Effects Of Equalisation; Effects Of Equalisation On Voice Reproduction; Effects Of Equalisation On Music Reproduction - Midas XL8 Operator's Manual

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Effects of equalisation

Effects of equalisation on voice reproduction

1/3 Octave Centre Frequency
40, 50, 63, 80, 100, 125
160, 200, 250
315, 400, 500
630, 800, 1k
1k25 to 4k
5, 6k3, 8k
10, 12k5, 16k

Effects of equalisation on music reproduction

1/3 Octave Centre Frequency
31, 40, 50, 63
80, 100, 125
160, 200, 250
315, 400, 500
630, 800, 1k
1k25 to 4k
5k, 6k3, 8k
10k, 12k5, 16k
Chapter 11: Graphic Equaliser (GEQ)
Effect On Voice
Sense of power in some outstanding bass singers.
Voice fundamentals.
Important for voice quality.
Important for voice naturalness. Too much boost in the 315 to 1k
range produces a telephone-like quality.
Vocal fricatives. Accentuation and clarity of voice.
Important to speech intelligibility. Too much boost between 2kHz
and 4kHz can mask certain speech sounds, for example, 'm', 'b' and
'v', which can become indistinguishable. Too much boost anywhere
between 1kHz and 4kHz can produce listener fatigue. Vocals can
be highlighted by slightly boosting vocals at 3kHz whilst
simultaneously slightly cutting instruments at that frequency.
Accentuation and clarity of voice.
Too much boost causes sibilance ('sss').
Effect On Voice
Fundamentals of bass drum, tuba, bass and organ. These give
music a sense of power but excessive use can leave the sound
'muddy'.
Mains Hum (50-60Hz).
Too much boost produces 'boom'. (Fundamentals of tympani and
toms.)
Higher harmonics of mains hum (100-120Hz).
Drum and lower bass. Too much boost produces 'boom'.
3rd Harmonics of Mains Hum.
Fundamentals of strings and percussion.
Fundamentals and harmonics of strings, keyboards and percussion.
Boosting 600-1kHz range can make instruments sound
horn-like.
Drums, guitar, accentuation of vocals, strings and brass.
Excessive boost around 1-2kHz can make instruments sound
'tinny'.
Excessive boost around 1-4kHz can produce 'listening fatigue'.
Accentuation of percussion, cymbals and snare drum.
Reduction at 5kHz makes overall sound more distant and
transparent.
Reduction of tape hiss and system noise. 1k25 to 8k governs
overall clarity and definition.
Cymbals and overall brightness. Too much boost causes sibilance.
Reduction of tape hiss and system noise.
XL8 Control Centre
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