4-3: Mod.2 (Filter1 Modulation2); 4-4: Lfomod (Lfo Modulation) - Korg MICROX X50 Parameter Manual

4–2c: AMS, Into to A, Int to B
AMS (Filter EG AMS)
Indicates the source that will control the depth and direction
of the effect that the time-varying changes produced by the
filter 1 EG will have on the cutoff frequency of filters 1A and
1B (☞p.152 "AMS List").
Int. to A (AMS Int. to A)
Specifies the depth and direction of the effect that "AMS
(Filter EG AMS)" will have on filter 1A.
For details on how this will apply, refer to "Int. to A (Inten-
sity to A)."
Int. to B (AMS Int. to B)
Specifies the depth and direction of the effect that "AMS
(Filter EG AMS)" will have on filter 1B. (☞"Int. to A (Inten-
sity to A).")
The sum of the settings for "Int. to A (B)," "Vel to A
(B)," and "Int. to A (B) (AMS Int. to A/B)" will deter-
mine the depth and direction of the effect produced by
the filter EG.
■ 4–2: UTILITY
☞"Write Program" (0–1), "Copy Oscillator," "Swap Oscilla-
tor" (1–1)
4–3: Mod.2
Indicates settings for the controller that will modify the tone
by applying modulation to the filter 1 cutoff frequency "Fre-
quency (A/B Frequency)."
If "Type (Filter Type)" (4–1a) is Low Pass Resonance, the fil-
ter B parameters will not be displayed.
4–3a
4–3b
4–3a: Filter-A Modulation
AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)]
Indicates the source that will control modulation of the filter
1A cutoff frequency (☞p.152 "AMS List").
Intensity (A AMS1 Intensity)
Specifies the depth and direction of the effect that "AMS1
(Filter A AMS1)" will have.
X50:
If "AMS1 (Filter A AMS1)" is set to PitchBend, setting
a positive (+) value for this parameter and moving the
[PITCH] wheel up will raise the cutoff frequency, while
moving the wheel down will lower the cutoff frequency.
With negative (–) values, the opposite will occur. This set-
ting is summed with the value of the Filter A "Frequency (A
Frequency)" (4–1b) parameter.
microX:
When "AMS1 (Filter A AMS1)" is JS X, a positive
(+) value for this parameter will cause the cutoff frequency
to rise when the joystick is moved toward the right, and fall
when the joystick is moved toward the left. With a negative
(–) value for this parameter, the opposite will occur.
18
[Off, (EXT)]
[–99...+99]
[–99...+99]
(Filter1 Modulation2)
[–99...+99]
This value is added to the setting of the Filter A "Frequency
(A Frequency)"(4–1b).
AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)]
Intensity (A AMS2 Intensity)
Selects "AMS2 (Filter A AMS2)," and specify the depth and
direction of the effect that the selected source will have
(☞"AMS1," "Intensity").
4–3b: Filter-B Modulation
This will be displayed when "Type (Filter Type)" (4–1a) is
Low Pass & High Pass.
Two alternate modulation sources can be used to modulate
the cutoff frequency of filter 1B (☞"Filter-A Modulation").
■ 4–3: UTILITY
☞"Write Program" (0–1), "Copy Oscillator," "Swap Oscilla-
tor" (1–1)
4–4: lfoMod
(LFO Modulation)
Here you can use the filter 1 LFO to apply cyclic modulation
to the cutoff frequency of filter 1 (for oscillator 1) to create
cyclical changes in tone.
4–4a
4–4b
4–4a: Filter LFO1 Modulation
Intensity to A (LFO1 Int. to A)
Specifies the depth and direction of the modulation that
OSC1 LFO1 (set by "OSC1 LFO1" 3–1a) will have on the cut-
off frequency of filter 1A.
Negative (–) settings will invert the phase.
Intensity to B (LFO1 Int. to B)
Specifies the depth and direction of the modulation that
OSC1 LFO1 will have on the cutoff frequency of filter 1B
(☞"Intensity to A (LFO1 Int. to A)").
Change in cutoff
Low setting
JS–Y Int. to A (LFO1 JS–Y Int. to A) [–99...+99]
X50:
If 7–3a "Knob 1–B" is set to MIDI CC#02, you can
turn REALTIME CONTROL B-mode knob [1] to control
how OSC1 LFO1 will modulate the cutoff frequency of filter
1A. This parameter specifies the depth and direction of this
effect. As you increase this value, moving knob [1] toward
the right will allow OSC1 LFO1 to have a greater effect on
filter 1.
[–99...+99]
[–99...+99]
[–99...+99]
High setting