Page 1 Achievable brightness (ANSI lumens): Mirage 2000 = 2000 Mirage 5000 = 5000 ¡ Achievable Contrast Ratio (ANSI): Mirage 2000 = 300:1 ANSI, 450:1 full field Mirage 5000 = 300:1 ANSI, 500:1 full field ¡ 3D images (requires customized RGB signal at native resolution) ¡...
Page 2 )LJXUH &RPSRQHQWV 'LIIHUHQFH %HWZHHQ 0RGHOV The Mirage 2000 is the same projector as the Mirage 5000, but has a 500W lamp rather than a 1200W lamp. This affects the brightness output and range of adjustment.
Page 3 Connect the projector’s line cord to the AC receptacle at the lower right rear corner of the projector and to proper AC. The Mirage 2000 requires input power of 100-240 VAC, 50- 60 Hz @ 9 amps (@ 100 V). The Mirage 5000 requires input power of 200-240 VAC, 50- 60 Hz @ 8.5 amps (@ 200 V).
Page 4 ,167$//$7,21 $1' 6(783 67(3 $GMXVW ,PDJH 67$1'$5' 12102725,=(' /(16 With the input image displayed, rotate the =220 textured ring on the lens barrel to increase or decrease the image size (this requires a zoom lens). If you don’t have a zoom lens or you can’t adjust the image enough, the projector may not be positioned at the proper throw distance for your screen size.
Page 5 +RLVWLQJ Remove the lens and securely wrap hoisting cabling and safety straps around the entire projector. Whether inverted or not, attach to the proper Christie ceiling mount only. Never suspend or “fly” this model. NOTE: Mirage 2000/5000 projectors cannot use a Christie Hoisting/Stacking Kit for hoisting into place.
Page 6 ,167$//$7,21 $1' 6(783 6FUHHQ 7\SH )URQW 6FUHHQ ,QVWDOODWLRQV While there are two basic screen types, flat and curved, generally flat screens are recommended for this projector. Flat screens offer a gain of about 1 with a viewing angle just less than 180°. Incident light reflects equally in all directions so the audience can see the display from various angles.
Page 7 ,167$//$7,21 6(783 to display a VCR output with a 4:3 aspect ratio onto a 10 foot (3m) high screen, the width of the screen must be at least 13.3 feet (4m). 6FUHHQ $VSHFW 5DWLR Aspect ratio describes the proportion of the screen and is expressed as the ratio of width to height, such as “4:3”...
Page 8 ,167$//$7,21 $1' 6(783 ,GHDO 5RRP /LJKWLQJ The high brightness output of this projector is certainly well suited for locations where ambient lighting is less than optimum for projection, yet there are still many simple things you can do to optimize your installation. Visiting a movie theater can give you an idea of what makes an ideal projection environment.
Page 9 ,167$//$7,21 6(783 )LJXUH %HWWHU 6FUHHQ 3ODFHPHQW Even with all lighting removed it is still possible that room reflections within the room can slightly degrade the image. Light from the projection screen should be absorbed by the ceilings, walls and floors so that it will not be reflected back to the screen.
Page 10 ,167$//$7,21 $1' 6(783 )LJXUH 6FUHHQ /RFDWLRQV IRU 0D[LPXP $XGLHQFH &RYHUDJH Installation type, screen type, and lighting all affect where the projector is positioned. 3URMH.WRU In addition, both throw distance (the distance between the projector and screen) and 3RVLWLRQDQG vertical position (the height of the projector in relation to the screen) must be 0RXQWLQJ determined for every new installation.
Page 11 These image offsets are also illustrated in Figure 2.9. NOTE: Shown are approximate motorized offset ranges—manual offsets standard in Mirage 2000/5000 may differ. 0D[LPXP RI ,PDJH 2IIVHW IURP /HQV &HQWHU 7DEOH ...
Page 12 ,167$//$7,21 $1' 6(783 )LJXUH 0D[LPXP 9HUWLFDO 2IIVHWV Continued… 8VHU·V 0DQXDO 0LUDJH ...
Page 13 ,167$//$7,21 6(783 )LJXUH 0D[LPXP 9HUWLFDO 2IIVHWV &RQWLQXHG $// /(16(6 NOTES: 1) If you cannot raise or lower the image enough using mechanical vertical offsets, try adjusting V-Position in the Size and Position menu (see 3.6, Adjusting the Image). 2) If the image becomes keystoned or exhibits uneven brightness, the projector may simply be too high...
Page 14 ,167$//$7,21 $1' 6(783 )LJXUH 0D[LPXP +RUL]RQWDO 2IIVHWV $// /(16(6 0RXQWLQJ For typical front or rear floor mounts, mount the projector on a secure table or cart. Take care with a mobile cart—avoid sudden stops, excessive force and uneven surfaces that may cause the projector and cart combination to overturn.
Page 15 ,167$//$7,21 6(783 )ROGHG 2SWLFV In rear screen applications where space behind the projector is limited, a mirror may be used to fold the optical path. See right. The position of the projector and mirror must be accurately set—if considering this type of installation, call your dealer for assistance.
Page 16 ,167$//$7,21 $1' 6(783 5*% 6LJQDOV provides 5 BNCs (connectors) for linking to a variety of sources, typically to ,1387 an RGB source such as VGA, SVGA, XGA, Mac, PowerMac, DEC, Sun, SGI and others. This projector supports multiple sync types with RGB signals: sync-on-green, composite sync, and separate H &...
Page 17 ,167$//$7,21 6(783 )LJXUH &RQQHFWLQJ <3E3U 6LJQDO NOTES: 1) If, for some reason, the projector fails to recognize a YPbPr signal, specify this Color Space option within the Image Settings menu. See 3.6, Adjusting ,1387 the Image. 2) Do not connect digital component signals (known as YCbCr) to ,1387 .
Page 18 ,167$//$7,21 $1' 6(783 The video decoder input panel provides simultaneous connection of both a composite &RPSRVLWH 9LGHR ,1387 ,1387 video source ( ) and an S-Video source ( If connecting a composite video source, use the Composite BNC connector or the ,1387 RCA phono jack at –do not use both as inputs.
Page 19 ,167$//$7,21 6(783 The video decoder input panel provides simultaneous connection of both a composite 69LGHR video source ( ) and an S-Video source ( ,1387 ,1387 If connecting an S-Video source, use the 4-pin mini DIN connector or the Y and C BNC connectors (luma and chroma) at do not use both as inputs.
Page 20 ,167$//$7,21 $1' 6(783 To loop a single incoming video signal input (connected at the video decoder) 9LGHR /RRS 7KURXJK through to another projector or display device, use the empty connector(s) adjacent to this same input as described below. &RPSRVLWH 9LGHR /RRS 7KURXJK See Figure 2.17.
Page 21 ,167$//$7,21 6(783 69LGHR /RRS 7KURXJK See Figure 2.18. From your source, connect an S-video source signal &211(&7,216 using either the 4-pin mini DIN or the 2 adjacent BNCs labeled Y and C. ,1387 Connect a second cable from whichever connector is free to one of the S- ,1387 video inputs of the next display device or projector.
Page 22 Composite/S-Video Input Module at )LJXUH &RQQHFWLQJ DQ ([WUD 9LGHR 6RXUFH WR ,QSXW 2SWLRQDO ,QSXWV Optional modules from Christie allow you to increase your total number of inputs and/or accommodate different signal types, whether analog or digital. Any one of ,1387 these modules can be installed in the projector area labeled .
Page 23 3-pronged end of &RQQH.WLRQ the line cord into a grounded AC outlet. Input voltage to Mirage 2000 must be 100- 240 VAC. Input voltage to Mirage 5000 must be 200-240 VAC. Use the proper power source and the high-current rated line cord provided.
Page 24 Refer to 3.3, Using the Keypad and 3.4, Navigating the /HQV2IIVHW Menus if you are unfamiliar with using the keypad and menu system. NOTE: A manual lens mount is standard on Mirage 2000/5000 projectors. =RRP If you have a zoom lens installed, turn the textured ring of the lens 12102725,=(' barrel to decrease or increase the size of the image at the current throw distance.
Page 25 Other display adjustments are available through keypad commands and on-screen menus—refer to Section 3, Operation. ,QWHOOLJHQW /HQV 6\VWHP NOTE: Requires motorized lens, available as an upgrade for Mirage 2000/5000. ,/6 Once you’ve defined lens settings for the current display, you can automatically recall these positions whenever you use this channel.
Page 26 ,167$//$7,21 $1' 6(783 To use consistent zoom, focus, and offset settings for all channels, ',6$%/,1* ,/6 3907 delete the “Intelligent Lens System” checkmark (highlight the option and press The lens will not move until you adjust one of its settings. 2SHUDWLQJ 7LSV IRU /HQV 6HWWLQJV DQG ,/6 NOTES: 1) ILS requires motorized lens mount.
Page 27 ,167$//$7,21 6(783 “incremental” fine-tuning only if the direction of lens movement has not changed during an adjustment. See Figure 2.22. Alternatively, simply enter a new position to reverse direction. For example, if the current setting is 2000, enter 2001 to start moving up—then press .
Page 28 ,167$//$7,21 $1' 6(783 #$ !4798 Some computers can provide serial communications (often through a plug-in #$ adapter or external converter) rather than the more common RS-232. RS-422 communication has differential “transmits-and-receives” and is generally better suited for long distances than is RS-232 communication. RS-422 is not compatible with RS-232—connecting one to the other could damage the equipment at either end.
Page 29 ,167$//$7,21 6(783 NOTE: See 2.4, Source Connections, “Connecting a Switcher” for complete details. ,I XVLQJ PXOWLSOH SURMHFWRUV 6HULDO &RPPXQLFDWLRQV : To control multiple projectors with a computer/controller having 56 1(7:25. an RS-232 interface, first set them all to the same baud rate needed, then chain the projectors together by connecting the connector of the first projector 56 287...
Page 30 ,167$//$7,21 $1' 6(783 For either type of network, continue connecting projectors in this manner until you’ve reached the last projector in the chain, so that only the last projector has an empty , if applicable). See examples below. 56 287 56 3257 )LJXUH $VVRUWHG 1HWZRUNV...
Page 31 ,167$//$7,21 6(783 In a typical network, broadcast serial communications or messages destined for a %DFNXS RU ´6SOLWµ 1HWZRUNV specific projector travel through all serial ports in each projector regardless of whether the messages originate from an RS-232 or RS-422 source (refer back to Figure 2.27, bottom example).
Page 32 ,167$//$7,21 $1' 6(783 )LJXUH 7ZR 7\SHV RI 6SOLW 1HWZRUNV Each projector can be assigned a unique 3-digit projector number (for example, 001). 3URMHFWRU 1XPEHUV These numbers are necessary when you are working with multiple linked projectors, enabling you to direct commands to a certain projector rather than always broadcasting to the entire network.
Page 33 ,167$//$7,21 6(783 At manufacture every keypad is assigned “A” as its default protocol, which is simply .H\SDG a collection of settings that determine how the keypad operates. Once assigned, this 3URWR.ROVDQG protocol remains in effect until it is changed—that is, the keypad will operate as it &RQYHUVLRQ currently does until you change its protocol.
Page 34 ,167$//$7,21 $1' 6(783 6WHS Unlatch and open the empty battery compartment on the back of the keypad as shown in Figure 2.31. NOTE: A wired keypad opens as shown, but a cable passes through the battery compartment cover. )LJXUH 2SHQLQJ WKH .H\SDG 6WHS Find the 4 jumpers located along the latching side of the battery compartment.
Page 35 ,167$//$7,21 6(783 )LJXUH /RFDWLQJ DQG 6HWWLQJ WKH -XPSHUV NOTE: A wired keypad can be converted into an IR remote keypad, and vice versa. Follow the settings shown above, adding or deleting the cable and batteries as required. The cable with 3-pin XLR connector is available separately from your dealer. 6+257&87 0(7+2' You can also issue software protocol settings through the keypad.
Page 36 ,167$//$7,21 $1' 6(783 &RQYHUWLQJ D .H\SDG If desired, you can convert an IR remote keypad into a wired remote keypad and vice versa (available February 2000). 72 &+$1*( )520 ,1)5$5(' 72 :,5(' Remove battery compartment cover from back of keypad. Remove batteries.
Page 37 6 H . W L R Q 2SHUDWLRQ This section explains how to use the projector once it has been installed. Please read 2YHUYLHZ through these pages before using the projector for the first time. An understanding of projector features and how to access them will help you to take full advantage of the capabilities of the projector within minutes.
Page 38 Allows one or more projectors to 56 6(5,$/ ,17(5)$&( :,7+ /223 7+528*+ be remotely controlled by a computer or controller, and provides a communications connection for Christie’s Marquee Signal Switchers. Allows one or more projectors to 56 6(5,$/ ,17(5)$&( :,7+ /223 7+528*+ be remotely controlled by an RS-422 compatible computer or controller (such as the Two-Way Controller accessory).
Page 39 23(5$7,21 The Mirage 2000 requires input power of 100-240 VAC, $& /,1( &25' ,1387 50-60 Hz @ 9 amps (@ 100 V). The Mirage 5000 requires input power of 200-240 VAC, 50-60 Hz @ 8.5 amps (@ 200 V). Use the line cord provided with the projector.
Page 40 23(5$7,21 The keypad appears in three locations: 8VLQJWKH .H\SDG Built-in to the rear of the projector Infrared (IR) Remote for tetherless control up to 100 feet away Wired Remote (optional) tethered to the rear of the projector While each keypad is identical in layout and provides complete control of the projector, you may find one keypad more convenient than another for your specific installation and application.
Page 41 23(5$7,21 The IR Remote Keypad controls the projector by way of wireless communications ,5 5HPRWH from a battery-powered infrared (IR) transmitter. Use the IR remote keypad the same way you would use a remote keypad supplied with a TV or VCR. When making key presses, point the keypad either toward the screen or toward the front or rear of the projector.
Page 42 23(5$7,21 back on until it has been off for a few minutes. Hot re-strikes of the lamp may reduce lamp life. ,QSXW ,QSXW ,1387 ,QSXW Press to select the source connected to on the projector (data input). This is the same as entering ,QSXW ,QSXW ,QSXW...
Page 43 23(5$7,21 6WDQGE\ 6WE\ 6WE\ Press and hold for approximately 1 second to blank all display while keeping the projector in a warmed-up and ready state. Or quickly press and release 6WE\ follow immediately by if you want to guarantee the correct toggle (useful if you are unsure of the present status).
Page 44 23(5$7,21 6KXWWHU = close the shutter (OPTIONAL) 6KXWWHU = open the shutter (OPTIONAL) 6WE\ = put the projector in standby mode 6WE\ = leave standby 3RZHU = turn the projector on 3RZHU = turn the projector off 0XWH = hide the current menu 0XWH = show the current menu 26'...
Page 45 23(5$7,21 commands, and will match the projector number that has been defined in its Preferences menu. The “Projector” checkbox (read-only) shows whether or not the projector physically connected to a keypad is listening to commands from that keypad. A checkmark means that connected projector is listening;...
Page 46 23(5$7,21 direction. Any even-numbered setting is approached from above (the slidebar values will decrease), any odd-numbered setting is approached from below (the slidebar value will increase). This ensures accurate lens positioning. Adjust the image clarity. If focus is not uniform throughout the image, bore )2&86 sight is likely poor.
Page 47 23(5$7,21 30 seconds to complete, make sure the focus motor is engaged as described in 4.5, Replacing the Lens. This option removes most vertical and horizontal offset and returns &(17(5 /(16 the lens to the approximate center of the lens opening—the image will be fairly well- centered on this axis.
Page 48 23(5$7,21 26' 26' 2QVFUHHQ GLVSOD\ 26' Press and hold for approximately 1 second to toggle menus on or off (i.e., visible or invisible). Or press 26' followed immediately by guarantee the correct toggle direction (useful if you are unsure of the present status). Note that invisible menus are fully functional.
Page 49 23(5$7,21 and press (QWHU at the desired option. Extra long menus have a scroll bar on the right– use the arrow keys to see the remainder of the menu. Items that are locked out or do not pertain to the current action appear dimmed and cannot be selected. NOTES: 1) If there is no signal present, all source-dependent adjustments are disabled.
Page 50 23(5$7,21 7,0(2876 6OLGHEDU IURP SUHV VHFRQGV 6OLGHEDU IURP PHQX PLQXWHV /DPS 7LPHU 0VJ VHFRQGV &KDQQHO HQWU\ VHFRQGV 2WKHU PLQXWHV 8VLQJ 6OLGHEDUV DQG Most of the function menus allow you to change settings by using slidebars, 2WKHU &RQWUROV checkboxes, and pull-down lists.
Page 51 23(5$7,21 /,67 2) ',5(&7 6/,'(%$56 3RVLWLRQ +3RVLWLRQ RU 93RVLWLRQ 3L[HO 3L[HO 7UDFNLQJ RU 3KDVH 9ROXPH &RQW &RQWUDVW %ULJKW %ULJKWQHVV &RORU &RORU 7LQW 7LQW 'HWDLO 'HWDLO (QWHU Use the arrow keys to adjust a direct slidebar, or press and enter a specific (QWHU ([LW number from the keypad , then...
Page 52 23(5$7,21 (GLWLQJ 7H[W To enter or edit text, highlight the desired parameter $&7,9$7( 7+( (',7 :,1'2: (QWHU (such as a channel name) and press to activate its adjacent edit window. Any previously entered text is displayed with its first character highlighted in a square cursor, signifying that this character is ready for editing.
Page 53 23(5$7,21 NOTE: See Section 2, Installation and Setup, for a full explanation of how to 8VLQJ,QSXWV connect a variety of sources to the projector. DQG&KDQQHOV The projector stores and automatically recalls up to 99 different channels (source setups) for a variety of inputs. This memory feature allows you to define and conveniently use a wide variety of customized setups rather than having to repeatedly re-configure the projector for different presentations.
Page 54 23(5$7,21 through the same input location. Once you have adjusted a display parameter, such as pixel tracking or contrast, all current settings are collectively stored in the projector's memory as a unique 2-digit channel, such as . You can have numerous distinct &KDQ channels available for the same input, any of which can be selected by using the key on the keypad followed by the 2-digit channel number.
Page 55 23(5$7,21 :KDW &KDQQHOV All available channels are listed in the Channel Setup menu, which describes how $UH 'HILQHG 6R )DU" each channel can be accessed and which serves as the gateway for editing, copying and deleting channels. From the presentation 0HQX level press display the Main menu.
Page 56 23(5$7,21 If you have more than a handful of channels, use to see the remaining channels not visible in this initial display. To copy, delete or edit any of the channels listed in the Channel Setup menu, highlight the desired channel and do one of two things: )XQF Press if you want to copy the selected channel or delete this or other...
Page 57 23(5$7,21 to delete all channels, even those that are locked. In either case, the current channel will remain but will be redefined from projector defaults. NOTE: For any deletion, a confirmation box appears to make sure that you really want to delete. Select “Cancel” (default) if you don’t want to delete after all. (GLWLQJ D &KDQQHO 6HWXS The basic setups that describe how and where a channel can be accessed are listed in the Channel Setup menu.
Page 58 23(5$7,21 On-screen display of the channel list is an option that must be set in the Preferences menu. If checked, (default), the projector can automatically $872 6285&( locate this channel when an incoming input signal matches. If not checked, the projector can locate the selected channel only when it is &KDQ directly selected via on the keypad—and a change in input signal will...
Page 59 23(5$7,21 The Size and Position menu allows you to ,PDJH 6L]H DQG 3RVLWLRQ increase or decrease the size of your image, change its proportion (aspect ratio), move the image to a specific area of the screen, and refine other related parameters.
Page 60 23(5$7,21 N 6(/(&7 ´12 5(6,=,1*µ to display the image in its native resolution, which may be smaller or larger than the native resolution of the projector. All Size, Vertical Stretch, H-Position, V-Position or Blanking values will change accordingly. For example, for a source with a native resolution of 800 x 600, “No Resizing” will center a small image within a black border.
Page 61 23(5$7,21 3L[HO 7UDFN 3L[HO Press and adjust the top slidebar.) 6+257 &87 Pixel tracking adjusts the frequency of the pixel sampling clock, indicated by the number of pixels per line, so that all pixels generated by a particular source are sampled.
Page 62 23(5$7,21 4. Adjust Filter to maximize the width of the good area. See right. 5. Return Pixel Tracking to its correct setting from Step 1. 6. Readjust Phase. NOTE: “Filter” affects only the current signal. +3RVLWLRQ 3RVLWLRQ Press and adjust the top slidebar.) 6+257 &87 This option moves image right or left.
Page 63 23(5$7,21 &RQWUDVW &RQW Press and adjust the slidebar.) 6+257 &87 “Contrast” increases or decreases the perceived difference between light and dark areas of your image (0-100). If contrast is set too high, the light parts of the image lose detail and clarity. If set too low, the light areas will not be as bright as they could be and the image will be dim.
Page 64 23(5$7,21 &RORU 7HPS “Color Temp” applies either a preset color temperature (3200K, 5400K, 6500K, 9300K) or any previously defined Interpolated or custom “User” color temperature. All temperatures are measured in degrees Kelvin and represent the "coloration" (reddish or bluish) of the whites displayed by the projector—the lower the temperature, the more reddish the whites, the higher the temperature, the more bluish the whites.
Page 65 23(5$7,21 *DPPD NOTE: Gamma does not normally require adjustment and is intended for experienced users only. The "Gamma" option affects the shape of the curve determining what gray shades are available for a given amount of signal input between minimum (black) and maximum (white).
Page 66 23(5$7,21 %DXG 5DWH The baud rate setting determines the speed of communications to and from the projector. By default, the projector baud rate is set to 19200. Setting the correct speed is important when you are controlling the projector with an external device such as a computer or another projector via an RS-232 or RS- 422 port.
Page 67 23(5$7,21 that the projector responds to either protocol (default). You can also prevent the projector from responding to the keypad entirely. In the pull-down list, select the desired protocol. NOTE: The wired keypad for this projector is set at manufacture to "Protocol A". See 2.10, Keypad Protocols and Conversion for information about changing the keypad protocol.
Page 68 23(5$7,21 3URMHFWRU Enter a three-digit number (such as "001") to assign or change a number to the projector currently in use–if the current projector already has a number assigned, that number will appear here. Numerical identity for projectors is required whenever you want to communicate with a single projector within a multiple-projector application (see...
Page 69 23(5$7,21 3UHIHUHQFHV Use Preferences checkboxes and pull-down lists to alter how the projector responds to commands and displays its parameters. Refer to the "Using Slidebars and Other Controls" subsection if you need help. Changes made to the Preferences menu will be saved when you exit the menu.
Page 70 23(5$7,21 “RS232” instead. To disable error messages entirely (except invalid user entries), select “Off”. NOTE: Display of invalid user entries cannot be disabled, even if you choose “Off”. $XWR 3RZHU 8S Enter a checkmark to enable the projector to automatically power up after losing power due to unplugging or a power failure.
Page 71 23(5$7,21 $GYDQFHG &RQWUROV The Advanced menu includes a variety of special options that an experienced operator may want to adjust for certain applications, such as color-critical displays or multiple projector walls. In addition, this menu provides access to test patterns, lamp settings and service, and the password-protected Service submenu.
Page 72 23(5$7,21 Good RGB or input levels—that is, the drives and blacklevels for each of the three colors, red, green and blue—ensure that images from analog sources other than decoded video have maximum contrast without crushing black )LJXUH ,QSXW /HYHOV 6XEPHQX or white.
Page 73 23(5$7,21 only a certain color while adjusting—use the “Color Enable” option (described below). 6. Delete the “Auto” checkmark and leave the Input Levels menu. IMPORTANT: Do not use Input Levels to adjust color temperature. This will distort Contrast and Brightness functions as well as color temperature. &/$03 7,3 ²...
Page 74 23(5$7,21 2GG 3L[HO $GMXVWPHQW NOTE: For sources with Color Space set to RGB only. When using certain RGB sources with static images, you may need to adjust the normal gain or offset of odd pixels in relation to even in order to smooth out very narrow (1- pixel wide) checks or vertical stripes.
Page 75 23(5$7,21 )LJXUH $GYDQFHG &RORU 7HPSHUDWXUH 0HQX However, if you require extra color temperatures, you can also add up to five custom color temperatures–four “User” and one “Interpolated”–by defining them within the Advanced Color Temperature menu or in the Adjust Primary Colors (CSC) menu (each defaults to 6500K until then).
Page 76 23(5$7,21 brightness, always keep at least one white level at 100. When you are satisfied with the new “User” temperature, it can be used immediately upon exit or it can be selected from either the Image Settings menu or the Advanced Color Temperature menu as usual.
Page 77 23(5$7,21 1. Select the “User” color temperature you wish to update at the top of the Advanced Color Temperature menu, such as “User 2”. 2. From the “Copy From” list, select the matching temperature labeled “Factory” (such as “Factory 5400K”). These are the calibrated color temperatures set at manufacture—they remain intact for the life of the projector.
Page 78 23(5$7,21 This control determines the projector’s processing method for 352&(66,1* 02'( ² the incoming signal. (default): The $872 projector will automatically select the correct processing mode according to what input signal it detects. Use “Auto” unless you want or need to override its performance and apply a specific mode instead. NOTE: Auto does not process 3D signals.
Page 79 23(5$7,21 For video images that did not originate from film, or for 027,21 moving computer-generated images. NOTE: Applied for RGB HDTV interlaced signals. For video images that originated from film. This will optimize ),/0 image quality and stability. NOTES: 1) For 60 Hz video standards: NTSC, PAL M, PAL 60. 2) Also recommend for PAL video standard if the ADP module is present—note that you must select film mode manually in this case.
Page 80 23(5$7,21 amount of vertical filtering according to the current source, and is the recommended setting for most situations. You can override this by selecting a value from 1-10, with “1” applying no filtering and “10” applying maximum filtering. High filtering levels will soften the image slightly, particularly evident along horizontal edges.
Page 81 The lamp will always burn as brightly as possible, driven by 0D[ %ULJKWQHVV maximum power of either 500W (Mirage 2000) or 1200W (Mirage 5000). Keep in mind that the “maximum brightness” for any lamp gradually diminishes with age—images will become dimmer over time. Its current output level (note: not in lumens) appears in the “...
Page 82 The number shown here indicates how many watts are applied to the lamp. 32:(5 Set from 350-500 watts (Mirage 2000) or 800-1200W (Mirage 5000) as desired. Keep in mind that lower power levels produce dimmer images. When in “...
Page 83 23(5$7,21 &+$1*( /$03 to record the serial number for a newly installed lamp. In the Lamp S/N window, use the number text entry keys to record the new lamp serial number, and press )LJXUH 5HFRUGLQJ WKH 1HZ /DPS 6HULDO 1XPEHU again to accept the change.
Page 84 23(5$7,21 Although the Brightness Uniformity control can be used for a single image, it is particularly useful for setting up and maintaining tiled images as a “seamless” display wall in which the color cast and light output appear uniform throughout each image as well as throughout the entire wall.
Page 85 23(5$7,21 viewpoints corresponding to the separation of our left and right eyes. When these frames are displayed with enough speed and viewed with special glasses synchronized with the left/right frames, the resulting “single” perceived image appears with much the same depth and perspective we sense in the real world. +RZ WR $FWLYDWH ' Once you have the necessary source and hardware/software setups described below, 03:...
Page 86 23(5$7,21 Pixel rate must be less than 160 MHz Set Pixel Tracking to 1424 or higher. Use “Minimum Delay” Processing Mode. Note that this option produces only a single frame delay, disables resizing and the “Freeze Image” option, and limits vertical and horizontal position ranges. See Customizing the Input Signal later in this section.
Page 87 23(5$7,21 )LJXUH 7\SLFDO ' &RQILJXUDWLRQ $FWLYH *ODVVHV 6WHUHR' &RPSRQHQWV )LJXUH 7\SLFDO ' &RQILJXUDWLRQ 3DVVLYH *ODVVHV 6WHUHR' &RPSRQHQWV $335235,$7( ' 6285&( : Signals from your 3D source (workstation or PC) must be customized to precisely match the processing capabilities of the projector.
Page 88 23(5$7,21 ,5 (0,77(5 : In response to an incoming sync signal, this small device emits left/right IR signals to a receiver in active 3D glasses, causing their left/right shutters to alternately open and close for active 3D application. Connecting an emitter to the emitter port on the Stereo3D Interface Module also enables you to switch back-and-forth between active and passive systems, if desired.
Page 89 23(5$7,21 NOTE: The example in Figure 3.34 assumes that the first active line of your signal is displayed on the first line of the Mirage display panel rather than being repositioned higher or lower using the projector’s V-Position control. )LJXUH &XVWRPL]LQJ WKH ,QSXW 6LJQDO 8VHU·V 0DQXDO 0LUDJH ...
Page 90 23(5$7,21 )LJXUH ([DPSOHV RI 3RRU DQG ,GHDO 6\QFKURQL]DWLRQ 2) “Dark Interval” projector control (note: not always required). For slower gating technologies, you may also need to artificially increase the amount of dark time between displayed frames so that shutters have even more time to open/close and each eye sees the full display intended for it (Figure 3.35B).
Page 91 23(5$7,21 NOTES: 1) Increasing the Dark Interval decreases the peak brightness of the image. Use only if necessary—you may prefer some color artifacts rather than reduced brightness, or vice versa. 2) Higher input frame rates limit the range of Dark Interval adjustment.
Page 92 23(5$7,21 : If vanishing points of objects :,7+ */$66(6 3(563(&7,9( $33($56 ´5(9(56('µ appear in the foreground rather than background, destroying perspective, the TTL inverter is likely missing or not working (you can confirm this by turning the glasses upside-down—3D will return). Or, if you are using the Stereo3D Interface Module, the checkbox in the Advanced Image Settings needs to be toggled.
Page 93 23(5$7,21 %URDGFDVWLQJ WR First make certain that only one (any) networked projector has its "Broadcast Keys" $OO 3URMHFWRUV option selected (checked) — the remaining projectors must have the option unchecked and their keypads disabled (do this in Preferences menu). The "Broadcast Keys"...
Page 94 23(5$7,21 2. Wait for the 6 values (blacklevels and drives) to stabilize. 3. Delete the checkmark and leave the Input Levels menu. Input levels are now correct for this source. Switch to the external white field for the remainder of this procedure. NOTE: Avoid using a digital source (particularly YUV) for the white field.
Page 95 23(5$7,21 activated (instead of the usual default of 6500K applied when Primary Color Adjustment is not enabled). As in any color temperature menu, white levels for preset color temperatures cannot be changed. See Figure 3.37. 6(7 :+,7( /(9(/6 67$57,1* 32,176 In the Adjust Primary Color (CSC) menu, set all White Levels to 90% (note: appears as 90.2 in the menu).
Page 96 23(5$7,21 Compare green fields and choose the least saturated green F 0$7&+ *5((16 (i.e. the screen which you feel is furthest from “pure green” and leans slightly toward yellow or blue). In the Green Primary menu for each remaining projector—starting with the adjacent projector—add red or blue as necessary until all green fields match the first, both in color and light output.
Page 97 23(5$7,21 6500K is the default color temperature if you adjusted primary colors for User 2, 3 or 4 (see Step 2b in Matching Colors In Multiple Screens), regardless of the Use Primary Color Adjustment checkbox status. To switch to your primary color adjustments, select the proper User color temperature as usual from any color temperature menu.
Page 98 23(5$7,21 primary colors, color temperature, and maximized light output are all well- matched from one screen to another. These matches are needed before you can achieve good Brightness Uniformity results. Light output and Brightness Uniformity can vary 581 /$03 )25 +2856³ significantly during the first 100 hours of lamp use.
Page 99 23(5$7,21 Select the 13 Point test pattern for display. This pattern provides 9 screen “zones” with 13 targets. FOR BEST RESULTS: Rather than examining the CENTER of each zone when assessing Brightness Uniformity adjustments, focus on extreme EDGES as indicated in the illustration at right. In the Advanced Color Temperature menu, select “User 1”.
Page 100 23(5$7,21 Return to the Brightness Uniformity menu. Beginning with the screen that exhibits the most obvious color shift(s), for each edge that exhibits a noticeably different color temperature from the center, select the corresponding Uniformity adjustment menu—Left, Right, Top or Bottom. For example, if any part of the left side is too blue, too red or too green, go to the Left Uniformity menu and adjust the colors (i.e., change their light output) until all portions of the left side closely match the center color temperature.
Page 101 23(5$7,21 6WHS 5HDGMXVW &RORU 7HPSHUDWXUH OHYHO RI UHGJUHHQEOXH LQ =RQHV Return to Steps & and, if necessary, fine tune the zones so that they all still exhibit a single color temperature. &DQFHOLQJ %ULJKWQHVV 8QLIRUPLW\ If you do not want to use or apply Brightness Uniformity settings, delete the checkmark from the “Uniformity Enable”...
Page 102 23(5$7,21 2WKHU 6LJQDO (UURU 0HVVDJHV In addition to the common "Bad Sync" and “No Signal” errors, you may encounter a signal error message indicating that Hsync and/or Vsync are either too fast or too slow. When such a message appears, check the frequencies shown in the Status menu.
Page 103 23(5$7,21 7DEOH 6\VWHP (UURU &RGHV &RGH 'HVFULSWLRQ *(1(5$/ 6RIWZDUH EXJ &RQWDFW GHDOHUIDFWRU\ &5& HUURU LQ IODVK 520 'RZQORDG QHZ VRIWZDUH 5HSODFH ,30 $WWHPSWLQJ WR GRZQORDG FRGH ZLWKRXW EHLQJ LQ ERRW PRGH ,QYDOLG LQWHUUXSW 3RZHU RIIRQ ,I SHUVLVWV FRQWDFW GHDOHUIDFWRU\ /$03 %$//$67 8QDEOH WR WXUQ WKH ODPS RQ /DPS LV RYHUKHDWHG...
Page 104 Do not place the projector on an unstable cart, stand or table. If the projector is to be ceiling mounted, only use a Christie-approved ceiling mount fixture. A projector and cart combination should be used with care. Sudden stops, excessive force, and uneven surfaces may cause the projector and cart combination to overturn.
Page 105 :$51,1* 8VH RQO\ ILOWHUV VXSSOLHG E\ &KULVWLH 3RZHU &RUG Only use attachments or accessories recommended by Christie, such as the specific DQG $WWDFKPHQWV power cord supplied. Use of other attachments or accessories with this projector may result in the risk of fire, shock or personal injury.
Page 106 Do not attempt to service the projector yourself. All servicing must be performed by a qualified Christie service technician only. If replacement parts are required, it is important that only Christie-approved parts are used. Other parts may result in fire, electric shock or risk of personal injury.
Page 107 )LJXUH 5HSODFLQJ .H\SDG %DWWHULHV NOTE: For this procedure you will need a “Roadster / Vista / Mirage 5000 Lamp 5HSOD.LQJWKH and Filter Replacement Kit” or a “DLV1280-DX / Mirage 2000 Lamp and Filter /DPSDQG)LOWHU Replacement Kit”. Both are manufactured by Christie Digital Systems.
Page 108 0$,17(1$1&( 67(3 7XUQ RII WKH SURMHFWRU Turn the projector off and allow the cooling fans to stop automatically before proceeding with Step 2. 67(3 8QSOXJ WKH SURMHFWRU When the cooling fans have stopped, turn main power off and unplug the projector. 67(3 5HPRYH WKH OHIW VLGH SDQHO See Figure 4.2.
Page 109 0$,17(1$1&( $%! /RRVHQ WKH VSULQJORDGHG 7EROWV The lamp module is secured to its adjustment plate with 3 large spring-loaded T-bolts that lock in-and-out with a 90° turn (they are the largest heads visible on the adjustment plate). To remove each T-bolt, use a Phillips screwdriver to push and turn each bolt 90°.
Page 110 0$,17(1$1&( $WWDFK QHZ ODPS WR WKH WHUPLQDO EORFN DQG LQVHUW 67(3 Secure the new lamp module to the terminal block with the single screw, then insert into the lamp compartment as described below: ,) Looking into the lamp compartment, the terminal block should be located...
Page 111 0$,17(1$1&( &ORVH WKH ODPS GRRU 67(3 Swing the door down and secure the 2 screws. 5HSODFH WKH OHIW VLGH SDQHO 67(3 Align the bottom of the left side panel with two pins at the bottom edge of the projector and swing up into place.
Page 112 0$,17(1$1&( 67(3 5HSODFH WKH ILOWHU Slide the used filter out from under the top tab and replace. Make sure the wire side faces IN. See Figure 4.10. 67(3 5HSODFH WKH ULJKW VLGH SDQHO Align the bottom of the panel with 2 pins at the bottom edge of the projector and swing )LJXUH ,QVWDOO ZLUH VLGH ,1 up into place.
Page 113 0$,17(1$1&( align with the screws beyond, then insert the hex socket ball driver as shown. See Figure 4.11. 02725,=(' =220 As shown in Figure 4.11, the 3 access holes on /(16 the zoom gear will be “skewed” away from the lens mount screws (see Before You Begin instructions).
Page 114 0$,17(1$1&( 67(3 5RWDWH ]RRP JHDU FORFNZLVH IXOO\ 02725,=(' =220 21/< Face the front of the new motorized zoom lens (still out of the projector), with cut-out at bottom. Manually rotate the zoom gear fully clockwise. See Figure 4.13. The access holes will be aligned with the flange slots. IMPORTANT: Before continuing, make sure focus tabs cannot move, indicating that the focus gear is properly engaged with its motor.
Page 115 0$,17(1$1&( 67(3 6HFXUH QHZ OHQV DVVHPEO\ Secure the 3 lens mount screws. Refer back to Figure 4.11. Accessing the Lens Mount Screws—note 30° angle of hex driver required to secure a motorized zoom lens. 67(3 3RZHU 8S DQG &DOLEUDWH WKH /HQV /HQV Remove the lens cap and power up the projector.
Page 116 9. Is the "Status" LED flashing a pattern of yellow and red lights while the "Power" LED is steady red? This indicates an internal system error that may prevent the projector from operating. If the problem persists contact a qualified Christie service technician.
Page 117 0$,17(1$1&( 2. Motorized zoom function is not available for Vista zoom lenses 2.5-4:1 GRAPHX or 4-7:1, neither of which have a zoom gear, or fixed (non-zoom) lenses. 3. Calibrate the lens immediately after installation or reconnection, and again if the lens is bumped or moved.
Page 118 0$,17(1$1&( 6\PSWRP 3RUWLRQV RI WKH GLVSOD\ DUH FXW RII RU ZUDS WR WKH RSSRVLWH HGJH« 1. Reduce top, bottom, left or right blanking from within the Size and Position &$86( 5(0('< menu. Check size and position adjustments. 2. Resizing may need adjustment. Adjust until entire image is visible and centered. 6\PSWRP 7KH GLVSOD\ DSSHDUV FRPSUHVVHG RU VWUHWFKHG«...
Page 119 0$,17(1$1&( 6\PSWRP 7KH GLVSOD\ LV ´QRLV\µ« 1. Display adjustment may be required. Adjust pixel tracking, phase and filter. &$86( 5(0('< Noise is typical of YPbPr signals from a DVD player. 2. The video input may not be terminated. Make sure the video input is terminated ).
Page 120 1280 x 1024 (SXGA) Refresh rate 23.97 – 108 Hz $FKLHYDEOH %ULJKWQHVV XQGHU PD[LPXP RXWSXW FRQGLWLRQV Mirage 2000 = 2000 ANSI lumens Mirage 5000 = 5000 ANSI lumens $FKLHYDEOH &RQWUDVW 5DWLR Mirage 2000 = 300:1 ANSI Mirage 5000 = 300:1 ANSI...
Page 121 63(&,),&$7,216 ,QSXWV 2XWSXWV Number of inputs 2 RGBHV input via plug-in module) 2 video (requires optional video decoder module) $QDORJ 5*% DQG <3 U ,17(5/$&(' >QRQ'@ 25 352*5(66,9( 6&$1 )250$7 Horizontal frequency range * 15 – 120 kHz Vertical frequency range * 23.97 –...
Page 122 Heavy duty, high current, 10 amp /LQH &RUG Heavy duty, high current, 10 amp 3OXJ Mirage 2000 = NEMA 5-15P, 15A, 125/250V Mirage 5000 = NEMA 6-15P, 15A, 250V Type for Mirage 2000 500 watt Xenon short arc, open /DPS...
Page 123 63(&,),&$7,216 6L]H :HLJKW Size (minimum W x L x H of product, no lens) 22.3” (56.6 cm) x 30.1” (76.5 cm) x 11.9” (30.2 cm) Weight of product, no lens 88 lb. (39.9 kg) Shipping weight 147 lb. (66.7 kg) )LJXUH 3URMHFWRU 'LPHQVLRQV 6DIHW\ Approved to CSA C22.2.
Page 124 63(&,),&$7,216 2SWLRQV $FFHVVRULHV Wired Remote Keypad 2-Way Controller (NOTE: v1.2 or higher TWC required for CoRE v1.4 or higher) Extra IR Remote Sensor Alternate Throw Lenses (see page 5-1) Marquee Signal Switcher Universal Ceiling Mount (includes adapter) CoRE Librarian for downloading new software Threaded lens adapter/flange for installing Vista lenses GRAPHX...
Page 125 $ S S H Q G L [ $ *ORVVDU\ This appendix defines the specific terms used in this manual as they apply to this projector. Also included are other general terms commonly used in the projection industry. $FWLYH /LQH 7LPH The time, inside one horizontal scan line, during which video is generated.
Page 126 */266$5< &KDQQHO 1XPEHU A number that uniquely identifies a specific channel retained in projector memory. The projector can retain up to 99 channels. &KHFNER[ A menu item that indicates whether an option is currently in effect (checked) or not (unchecked). &RORU 6KLIW A change in the tint of a white field across an image.
Page 127 */266$5< *DLQ RU 6FUHHQ *DLQ The ability of a screen to direct incident light to an audience. A flat matte white wall has a gain of approximately 1. Screens with gain less than 1 attenuate incident light; screens with gain more than 1 direct more incident light to the audience but have a narrow viewing angle.
Page 128 */266$5< /RRSWKURXJK The method of feeding a series of high impedance inputs from a single video source /RRSWKUX with a coaxial transmission line in such a manner that the line is terminated with its characteristic impedance at the last input on the line. /XPHQ The unit of measure for the amount of visible light emitted by a light source.
Page 129 The diameter of the smallest dot that can be generated by a CRT projector. This projector has a fixed spot (pixel) size. 6ZLWFKHU A signal selector, such as the Christie Marquee Signal Switcher, that can be connected to a projector for the purpose of adding more sources. 6\QF This term refers to the part of the video signal that is used to stabilize the picture.
Page 130 7KURZ 'LVWDQFH The distance between the front feet of the projector and the screen. Also called "Projector-to-Screen Distance”. Always use the correct Christie throw distance formula to calculate the proper throw distance (±5%) required for your lens. Balance of red-to-green necessary for realistic representation of NTSC signals.
Page 131 $ S S H Q G L [ % .H\SDG5HIHUHQ.H )LJXUH % .H\SDG 8VHU·V 0DQXDO 0LUDJH ...
Page 132 $ S S H Q G L [ & 0HQX7UHH 8VHU·V 0DQXDO & 0LUDJH ...
Page 133 0(18 75(( 8VHU·V 0DQXDO & 0LUDJH ...
Page 134 $ S S H Q G L [ ' 6HULDO&RPPXQL.DWLRQ&DEOHV When connecting from projector to a computer, another projector, or a Marquee Signal Switcher, use the appropriate serial communication shielded cabling as illustrated. 8VHU·V 0DQXDO 0LUDJH ...
Page 135 6(5,$/ &20081,&$7,21 &$%/(6 8VHU·V 0DQXDO 0LUDJH ...
Page 136 6(5,$/ &20081,&$7,21 &$%/(6 8VHU·V 0DQXDO 0LUDJH ...
Page 137 6(5,$/ &20081,&$7,21 &$%/(6 8VHU·V 0DQXDO 0LUDJH ...
Page 138 $ S S H Q G L [ ( 7KURZ'LVWDQ.H Always consult this Appendix when planning a projector installation. See also 2.3, Projector Position and Mounting. &DOFXODWLQJ 7KURZ 'LVWDQFH Correct throw distance depends on the screen size and lens present—the larger the image needed, the greater the distance you must allow between the lens and screen.
Page 139 7+52: ',67$1&( 0LUDJH 8VHU·V 0DQXDO...
Page 140 7+52: ',67$1&( 0LUDJH 8VHU·V 0DQXDO...
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Page 146 $ S S H Q G L [ ) 2SWLRQDO,QSXW0RGXOHV There are many optional input modules and accessories currently available for this projector. Contact your dealer for a complete and up-to-date listing. The Marquee Signal Switcher is a rack-mountable signal selector which can greatly Marquee 6LJQDO 6ZLWFKHU increase the number of analog sources (inputs) available to the projector.
Page 147 237,21$/ ,1387 02'8/(6 5*% )HDWXUHV ¡ accepts 3, 4, or 5 wire RGB video (sync-on-green, composite sync, or separate horizontal and vertical sync), up to 500 MHz bandwidth ¡ BNC connectors for RGB signal inputs NOTE: The audio connectors are not functional. The RGB400 Buffered Amplifier Input Module may be installed in this projector, a 5*%%$ ,QSXW 0RGXOH [[...
Page 148 237,21$/ ,1387 02'8/(6 The Composite/S-Video Input Module may be installed in this projector, a Marquee &RPSRVLWH 69LGHR ,QSXW 0RGXOH Signal Switcher or a Marquee Case/Power Supply. The module receives either [[ composite video or S-video input signals from tape or disk players (do not connect both types of signals simultaneously).
Page 149 237,21$/ ,1387 02'8/(6 The DVI/DFP Input Module can be installed in the projector to display digital video '9, ')3 ,QSXW 0RGXOH input signals conforming to the DVI (Digital Visual Interface) standard (single- channel) or the DFP (Digital Flat Panel Port) specification. )HDWXUHV ¡...
Page 150 237,21$/ ,1387 02'8/(6 ,1387 The Serial Digital Input Module (SDI) can be installed in the projector at 6HULDO 'LJLWDO ,QSXW 0RGXOH [[ where it accepts a serial digital 4:2:2 component video signal (YCbCr) via a single 6(5,$/ ,1 6(5,$/ 287 BNC connector.
Page 151 ,QGH[ Input 2, 2-20 Auto Input Level, 3-36 Auto Power Up, 3-34 Auto Setup, 3-22 10-bit. See Advanced 10-bit (ADP) AutoSource Checkbox, 3-22 Back IR Keypad, 3-30 and Clamp Tip control, 3-56 Bad Sync, 3-65 and Color Artifacts, 3-54, 3-56 Baud Rate, 2-28, 3-30 and Cross-Talk, 3-52, 3-55 Blacklevels and Drives, 3-36...
Page 152 ,1'(; Color Key, 3-8, 3-27 Formats Color Matching, 3-57 Video, 5-2 Color Saturation Freeze Image, 3-35 Using Chroma Input Gain, 3-37 Front IR Keypad, 3-30 Color Space, 3-28 Full Screen, 3-23, 3-24 Color Space Conversion. See Adjust Primary Function Key, 3-11 Colors Color Temperature, 3-28, 5-1 Advanced Color Temperature, 3-38...
Page 153 ,1'(; Lamp, 3-44 Lens Control, 3-9 Main, 3-12 Keypad Preferences, 3-33 Guidelines, 3-5 Size and Position, 3-23 Types, 3-4 Keypad Batteries, 4-3 Status, 3-48 Menu Key, 3-7 Keypad Protocol, 2-31, 3-12, 3-31, 4-12 Menu Navigation, 3-12 Changing in Keypad, 2-31 Conflicts, 2-33 Menu Options, 3-34 Default, 2-31, 3-12...
Page 154 ,1'(; Dimensions, 5-4 Using the Emitter Port, 3-51, 3-52 Number, 3-16, 3-32, 3-56 S-Video Position and Mounting, 2-22 Connecting, 2-17 Resetting, 3-3, 3-66 Extra, 2-20 Service, 4-3 Loop Through, 2-19 Ventilation, 2-7, 4-2 Switcher, 3-21, 3-30 Protocols, 2-31, 3-30 Switcher Connection, 2-20 Changing, 2-31 Sync Changing in Projector, 3-30...

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