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(i.e. the screen which you feel is furthest from "pure green" and leans slightly
toward yellow or blue). In the Green Primary menu for each remaining
projector—starting with the adjacent projector—add red or blue as necessary
until all green fields match the first, both in color and light output. Sometimes
all projectors need
color added, other
times certain
projectors will
need red and others
will need blue, etc.
See right. NOTE:
Green affects the
light output of any
color the most,
blue the least.
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When all
greens match,
select Next
Primary from
the Green
Primary menu.
The Blue
Primary menu
will appear
and your
screens will turn to a full blue field. Repeat steps 3b and 3c for blue, then for
red. For each primary adjustment, add other "secondary" colors as necessary.
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settings used for another, recheck all 3 colors to make sure your initial
matching is still good. Adjust if necessary.
NOTE: If desired, use
:3.
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all white fields once more. If necessary, adjust white levels slightly to match
all white fields.
You have now completed the color matching of all screens. On each projector, the
settings now define your chosen User color temperature (see Step 2b). For best
results, set Lamp Mode to Intensity on all projectors—light output from each will be
maintained as closely as possible over time.
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For any new sources that you may use, keep in mind the following:
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Compare green fields and choose the least saturated green
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Because one color may be slightly affected by
:3.
for blue.
Exit to the main Adjust Primary Colors (CSC) menu to view
"User 1" is the default color temperature for all sources as long as the
Use Primary Color Adjustment checkbox remains checked in the Adjust
Primary Colors (CSC) menu.
:3.
for full red field,
for green, and
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