Korg PA1000 User Manual page 259

These are the NTT Type/Table combinations:
Ntt type/table
Parallel/Root
Parallel/Fifth
Parallel/i-Series
Parallel/No Transpose
Fixed/Chord
Fixed/No Transpose
To conform to KORG specifications, it is advisable to set the NTT table to 'No
Transpose' on the Intro 1 and Ending 1.
Description
The root note (in CMaj = C) is transposed to the missing notes.
The 5th note (in CMaj = G) is transposed to the missing notes.
As recorded with
NTT = Root or 5th
(Key/Chord = C)
As recorded with
NTT = Root or 5th
(Key/Chord = C)
As recorded with
All original patterns must be programmed on the "Maj7" or "min7"
NTT = i-Series
chords. When loading old KORG i-Series Styles, this option is auto-
(Key/Chord = CM7 )
matically selected.
As recorded with
NTT = i-Series
(Key/Chord = CM7 )
The chord shape is not modified, and is moved to the new key un-
changed. The pattern plays exactly the recorded notes, and is moved
to the new key as it is. This is the standard setting of Intro 1 and
Ending 1 in KORG's original Styles (where a chord progression is usu-
ally recorded).
This table moves as few notes as possible, making legato lines and
chord changes more natural. It is ideally suited to chord tracks
(strings, piano etc...). Contrary to the Parallel mode, the programmed
chord is not transposed according to the Wrap Around parameter,
but always stays around its original position, looking for common
notes between the chords.
The programmed notes can only be transposed by the Master
Transpose. They are never transposed when chords are changed.
Recording the Styles and Pads |247
When you play a C7
with NTT = Root
When you play a C7
with NTT = Root
When you play a C
with NTT = i-Series
When you play a C
with NTT = i-Series
When you play a C7
with NTT = 5th
When you play a C7
with NTT = 5th
When you play a C7
with NTT = i-Series
When you play a C7
with NTT = i-Series