the clip will remain unchanged. For more information, see
View"
on page 106.
¡ Important This option is for preview only. You should clear it before you
render your clip, otherwise the split will appear in your video output.
• Proc Amps The processing amplifier (proc amp) controls allow you to
adjust different aspects of your clip:
Hue
Adjusts the tint of the colors in the image.
$
Saturation
$
Contrast
$
darkest areas of the image.
Brightness
$
• RGB Curves Lets you use curves to adjust the red, green, and blue color
channels of your clip individually, or use a master curve to adjust all color
channels simultaneously. For more information, see
page 108.
• Color Balance These controls let you adjust the mixture of colors in your
clip.
Tonal Range
$
reducing the range of pixels included for shadows, midtones, or
highlights. For more information, see
page 110.
Graphical
$
when you adjust the color balance settings. You can also modify most of
the color balance settings directly within the graph. For more information,
see
"Using the color balance graph"
Numerical
$
entering values in the text boxes, or by dragging the corresponding sliders.
You can adjust the Hue , Saturation , and Luminance for each tonal
range.
Master (Hue
•
your clip from the lightest white to the darkest black.
Shadows (Hue
•
areas of your clip.
Midtones (Hue
•
with tones between the darkest and lightest areas of your clip.
Highlights (Hue
•
areas of your clip.
• Luma Mapping
Adjusts the saturation (vividness) of the image's colors.
Adjusts the difference in luminance between the lightest and
Adjusts the level of black in the image.
Allows you to fine-tune the tonal ranges of your clip by
Allows you to see a graphical representation of your changes
Lets you adjust your color balance settings numerically by
, Saturation , and Luminance) Affects all areas of
, Saturation , and Luminance) Affects the darkest
, Saturation , and Luminance) Affects the areas
, Saturation , and Luminance) Affects the lightest
Creating a Matrox primary color correction
"Using Split
"Using RGB curves"
"Adjusting tonal range"
on page 111.
105
on
on
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