Alternate Modulation Settings - Korg M3 Parameter Manual

Appendices
Amp KTrk (Amp Key Track)
This is the output of the oscillator's Amp Key Track
generator. For more information, please see "4–2: Amp1
Modulation" on page 59.
Common KTrk1 & 2 (Common Key Track1&2)
These are the outputs of the two Common Key Track
generators, which are shared between both oscillators. For
more information, please see "6–7: Common KeyTrk 1
(Common Keyboard Track 1)" on page 75.
AMS source
& value range
Parameter AMS
Intensity
Pitch *4 (+12.00)
Pitch EG Int. (+12.00)
Pitch LFO1/ (+12.00)
2 Int.
Filter (+99)
Frequency
Filter (+99)
Resonance
Filter EG Int. (+99)
Filter LFO1/2 (+99)
Int.
Filter Output (+99)
Level A/B
Drive (+99)
Low Boost (+99)
Amp (+99)
Amp LFO1/2 (+99)
Int.
Pan (+50)
EG Level (+66)
EG Time (+49)
LFO 1 (+99)
Frequency *5
590
Amp EG Pitch & Filter LFO1 & 2
0...+99 EGs –99...0...+99
–99...0...+99
0...+1 –1...0...+1 Dedicated
Octave Octaves parameter
(Filter EG as
AMS;
dedicated
parameter
for Pitch EG)
– Dedicated –
parameter
for Pitch EG
0...+1 –1...0...+1 –
Octave Octaves
0...+10 –10...0...+10 Dedicated parameter
Octaves Octaves
(Pitch EG as
AMS;
dedicated
parameter
for Filter EG)
0...+99
– Dedicated –
parameter
for Filter EG
0...+99 –99...0...+99 –
0...+99
0...+99
0...+99
Dedicated 0...1x...8x Dedicated
parameter parameter
0...+99 –99...0...+99 –
0...+63
–
–
1x...64x 1/64x...
1x...64x
(LFO2 only)

Alternate Modulation settings

When you operate an AMS (Alternate Modulation Source),
the modulation destination will be affected as shown in the
table below.
By using alternate modulation, you can create complex
systems of modulation in which EG, LFO, keyboard tracks,
and controllers work together.
• You can apply complex change to an LFO or EG, for
example by using the pitch/filter/amp EG to control the
frequency or intensity of an LFO that modulates the
pitch/filter/amp, or by using LFO2 to control the
frequency of LFO1.
• The tone, EG, and LFO etc. can be controlled not only by
velocity or joystick, but also from a switch, or pedal etc.
• Panning can be controlled in realtime from a controller,
EG, or LFO etc.
• You can use the filter EG to control pitch or volume at
the same time that it controls the filter.
• Controllers etc. can be used to control EG levels or times.
This lets you shape the EG in realtime.
• Filter/amp keyboard tracking or note number can be
used to control the EG or LFO according to the keyboard
pitch that is played.
• Pitch, tone, EG or LFO can be controlled by the tempo of
the KARMA or sequencer.
Common Filter & Amp Common
LFO Key Track Key Track
–99...0...+99 –99...0...+99 1 & 2
–99...0...+99
–1...0...+1 –
Octaves
–1...0...+1
Octaves
–1...0...+1
Octaves
Dedicated –10...0...+10
parameter Octaves
for Filter
KTrk
–99...0...+99
–99...0...+99 – –99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
0...1x...8x Dedicated –
parameter
for Amp
KTrk
–99...0...+99
–63...0...+63
–99...0...+99
1/64x...1x...64x
1/64x...1x...64x
Note EXT(+/–) *1 EXT(+) *3
Number –Max...0...+Max
C–1...C4...C9
EXT (Tempo) *2
=...60...120...240...
Dedicated –1...0...+1
parameter Octaves
–1...0...+1
Octaves
– –10...0...+10
Octaves Octaves
– –99...0...+99
– 0...1x...8x
0...127
0...+1
Octave
0...+1
Octave
0...+1
Octave
0...+10
0...+99
0...+99
0...+99
0...+99
0...+99
0...+99
1x...8x
0...+99
0...+63
0...+99
1x...64x
1x...64x