Delay; Master Delay - Boss GT-1000 Parameter Manual

Effect
DELAY 1–4
This is a delay with a maximum delay time of 2,000 ms. This effect is a
useful way of adding depth to the sound.
Parameter Value
ON/OFF OFF, ON
1ms–2000ms,
TIME
BPM ` – Œ
FEEDBACK
0–100
20.0Hz–20.0kHz
HIGH CUT
FLAT
EFFECT LEVEL
0–120
DIRECT LEVEL
0–100
BPM
40–250
8
Explanation
Turns this effect on/off.
Adjusts the delay time.
* When set to BPM, the value of each
parameter will be set according
to the value of the "MASTER BPM"
specified for each patch. This makes
it easier to achieve effect sound
settings that match the tempo of
the song.
* If, due to the tempo, the time is
longer than the range of allowable
settings, it is then synchronized to a
period either 1/2 or 1/4 of that time.
Adjusts the volume that is returned to
the input. Higher settings will result in
more delay repeats.
This sets the frequency at which the
high cut filter begins to take effect.
When FLAT is selected, the high cut filter
will have no effect.
Adjusts the volume of the delay sound.
Adjusts the volume of the direct sound.
Adjusts the BPM value for each patch.
* BPM (beats per minute) indicates the
number of quarter note beats that
occur each minute
* When you have an external MIDI
device connected, the MASTER BPM
synchronizes to the external MIDI
devices tempo, making it impossible
to set the MASTER BPM. To enable
setting of the MASTER BPM, set "SYNC
CLOCK" (p. 41) to "INTERNAL. "

MASTER DELAY

This produces a variety of delay sounds ranging from simple effects to
richly idiosyncratic sounds.
Parameter Value Explanation
ON/OFF OFF, ON Turns this effect on/off.
This selects which type of delay.
* If you switch patches with the Type set to DUAL and then begin
to play immediately after the patches change, you may be
unable to attain the intended effect in the first portion of what
you perform.
* The stereo effect is cancelled if a mono effect or AIRD PREAMP
is connected after a stereo delay effect.
MONO
This is a simple mono delay.
This delay is specifically for stereo output. This
allows you to obtain the tap delay effect that
divides the delay time, then deliver them to L and
R channels.
PAN
INPUT
The direct sound is output from the left channel,
STEREO 1
and the effect sound is output from the right
channel.
STEREO2
This is a stereo-in/out delay.
ANALOG This gives a mild analog delay sound. The delay
time can be set within the range of 12 to 1,200 ms.
TYPE
This gives a mild analog delay sound. The delay
time can be set within the range of 12 to 1,200 ms.
ANALOG ST
The direct sound is output from the left channel,
and the effect sound is output from the right
channel.
Provides the characteristic wavering sound of the
TAPE
tape echo.
REVERSE
This produces an effect where the sound is played
back in reverse.
SHIMMER
Delay with pitch-shifted sound mixed in.
DUAL A delay comprising two different delays
connected either in series or in parallel.
WARP
Produces a dream-like sound.
Produces an aggressive sense of rotation. Using
TWIST
this in conjunction with distortion will produce an
even wilder sense of rotation.
SPACE ECHO
This models the sound of the Roland RE-201.
TAPE ECHO
PX This models the sound of the Maestro Echoplex.
BIN DRUM
ECHO This models the sound of the Binson Echorec2.
TAP TIME
OUTPUT R
EFFECT LEVEL
TIME

DELAY

OUTPUT L
FEEDBACK