Boss GT-10 Owner's Manual page 97

Parameter/ Explanation
Range
This is the deep distortion sound of a
Modern DS
large high-gain amp.
This is a distortion sound featuring an
Solid DS
edge effect.
A fat sound with an added element of a
Stack
stack amp's distortion.
This is distortion sound that is ideal for
Loud
performances of heavy riffs.
This is the sound of the BOSS MT-2.
Metal Zone It produces a wide range of metal sounds,
from old style to slash metal.
Produces a distortion sound with both the
Lead smoothness of an overdrive along with a
deep distortion.
This models a FUZZFACE.
'60s FUZZ
It produces a fat fuzz sound.
Oct FUZZ This models an ACETONE FUZZ.
This models an Electro-Harmonix Big
MUFF FUZZ
Muff π.
Custom OD/DS
Custom You can customize it however you like to
match the sound you want.
Drive
0–120 Adjusts the depth of distortion.
Bottom
Adjusts the tone for the low frequency
range. Turning this to the left (counter-
-50–+50 clockwise) produces a sound with the low
end cut; turning it to the right boosts the
low end in the sound.
Tone
-50–+50 Adjusts the tone.
Solo Sw
Off, On The tone to one suitable for solos.
SoloLevel
Adjusts the volume level when the Solo
0–100
Sw is ON.
EffectLev (Effect Level)
0–100 Adjusts the volume of the OD/DS sound.
DirectLev (Direct Level)
0–100 Adjusts the volume of the direct sound.
Chapter 8 Parameters Guide
Parameter/ Explanation
Range
CUSTOM TYPE SETTING
Setting available when TYPE is set to Custom.
Type
This selects the basic sound when the TYPE parameter is set to
Custom.
OD-1 This is the sound of the BOSS OD-1.
OD-2 This is a overdrive sound with high gain.
CRUNCH This is a crunch sound.
This gives a basic, traditional distortion
DS-1
sound.
DS-2 This creates a heavier distortion sound.
This is a metal sound with a characteristic
METAL-1
midrange.
METAL-2 This gives a heavy metal sound.
FUZZ This gives a basic, traditional fuzz sound.
Bottom
This controls the input sound's low-fre-
-50–+50 quency range and adjusts the amount of
distortion in the low-frequency range.
Top
This controls the input sound's high-fre-
-50–+50 quency range and adjusts the amount of
distortion in the high-frequency range.
Low
Adjusts the low-range tones after distor-
-50–+50
tion is applied.
High
Adjusts the high-range tones after distor-
-50–+50
tion is applied.
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