Alternate Modulation settings
When you operate an AMS (Alternate Modulation Source),
the modulation destination will be affected as shown in the
table below.
By using alternate modulation, you can create complex
systems of modulation in which EG, LFO, keyboard tracks,
and controllers work together.
• You can apply complex change to an LFO or EG, for
example by using the pitch/filter/amp EG to control the
frequency or intensity of an LFO that modulates the
pitch/filter/amp, or by using LFO2 to control the
frequency of LFO1.
• The tone, EG, and LFO etc. can be controlled not only
by velocity or joystick, but also from a switch, knob, or
pedal etc.
• Panning can be controlled in realtime from a controller,
EG, or LFO etc.
• You can use the filter EG to control pitch or volume at
the same time that it controls the filter.
• Controllers etc. can be used to control EG levels or
times. This lets you shape the EG in realtime.
• Filter/amp keyboard tracking or note number can be used
to control the EG or LFO according to the keyboard
pitch that is played.
• Pitch, tone, EG or LFO can be controlled by the tempo
of the Arpeggiator, DrumTrack/Step sequencer, or
sequencer.
Alternate Modulation Sources (AMS) Alternate Modulation settings
905