Roland SH-4d Owner's Manual page 157

Parameter
JC-120
CLEAN TWIN
MATCH DRIVE
BG LEAD
MS1959I
MS1959II
MS1959I+II
SLDN LEAD
METAL 5150
METAL LEAD
OD-1
OD-2 TURBO
DISTORTION
FUZZ
Drive 0–127
Master 0–127
Gain LOW, MIDDLE, HIGH
Bass 0–127
Middle 0–127
Treble 0–127
Speaker OFF, ON
Sw
STyp
Delay Sw OFF, ON
1–1300
Dly Time
-98–+98 [%]
Delay Fbk
Value
SMALL 1
SMALL 2
MIDDLE
JC-120
BUILT-IN 1
BUILT-IN 2
BUILT-IN 3
BUILT-IN 4
BUILT-IN 5
BG STACK 1
BG STACK 2
MS STACK 1
MS STACK 2
METAL STACK
2-STACK
3-STACK
This models the sound of the Roland JC-120.
This models a Fender Twin Reverb.
This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues
and rock.
This models the lead sound of the MESA/ Boogie combo amp.
The sound of a tube amp typical of the late '70s to '80s.
This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.
This models the sound input to Input II on a Marshall 1959.
The sound of connecting inputs I and II of the guitar amp in parallel,
creating a sound with a stronger low end than I.
This models a Soldano SLO-100. This is the typical sound of the
eighties.
This models the lead channel of a Peavey EVH 5150.
This is distortion sound that is ideal for performances of heavy riffs.
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
This is the high-gain overdrive sound of the BOSS OD-2.
This gives a basic, traditional distortion sound.
A fuzz sound with rich harmonic content.
Volume and amount of distortion of the amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble frequency range
Selects whether the sound will be sent through the speaker
simulation (ON) or not (OFF).
Cabinet Diameter (in inches) and
number of the speaker
small open-back 10
enclosure
small open-back 10
enclosure
open back 12 x 1
enclosure
open back 12 x 2
enclosure
open back 12 x 2
enclosure
open back 12 x 2
enclosure
open back 12 x 2
enclosure
open back 12 x 2
enclosure
open back 12 x 2
enclosure
sealed enclosure 12 x 2
large sealed 12 x 2
enclosure
large sealed 12 x 4
enclosure
large sealed 12 x 4
enclosure
large double stack 12 x 4
large double stack 12 x 4
large triple stack 12 x 4
Delay on/off
Delay time from when the original sound is heard to when the delay
sound is heard
Adjusts the proportion of the delay sound that is fed back into the
effect.
MFX Parameters
Explanation
Microphone
dynamic
dynamic
dynamic
dynamic
dynamic
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
condenser
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