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OPTIMOD 6300 DIGITAL
You can store more than 100 User Presets, limited only by available memory in your
6300 (which will vary depending on the version of your 6300's software). You can
give your preset a name up to 18 characters long.
User Presets cannot be created from scratch. You must always start by recalling a
Factory Preset. Make the changes, and then store your modified preset as a User
Preset. You can also recall a previously created user preset, modify it, and save it
again, either overwriting the old version or saving under a new name. In all cases,
the original Factory Preset remains for you to return to if you wish.
User Presets inherit the structure of their parent Factory Presets (5-band or 2-band).
The only way you can choose the structure of a factory preset is to edit it from a Fac-
tory preset having that structure (or to edit it from an older User Preset having the
desired structure). You cannot change the structure that an existing User Preset uses.
User Presets are stored in non-volatile memory that does not require battery
backup. To Create or Save a User Preset on page 3-19 has more about User Presets.
Input/Output Configuration
OPTIMOD 6300 simultaneously accommodates:
Digital AES3 left/right inputs and dual outputs.
Analog left/right inputs and outputs.
OPTIMOD 6300 can be operated in either stereo or dual-mono mode. In dual-mono
mode, processing parameters that determine the "sound" of the processor are the
same on both channels.
Dual-mono or stereo mode is a global system parameter. You can change modes
manually, via the 6300's GPI inputs, via 6300 PC Remote software, or via the 6300's
built-in time-of-day automation. Further, the 6300 can be programmed to recognize
the "stereo" and "dual-mono" flags in the AES input bitstream and to switch modes
accordingly. It will also set these flags appropriately in its output AES bitstream.
Digital AES3 Left/Right Input/Outputs
The digital input and outputs conform to the professional AES3 standard. They all
have sample rate converters to allow operation at 32, 44.1, 48, 88.2, and 96 kHz
sample frequency.
To ensure best control of peak modulation, operate the output at 48 kHz
or higher.
The left/right digital input is on one XLR-type female connector on the rear panel;
the left/right digital outputs are on two XLR-type male connector on the rear panel.
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INTRODUCTION
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Troubleshooting
