LF.
Compressor (variable threshold, attack, release, ratio, makeup gain with 'auto' mode)
Limiter (variable threshold, attack, release)
Gate or De-Esser. Gate switchable to ducker.
Insert point for external processing.
Pan – LR or LCR switchable.
Direct Output, patchable to any I/O and with selectable tap-off point.

Ouputs

HPF (variable 20-600Hz)
4-band fully parametric EQ, shelf mode on HF/LF.
Compressor
Limiter
Delay (0-1sec)
Insert point for external processing.
Pan (Output bus to LCR) – LR or LCR switchable.
Graphic EQ 1/3-octave
Assignable Lexicon Multi-FX processors x4

CONTROL SURFACE

Inputs
16 input faders, switchable in 4 fixed and 5 user-configurable layers to access up to 64 inputs.
Widescreen Vistonics™ channel strip interface, controls 16 input channels.
Fader tray contains motorised fader, Mute, Solo, Isolate and F (user defined) switches.
Input level and gain reduction meter is located above each fader.
Input faders can be assigned to the 8 VCA (control group) masters and/or 4 Mute Groups.
Input faders can be switched to control all 24 Grp/Aux/Matrix Outputs, or can control an individual Aux
send mix, using the switchable 'Follow Solo' function. Soundcraft Fader Glow
TM
clearly indicates using
colours when faders are not controlling inputs.

Outputs

8 assignable Output faders, plus 2 dedicated LR and C Master faders, plus 16 assignable rotary Output
faders. Output faders are colour-coded using Soundcraft Fader Glow.
Page 19 - 2
Soundcraft Vi1™ User Guide Issue 0810

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