Orban OPTIMOD 6300 Operating Manual page 170

Digital multipurpose audio processor, version 2.3 software
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3-28
OPERATION
presence energy to help vocals to stand out. The COUNTRY-LIGHT preset uses the
ROCK-LIGHT source preset. Modern country broadcasters might also find ROCK-
MEDIUM or ROCK-OPEN useful if they want a brighter, more up-front sound.
CRISP: CRISP provides a bright upper midrange sound by emphasizing frequencies
around 6 kHz. It is a loud preset that is appropriate for mass-appeal music formats. It
has the same bass texture as the IMPACT presets.
DANCE ENERGY: This preset is designed to preserve the punch and slam in dance
music percussion (such as the beater click in kick drums). It is loud and has a bright
high frequency texture. As L
punchier.
EDGE: This preset is designed for hit music broadcasters who prefer extremely
punchy bass to fastidious distortion control. It is loud and has a bright high fre-
quency texture.
FOLK / TRADITIONAL: FOLK / TRADITIONAL is an alias for the ROCK-SOFT preset.
It assumes that the recordings are of relatively recent vintage and require relatively
subtle processing.
If the recordings you play are inconsistent in texture and equalization, you may pre-
fer the ROCK-SMOOTH or ROCK-LIGHT presets.
GOLD: GOLD is loud and "hi-fi"-sounding while still respecting the limitations and
basic flavor of the recordings from the era of the 1950s through 1970s.
For example, we do not attempt to exaggerate high frequency energy in
the GOLD preset. The highs in recordings of this era are often noisy, dis-
torted, or have other technical problems that make them unpleasant
sounding when the processor over-equalizes them in an attempt to emu-
late the high frequency balance of recently recorded material.
GREGG: GREGG and GREGG OPEN all use a 200 Hz band1/band2 crossover fre-
quency to achieve a bass sound similar to the classic 5-band Gregg Labs FM proces-
sors designed by Orban's Vice President of New Product Development, Greg
Ogonowski. Dynamically, these presets produce a slight increase in bass energy be-
low 100 Hz and a decrease of bass energy centered at 160 Hz. This bass sound works
particularly well with speakers having good bass response.
In terms of loudness, midrange texture, and HF texture, these presets are similar to
the LOUD-HOT+BASS presets.
IMPACT: IMPACT is intended for CHR and similar formats where attracting a large
audience (maximizing cume) is more important than ensuring long time-spent-
listening. This is a loud, bright, "major-market" preset that has a great deal of pres-
ence energy to cut through on lower-quality speakers.
Its sound changes substantially as the L
limiting decreases while bass punch and transparency improve. Therefore, exploring
various Less-More settings is worthwhile with
stances, this preset will be "over the top" if it is not turned down with Less-More.
-M
ESS
ORE
is turned down, this preset get quieter, yet
-M
ESS
ORE
control is turned down—fast peak
IMPACT
ORBAN MODEL 6300
, because, for many circum-

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