Delay; Delay Common Parameters - Boss GT-10 Owner's Manual

DELAY

This effect adds delayed sound to the direct sound, giving
more body to the sound or creating special effects.
Parameter/ Explanation
Range
DELAY ON/OFF
Turns the DELAY Effect on/off.
Off, On
Pressing [DELAY] switches On and Off.
Type
This selects which type of delay.
• If you switch patches with the Type set to either Dual-S, Dual-P, or Dual-
L/R and then begin to play immediately after the patches change, you
may be unable to attain the intended effect in the first portion of what you
perform.
• The stereo effect is cancelled if a monaural effect or COSM amp is
connected after a stereo delay effect.*
Single This is a simple monaural delay.
This delay is specifically for stereo output. This
allows you to obtain the tap delay effect that di-
vides the delay time, then deliver them to L and
R channels.
fig.04-050
Pan
EffectLev
INPUT
The direct sound is output from the left channel,
Stereo and the effect sound is output from the right
channel.
This is a delay comprising two different delays
connected in series. Each delay time can be set in
a range from 1 ms to 1700 ms.
Dual-S
fig.04-051
(Dual Series)
D1
This is a delay comprising two delays connected
in parallel. Each delay time can be set in a range
from 1 ms to 1700 ms.
Dual-P
fig.04-0070
(Dual Parallel)
This is a delay with individual settings available
for the left and right channels. Delay 1 goes to
the left channel, Delay 2 to the right.
Dual-L/R fig.04-0080
This produces an effect where the sound is
Reverse
played back in reverse.
This gives a mild analog delay sound. The delay
Analog
time can be set within the range of 1 to 3400 ms
This setting provides the characteristic waver-
Tape ing sound of the tape echo. The delay time can
be set within the range of 1 to 3400 ms.
Tap Time
OUTPUT L
Dly Time
OUTPUT R
DELAY
Feedback
D1: Delay1
D2
D2: Delay2
D1
D2
D1 L
D2
R
Chapter 8 Parameters Guide
Parameter/ Explanation
Range
This simultaneously controls the delay sound's
feedback level and volume to produce a totally
unreal delay.
fig.04-0050
Warp
INPUT
This delay adds a pleasant wavering effect to the
Modulate
sound.

DELAY Common Parameters

Parameter/ Explanation
Range
Dly Time (Delay Time)
1ms–3400ms,
This determines the delay time.
BPM –BPM
When set to BPM, the value of each parameter will be set accord-
ing to the value of the "Master BPM" (p. 122) specified for each
patch. This makes it easier to achieve effect sound settings that
match the tempo of the song.
* If, due to the tempo, the time is longer than the range of allowable
settings, it is then synchronized to a period either 1/2 or 1/4 of that
time.
* If you tap [CATEGORY/ENTER], the delay time will change to match
the timing of your tapping.
Feedback
This sets the amount of delay sound re-
turned to the input.
A higher value will increase the number
of the delay repeats.
0–100
Feedback is returning a delay signal to the
input.
High Cut (High Cut Filter)
This sets the frequency at which the high
cut filter begins to take effect. When
700Hz–11kHz, Flat
"Flat" is selected, the high cut filter will
have no effect.
EffectLev (Effect Level)
0–120 Adjusts the volume of the delay sound.
DirectLev (Direct Level)
0–100 Adjusts the volume of the direct sound.
Level
Dep
OUTPUT
DELAY
F.B. Depth
Rise Time
119